Представьте, что копирайта нет. А также размышления о транснациональных корпорациях, контролирующих культурные активы

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Lessig L. Free Culture. How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. — New York: The Penguin Press, 2004.

Lessig L. Remix. Making art and commerce thrive in the hybrid economy. — London: Bloomsbury, 2008.

Lewinski S. von. Indigenous Heritage and Intellectual Property. Genetic Resources, Traditional Knowledge and Folklore. — The Hague: Kluwer Law International, 2002.

Litman J. Digital Copyright. — Amherst; New York: Prometeus Books, 2001.

Lovink G., RossiterN. (eds.). MyCreativity Reader. A Critique of Creative Industries. — Amsterdam: Institute of Network Cultures, 2007.

Lovink G. Zero Comments. Blogging and Critical Internet Culture. — New York; London: Routledge, 2008.

Lovink G., Niederer S. (eds.). Responses to YouTube. — Amsterdam: Institute of Network Cultures, 2008a.

Macmillan F. Copyright and corporate power. — In Towse, 2002. — P. 99-118.

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Martel F. De la culture en Am'erique. — Paris: Gallimard, 2006.

Maxwell R. (ed.). Culture Works. The Political Economy of Culture. — Minneapolis: University of Minnesota Press, 2001.

McChesney R. W. Rich Media, Poor Democracy. Communication Politics in Dubious Times. — Urbana; Chicago: University of Illinois Press, 1999.

McChesney R. W. Communication Revolution. Critical Junctures and the Future of Media. — New York: The New Press, 2007.

Mossetto G., Vecco M. (eds.). The Economics of Copying and Counterfeiting. — Milano: FrancoAngeU, 2004.

Motavalli}. Bamboozled at the Revolution. How Big Media Lost Billions in the Battle for the Internet. — New York: Viking, 2002.

Naim M. Illicit. How smugglers, traffickers, and copycats are hijacking the global economy. — New York: Doubleday, 2005.

Netanel N. W. Copyrights Paradox. — Oxford; New York: Oxford University Press, 2008.

Nimmer M. B., Getter P. E. International Copyright Law and Practice. — New York: Bender, 1988.

Nimmer M. B., Nimmer D. Nimmer on Copyright: A Treatise on the Law of Literary, Musical and Artistic Property, and the Protection of Ideas. — New York: Bender, 1994.

Nooteboom B. Trust. Forms, Foundations, Functions, Failures and Figures. — Cheltenham: Edward Elgar, 2002.

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Ob"uljen N., Smiers J. Unesco’s Convention on the Protection and Promotion of the Diversity of Cultural Expressions. Making It Work. — Zagreb: Culturelink, 2006.

Perelman M. Steal This Idea. Intellectual Property Rights and the Corporate Confiscation of Creativity. — New York, Palgrave, 2002.

P'erez de Cuellar J. Our Creative Diversity. Report of the World Commission on Culture and Develoipment. — Paris: Unesco Publishing, 1996.

Picciotto S. Defending the Public Interest in TRIPS and the WTO. — In Dra-hos, 2002, —P.224-243.

Pietrobelli C., Sverrisson A. Linking Local and Global Economies. The ties that bind. — London: Routledge, 2004.

Polanyi K. The Great Transformation. The Political and Economic Origins of Our Time. — Boston: Beacon Press, 1957.

Pugatch M. R, Jensen A. Healthy IPRs. A Forward Look at Pharmaceutical Intellectual Property. — London: The Stockholm Network, 2007.

Renschler R. The Entrepreneurial Arts Leader. Cultural Policy, Change and Reinvention. — Queensland: The University of Queensland press, 2002.

Ricketson S., Ginsburg J. C. International Copyright and Neighbouring Rights: The Berne Convention and Beyond. — Oxford: Oxford University Press, 2006.

Rifkin J. The Age of Access. The New Culture of Hypercapitalism, Where AU of Life is a Paid-for Experience. — New York: Jeremy P. Tarcher; Putnam, 2000.

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Rossiter N. Organized Networks. Media Theory, Creative Labour, New Institutions. — Rotterdam: NAi, 2006.

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