St Petersburg

81 Shklovsky, Gamburgskii schet (Hamburg Rules), p. 486.

82 Piast, Vstrechi (Encounters), p. 250.

83 Viktor Shklovsky, O teorii prozy (On a Theory of Prose) (Moscow, 1983), p. 72.

84 Shklovsky, Zhili-byli (Once upon a Time), p. 288.

85 Shklovsky, Gamburgskii schet (Hamburg Rules), p. 63.

86 D. S. Mirsky, Uncollected Writings on Russian Literature (Berkeley, 1989), p. 226.

87 Mandelstam, Sochineniia (Works), vol. 2, p. 273.

88 Peterburg, 2 (1922), p. 14.

89 George Balanchine, in conversation with the author, New York, 1982.

90 Konst. Fedin, Sobranie sochinenii (Collected Works), 10 vols., vol. 10 (Moscow, 1973), p. 128.

91 Slonimsky, Chudesnoe bylo riadom s nami (The Marvelous Was Right next to Us), p. 17.

92 Milashevsky, Vchera, pozavchera (Yesterday, Day Before Yesterday), p. 218.

93 Slonimsky, Chudesnoe bylo riadom s nami (The Marvelous Was Right next to Us), p. 135.

94 Valerian Bogdanov-Berezovsky, in conversation with the author, Leningrad, 1970.

95 Alexandra Danilova, in conversation with the author, New York, 1991.

96 George Balanchine, in conversation with the author, New York, 1982.

97 Quoted in Muzyka i khoreografiia sovremennogo baleta (Music and Choreography of Modern Ballet) [collection] (Leningrad, 1974), p. 165.

98 Alexandra Danilova, in conversation with the author, New York, 1991.

99 I. Sollertinsky, Stat’i o balete (Articles on Ballet) (Leningrad, 1973), pp. 18-19.

100 Slonimsky, Chudesnoe bylo riadom s nami (The Marvelous Was Right next to Us), p. 200.

101 Fyodor Lopukhov, Shest’desiat let v balete (Sixty Years in the Ballet) (Moscow, 1966), p. 14.

102 Ibid., p. 13.

103 Quoted in E. Ia. Surits, Khoreograficheskoe iskusstvo dvadtsatykh godov (The Art of Choreography of the Twenties) (Moscow, 1979), p. 284.

104 Sollertinsky, Stat’i o balete (Articles on Ballet), p. 29.

105 Ibid., p. 26.

106 Lopukhov, Shest’desiat let v balete (Sixty Years in the Ballet), p. 33.

107 Quoted in Surits, Khoreograficheskoe iskusstvo dvadtsatykh godov (The Art of Choreography of the Twenties), pp. 66-67.

108 Teatr, 13 (1923), p. 7.

109 Teatr, 1 (1924), pp. 6-7.

110 Quoted in M. Dolinskii, Sviaz’ vremen (Connections of Times) (Moscow, 1976), p. 122.

111 Alexandra Danilova, in conversation with the author, New York, 1992.

112 Fyodor Lopukhov, in conversation with the author, Leningrad, 1967.

113 George Balanchine, in conversation with the author, New York, 1982.

114 V. Bogdanov-Berezovsky, Vstrechi (Encounters) (Moscow, 1967), p. 250.

115 M. Mikhailov, Zhizn’ v balete (Life in the Ballet) (Leningrad and Moscow, 1966), p. 44.

116 Quoted in V. I. Berezkin, V. V. Dmitriev (Leningrad, 1981), p. 13.

117 George Balanchine, in conversation with the author, New York, 1981.

118 Alexandra Danilova, in conversation with the author, New York, 1992.

119 Quoted in Slonimsky, Chudesnoe bylo riadom s nami (The Marvelous Was Right next to Us), p. 214.

120 Mikhailov, Zhizn’ v balete (Life in the Ballet), pp. 44-45.

121 Quoted in U istokov (At the Sources) [collection] (Moscow, 1960), p. 129.

122 Shklovsky, Gamburgskii schet (Hamburg Rules), p. 175.

123 George Balanchine, in conversation with the author, New York, 1982.

124 A. V. Lunacharsky, Sobranie sochinenii (Collected Works), 8 vols., vol. 7 (Moscow, 1967), p. 502.

125 George Balanchine, in conversation with the author, New York, 1981.

126 Ibid.

127 Quoted in Slonimsky, Chudesnoe bylo riadom s nami (The Marvelous Was Right next to Us), p. 182.

128 Ibid., p. 186.

129 Lopukhov, Shest’desiat let v balete (Sixty Years in the Ballet), p. 188.

130 Vladimir Mayakovsky, Polnoe sobranie sochinenii (Complete Collected Works), 13 vols., vol. 4 (Moscow, 1957), p. 253.

131 S. S. Prokofiev and N. Ya. Miaskovsky, Perepiska (Correspondence) (Moscow, 1977), p. 281.

132 Stravinsky and Craft, Expositions and Developments, p. 83.

133 Igor Stravinsky, An Autobiography (New York and London, 1962), p. 100.

134 Ibid., pp. 99-100.

135 Lincoln Kirstein, Dance: A Short History of Classic Theatrical Dancing (New York, 1969), p. 257.

136 Richard Buckle, George Balanchine, Ballet Master (New York, 1988), p. 68.

137 Stravinsky, Stat’i i materialy (Articles and Materials), p. 391.

138 Stravinsky and Craft, Expositions and Developments, pp. 34-35.

139 Ibid., p. 21.