Семь дней в искусстве

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Buck, Louisa, and Judith Greer. Owning Art: The Contemporary Art Collector’s Handbook. London: Cultureshock Media, 2006.

Button, Virginia. The Turner Prize. London: Tate Publishing, 2005.

Crane, Diana. The Transformation of the Avant-Garde: The New York Art World, 1940–1985. Chicago: University of Chicago Press, 1987.

Crow, Thomas. Modern Art in the Common Culture. London: Yale University Press, 1996.

De Coppet, Laura, and Alan Jones. The Art Dealers. New York: Cooper Square, 2002.

Fitzgerald, Michael C. Making Modernism: Picasso and the Creation of the Market for Twentieth-Century Art. New York: Farrar, Straus and Giroux, 1995.

Foster, Hal, et al. Art Since 1900: Modernism, Antimodernism and Postmodernism. London: Thames and Hudson, 2004.

Fraser, Andrea. Museum Highlights: The Writings of Andrea Fraser. Edited by Alexander Alberro. London: MIT Press, 2005.

Greenberg, Reesa, et al., eds. Thinking About Exhibitions. London: Routledge, 1996.

Haacke, Hans, and Pierre Bourdieu. Free Exchange. Cambridge: Polity, 1995.

Haden-Guest, Anthony. True Colors: The Real Life of the Art World. New York: Atlantic Monthly, 1996.

Halle, David. Inside Culture: Art and Class in the American Home. Chicago: University of Chicago Press, 1993.

Helguera, Pablo. Manual of Contemporary Art Style. New York: Jorge Pinot, 2007.

Hertz, Richard, ed. Jack Goldstein and the CalArts Mafia. Ojai, CA: Minneola, 2003.

Jones, Caroline A. Machine in the Studio: Constructing the Postwar American Artist. London: University of Chicago Press, 1996.

Lindemann, Adam. Collecting Contemporary. London: Taschen, 2006.

Lubow, Arthur. «Tokyo Spring! The Murakami Method». New York Times Magazine, April 3, 2005.

Malcolm, Janet. «A Girl of the Zeitgeist I». The New Yorker, October 20, 1986.

Malcolm, Janet. «A Girl of the Zeitgeist II». The New Yorker, October 27, 1986.

Mason, Christopher. The Art of the Steal: Inside Sotheby’s-Christie’s Auction House Scandal. New York: Putnam, 2004.

McCarthy, Kevin, et al., eds. Portrait of the Visual Arts: Meeting the Challenges of a New Era. New York: RAND: Research in the Arts, 2005.

Millard, Rosie. The Tastemakers: UK Art Now. London: Thames and Hudson, 2001.

Moulin, Raymonde. The French Art Market: A Sociological View. Translated by Arthur Goldhammer. London: Rutgers University Press, 1987.

Murakami, Takashi. Little Boy: The Arts of Japan’s Exploding Subculture. New York: Japan Society/Yale University Press, 2005.

Newman, Amy. Challenging Art: Artforum 1962–1974. New York: Soho, 2000.

Obrist, Hans Ulrich. Dontstopdontstopdontstopdontstop. London: Sternberg, 2006.

O’Doherty, Brian. Inside the White Cube: The Ideology of the Gallery Space. Santa Monica, CA: Lapis, 1986.

Rewald, John. «Theo van Gogh as Art Dealer». In Studies in PostImpressionism. Edited by Irene Gordon and Frances Weitzenhoffer. London: Thames and Hudson, 1986.

Schimmel, Paul, ed. © Murakami. Los Angeles: Museum of Contemporary Art/New York: Rizzoli, 2007.

Serota, Nicholas. Experience of Interpretation: The Dilemma of Museums of Modern Art. London: Thames and Hudson, 2000.

Singerman, Howard. Art Subjects: Making Artists in the American University. London: University of California Press, 1999.

Stallabrass, Julian. High Art Lite. London: Verso, 1999.

Sylvester, David. Interviews with Francis Bacon. London: Thames and Hudson, 1993.