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Весь мир обоями оклеен —пещерка малая любви,окошки в образе расселини занавески в виде роз;знакомых карточки приятныеприбиты клиньями вокругстола. «О, ночки, ночки невозвратные!» —поет гитара во весь дух.Гитара медная поет,рыдает брюхо деревянное,спеши, медовая салопница —тут девки сели наотлет —упали ручки вертикальные,на солнце кожа шелушится,облуплен нос и плоски лицаподержанные. Девки сели,плетут в мочалу волоса,взбивают жирные постелии говорят: — Мы очень рады,сидим кружками, ждем награды,она придет — волшебница приятная,приедут на колесах женихи,кафтаны снимут, впечатлениясвои изложат от души.Мы их за ручки всё хватаем,с различным видом всё хохочем,потом чулочки одеваем —какие ноги у нас длинные —повыше видимых коленок!—Так эти девочки невинныеболтали шумно меж собою,играя весело с судьбою…Но что за дело до судьбы,когда в крови волненье,когда, как мыльные клубы,несутся впечатленья?В трамвае движется компания,проходит Кронверкский в окошке,я лица лоснятся как плошки,и платья с красными тюльпанами,в поту желая быть красивыми,играют ситцевыми сливами,и руки кажутся прекрасными —они все дальше-дальше тянутся,и вот — сверкает кверху дномНародный Дом.2
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The Voice Over
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Maria Stepanova is one of the most powerful and distinctive voices of Russia's first post-Soviet literary generation. An award-winning poet and prose writer, she has also founded a major platform for independent journalism. Her verse blends formal mastery with a keen ear for the evolution of spoken language. As Russia's political climate has turned increasingly repressive, Stepanova has responded with engaged writing that grapples with the persistence of violence in her country's past and present. Some of her most remarkable recent work as a poet and essayist considers the conflict in Ukraine and the debasement of language that has always accompanied war. *The Voice Over* brings together two decades of Stepanova's work, showcasing her range, virtuosity, and creative evolution. Stepanova's poetic voice constantly sets out in search of new bodies to inhabit, taking established forms and styles and rendering them into something unexpected and strange. Recognizable patterns... Maria Stepanova is one of the most powerful and distinctive voices of Russia's first post-Soviet literary generation. An award-winning poet and prose writer, she has also founded a major platform for independent journalism. Her verse blends formal mastery with a keen ear for the evolution of spoken language. As Russia's political climate has turned increasingly repressive, Stepanova has responded with engaged writing that grapples with the persistence of violence in her country's past and present. Some of her most remarkable recent work as a poet and essayist considers the conflict in Ukraine and the debasement of language that has always accompanied war. The Voice Over brings together two decades of Stepanova's work, showcasing her range, virtuosity, and creative evolution. Stepanova's poetic voice constantly sets out in search of new bodies to inhabit, taking established forms and styles and rendering them into something unexpected and strange. Recognizable patterns of ballads, elegies, and war songs are transposed into a new key, infused with foreign strains, and juxtaposed with unlikely neighbors. As an essayist, Stepanova engages deeply with writers who bore witness to devastation and dramatic social change, as seen in searching pieces on W. G. Sebald, Marina Tsvetaeva, and Susan Sontag. Including contributions from ten translators, The Voice Over shows English-speaking readers why Stepanova is one of Russia's most acclaimed contemporary writers. Maria Stepanova is the author of over ten poetry collections as well as three books of essays and the documentary novel In Memory of Memory. She is the recipient of several Russian and international literary awards. Irina Shevelenko is professor of Russian in the Department of German, Nordic, and Slavic at the University of Wisconsin–Madison. With translations by: Alexandra Berlina, Sasha Dugdale, Sibelan Forrester, Amelia Glaser, Zachary Murphy King, Dmitry Manin, Ainsley Morse, Eugene Ostashevsky, Andrew Reynolds, and Maria Vassileva.

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