Представьте, что копирайта нет. А также размышления о транснациональных корпорациях, контролирующих культурные активы

Fisher W. W. Promises to Keep. Technology, Law, and the Future of Entertainment. — Stanford: Stanford University Press, 2004.

Florida R. The Rise of the Creative Class. And How It’s Transforming Work, Leisure and Everyday Life. — London: Basic Books, 2004.

Florida R. Cities and the Creative Class. — New York; London: Routledge, 2005.

Florida R. The Flight of the Creative Class. The New Global Competition for Talent. — New York: HarperBusiness, 2005 (a).

Frey B. S., Pommerehne W. W. Muses and Markets. Explorations in the Economics of the Arts. — Oxford: Basil Blackwell, 1989.

Frey B. S. Art & Economics. Analysis & Cultural Policy. — Berlin: Springer, 2000.

Frey B. S. Some considerations on fakes in art: an economic point of view. — In Mossetto, 2004. — P. 17-29.

Frith S. ( ed. ). Music and Copyright. — Edinburgh: Edinburgh University Press, 1993.

Frith S., Marshal L. (ed. ). Music and Copyright. — Second Edition. — Edinburgh: Edinburgh University Press, 2004.

Fukuyama F. Trust. The Social Virtues 8c the Creation of Prosperity. — New York: The Free Press, 1995.

Gagnon M.-A., Lexchin J. The Cost of Pushing Pills. A New Estimate of Pharmaceutical Expenditures in the United States. — In PloSMedicine, January, 2008, Vol. 5, Issue 1 (www.plosmedicine.org).

Geinser G., Wijnberg N. W. Effects of Reputational Sanctions on the Competitive Imitation of design Innovations. — In Organization Studies, 2001,22/4. —P.563-591.

Germann C. Content Industries and Cultural Diversity. The Case of Motion Pictures. — In Culturelink (Zagreb), Special Issue, 2002/2003. — P.97-140.

Gerven W. van, barouche R, Lever J. Cases, Materials and Texts on National, Supranational and International Tort Law. — Oxford: Hart Publishers, 2000.

Ginsburgh V.A., Throsby D. (eds.). Handbook of the Economics of Art and Culture. — Amsterdam: North-Holland, 2006.

Glenny M. McMaffia. Crime Without Frontiers. — London: The Bodley Head, 2008.

Goldstein P. International Copyright. Principles, Law and Practice. — Oxford: Oxford University Press, 2001.

Gowers A. Gowers Review of Intellectual Property. — London: HM Treasury, 2006.

Gr"aber, Beat C. a. o. (eds.). Digital Rights Management. The End of Collecting Societies? — Berne: Staempfli Publishers Ltd, 2005.

Grandstrand О. (ed.). Economics, Law and Intellectual Property. — Amsterdam: Kluwer Academic Publicers, 2003.

Grosheide W., BrinkhofJ. (eds.). Intellectual Property Law. Articles on Cultural Expressions and Indigenous Knowledge. — Antwerp: Intersentia, 2002.

Hagoort G. Cultural Entrepreneurship. — Utrecht: Eburon, 1993.

Harold C. OurSpace. Resisting the Corporate Control of Culture. — Minneapolis: University of Minnesota Press, 2007.

Hartley J. (ed.). Creative Industries. — Oxford: Blackwell, 2005.

Hauser. Sozialgeschichte der Kunst und Literatur. — M"unchen: C. H. Beck, 1972.

Heins M. «The Progress of Science and Useful Arts»: Why Copyright Today Threatens Intellectual Freedom. — New York: Brennan Center for Justice, 2003.

Heller A. The Power of Shame. A Rational Perspective. — London: Routledge & Kegan Paul, 1985.

Hemmungs Wirt'en E. No Trespassing. Authorship, Intellectual Property Rights, and the Boundaries of Globalization. — Toronto: University of Toronto Press, 2004.

Hesmondhalgh D. The Cultural Industries. — London: Sage, 2002.

Hesmondhalgh D. (ed.). Media Production,Maidenhead. — Berkshire: Open University Press, 2006.

Hisrich R. D., Peters M. P. Entrepreneurship. — Boston: McGraw-Hill, 2002.

Hoskins C., McFadyen S., Finn A. Media Economics. Applying Economics to New and Traditional Media. — Thousand Oaks; London: Sage, 2004.

Howe J. Crowdsourcing. Why the Power of the Crowd Is Driving the Future of Business. — New York: Crown Business, 2008.

Keen A. The Cult of the Amateur. How Today’s Internet is Killing Our Culture. — New York: Doubleday, 2007.

Klein N. The Shock Doctrine. The Rise of Disaster Capitalism. — London; New York: The Penguin Press, 2007.

Kretschmer М. Intellectual Property in Music: A Historical Analysis of Rhetoric and Institutional Practices, special issue Cultural Industry (ed. P. Jefifcutt). — Studies in Cultures: Organizations and Societies, 1999, 6. — P. 197-223.

Kretschmer M, Kawohl F. The History and Philosophy of Copyright // Frith and Marschall. — 2004. — P. 21-53.

Lane G, Bachmann R. (eds.). Trust Within and Between Organizations. Conceptual Issues and Empirical Analysis. — Oxford: Oxford University Press, 2001.