Читаем The Accidental Tourist полностью

When he woke again it was much later, he felt, although he didn't want to go through the contortions necessary to look at his watch. A wheeled cart was passing his room and he heard voices-hotel employees, probably-laughing in the corridor. They must be so comfortable here; they must all know each other so well. There was a knock on his door, then a jingle of keys. A small, pale chambermaid poked her face in and said, "Pardon, monsieur." She started to retreat but then stopped and asked him something in French, and he gestured toward his back and winced. "Ah," she said, entering, and she said something else very rapidly. (She would be telling him about her back.) He said, "If you could just help me up, please," for he had decided he had no choice but to go call Julian. She seemed to understand what he meant and came over to the bed. He turned onto his stomach and then struggled up on one arm-the only way he could manage to rise without excruciating pain. The chambermaid took his other arm and braced herself beneath his weight as he stood. She was much shorter than he, and pretty in a fragile, meek way. He was conscious of his unshaven face and his rumpled pajamas. "My jacket," he told her, and they proceeded haltingly to the chair where his suit jacket hung. She draped it around his shoulders. Then he said, "Downstairs? To the telephone?" She looked over at the phone on the bureau, but he made a negative movement with the flat of his hand-a gesture that cost him. He grimaced. She clucked her tongue and led him out into the corridor.

Walking was not particularly difficult; he felt hardly a twinge. But the elevator jerked agonizingly and there was no way he could predict it. The chambermaid uttered soft sounds of sympathy. When they arrived in the lobby she led him to the telephone booth and started to seat him, but he said, "No, no, standing's easier. Thanks." She backed out and left him there. He saw her talking to the clerk at the desk, shaking her head in pity; the clerk shook his head, too.

Macon worried Julian wouldn't be in his office yet, and he didn't know his home number. But the phone was answered on the very first ring.

"Businessman's Press." A woman's voice, confusingly familiar, threading beneath the hiss of long distance.

"Urn-" he said. "This is Macon Leary. To whom am I-"

"Oh, Macon."

"Rose?"

"Yes, it's me."

"What are you doing there?"

"I work here now."

"Oh, I see."

"I'm putting things in order. You wouldn't believe the state this place is in."

"Rose, my back has gone out on me," Macon said.

"Oh, no, of all times! Are you still in Paris?"

"Yes, but I was just about to start my day trips and there are all these plans I have to change-appointments, travel reservations-and no telephone in my room. So I was wondering if Julian could do it from his end. Maybe he could get the reservations from Becky and-"

"I'll take care of it myself," Rose said. "Don't you bother with a thing."

"I don't know when I'm going to get to the other cities, tell him. I don't have any idea when I'll be-"

"We'll work it out. Have you seen a doctor?"

"Doctors don't help. Just bed rest."

"Well, rest then, Macon."

He gave her the name of his hotel, and she repeated it briskly and then told him to get on back to bed.

When he emerged from the phone booth the chambermaid had a bellboy there to help him, and between the two of them he made it to his room without much trouble. They were very solicitous. They seemed anxious about leaving him alone, but he assured them he would be all right.

All that afternoon he lay in bed, rising twice to go to the bathroom and once to get some milk from the mini-bar. He wasn't really hungry. He watched the brown flowers on the wallpaper; he thought he had never known a hotel room so intimately. The side of the bureau next to the bed had a streak in the woodgrain that looked like a bony man in a hat.

At suppertime he took a small bottle of wine from the mini-bar and inched himself into the armchair to drink it. Even the motion of raising the bottle to his lips caused him pain, but he thought the wine would help him sleep. While he was sitting there the chambermaid knocked and let herself in. She asked him, evidently, whether he wanted anything to eat, but he thanked her and said no. She must have been on her way home; she carried a battered little pocketbook.

Later there was another knock, after he had dragged himself back to bed, and Muriel said, "Macon? Macon?" He kept absolutely silent. She went away.

The air grew fuzzy and then dark. The man on the side of the bureau faded. Footsteps crossed the floor above him.

He had often wondered how many people died in hotels. The law of averages said some would, right? And some who had no close relatives-say one of his readers, a salesman without a family-well, what was done about such people? Was there some kind of potters' field for unknown travelers?

Перейти на страницу:

Похожие книги

Точка опоры
Точка опоры

В книгу включены четвертая часть известной тетралогия М. С. Шагинян «Семья Ульяновых» — «Четыре урока у Ленина» и роман в двух книгах А. Л. Коптелова «Точка опоры» — выдающиеся произведения советской литературы, посвященные жизни и деятельности В. И. Ленина.Два наших современника, два советских писателя - Мариэтта Шагинян и Афанасий Коптелов,- выходцы из разных слоев общества, люди с различным трудовым и житейским опытом, пройдя большой и сложный путь идейно-эстетических исканий, обратились, каждый по-своему, к ленинской теме, посвятив ей свои основные книги. Эта тема, говорила М.Шагинян, "для того, кто однажды прикоснулся к ней, уже не уходит из нашей творческой работы, она становится как бы темой жизни". Замысел создания произведений о Ленине был продиктован для обоих художников самой действительностью. Вокруг шли уже невиданно новые, невиданно сложные социальные процессы. И на решающих рубежах истории открывалась современникам сила, ясность революционной мысли В.И.Ленина, энергия его созидательной деятельности.Афанасий Коптелов - автор нескольких романов, посвященных жизни и деятельности В.И.Ленина. Пафос романа "Точка опоры" - в изображении страстной, непримиримой борьбы Владимира Ильича Ленина за создание марксистской партии в России. Писатель с подлинно исследовательской глубиной изучил события, факты, письма, документы, связанные с биографией В.И.Ленина, его революционной деятельностью, и создал яркий образ великого вождя революции, продолжателя учения К.Маркса в новых исторических условиях. В романе убедительно и ярко показаны не только организующая роль В.И.Ленина в подготовке издания "Искры", не только его неустанные заботы о связи редакции с русским рабочим движением, но и работа Владимира Ильича над статьями для "Искры", над проектом Программы партии, над книгой "Что делать?".

Афанасий Лазаревич Коптелов , Виль Владимирович Липатов , Дмитрий Громов , Иван Чебан , Кэти Тайерс , Рустам Карапетьян

Фантастика / Современная русская и зарубежная проза / Современная проза / Cтихи, поэзия / Проза / Советская классическая проза
Салихат
Салихат

Салихат живет в дагестанском селе, затерянном среди гор. Как и все молодые девушки, она мечтает о счастливом браке, основанном на взаимной любви и уважении. Но отец все решает за нее. Салихат против воли выдают замуж за вдовца Джамалутдина. Девушка попадает в незнакомый дом, где ее ждет новая жизнь со своими порядками и обязанностями. Ей предстоит угождать не только мужу, но и остальным домочадцам: требовательной тетке мужа, старшему пасынку и его капризной жене. Но больше всего Салихат пугает таинственное исчезновение первой жены Джамалутдина, красавицы Зехры… Новая жизнь представляется ей настоящим кошмаром, но что готовит ей будущее – еще предстоит узнать.«Это сага, написанная простым и наивным языком шестнадцатилетней девушки. Сага о том, что испокон веков объединяет всех женщин независимо от национальности, вероисповедания и возраста: о любви, семье и детях. А еще – об ожидании счастья, которое непременно придет. Нужно только верить, надеяться и ждать».Финалист национальной литературной премии «Рукопись года».

Наталья Владимировна Елецкая

Современная русская и зарубежная проза