Читаем The Accidental Tourist полностью

"There's lots of things to buy here! Pliers and wrenches and T-squares .

. . There's a silent hammer."

"What?"

"A hammer that doesn't make a sound. You can pound in nails in the dead of night."

"Listen-" Macon said.

"There's a magnifying glass all cracked and broken, and when you look at broken things through the lens you'd swear they'd turned whole again."

"Really, Muriel."

"I'm not Muriel! I'm Mitchell Mitten! Macon, don't you know Muriel can always take care of herself?" the puppet asked him. "Don't you know she could find another job tomorrow, if she wanted? So come inside! Come along! There's a pocketknife here with its own whetstone blade."

"Oh, for Lord's sake," Macon said.

But he gave a grudging little laugh.

And went on inside.

Over the next few days she kept bringing up France again and again. She sent him an anonymous letter pasted together from magazine print: Don't FoRget tO BUY plANe Ticket for MuRiel. (And the telltale magazine-with little blocks clipped out of its pages-still lay on the kitchen table.) She asked him to get her her keys from her purse and when he opened her purse he found photographs, two slick colored squares on thin paper showing Muriel's eyes at half mast. Passport photos, plainly. She must have meant for him to see them; she was watching him so intently. But all he did was drop her keys in her palm without comment.

He had to admire her. Had he ever known such a fighter? He went grocery shopping with her unusually late one evening, and just as they were crossing a shadowed area a boy stepped forth from a doorway. "Give over all what you have in your purse," he told Muriel. Macon was caught off guard; the boy was hardly more than a child. He froze, hugging the sack of groceries. But Muriel said, "The hell I will!" and swung her purse around by its strap and clipped the boy in the jaw. He lifted a hand to his face. "You get on home this instant or you'll be sorry you were ever born," Muriel told him. He slunk away, looking back at her with a puzzled expression.

When Macon had caught his breath again, he told Muriel she was a fool.

"He might have had a gun, for all you knew," he said. "Anything might have happened! Kids show less mercy than grown-ups; you can see that any day in the papers."

"Well, it turned out fine, didn't it?" Muriel asked. "What are you so mad at?"

He wasn't sure. He supposed he might be mad at himself. He had done nothing to protect her, nothing strong or chivalrous. He hadn't thought as fast as she had or thought at all, in fact. While Muriel . . . why, Muriel hadn't even seemed surprised. She might have strolled down that street expecting a neighbor here, a stray dog there, a holdup just beyond-all equally part of life. He felt awed by her, and diminished.

Muriel just walked on, humming "Great Speckled Bird" as if nothing particular had happened.

"I don't think Alexander's getting a proper education," he said to her one evening.

"Oh, he's okay."

"I asked him to figure what change they'd give back when we bought the milk today, and he didn't have the faintest idea. He didn't even know he'd have to subtract."

"Well, he's only in second grade," Muriel said.

"I think he ought to switch to a private school."

"Private schools cost money."

"So? I'll pay."

She stopped flipping the bacon and looked over at him. "What are you saying?" she asked.

"Pardon?"

"What are you saying, Macon? Are you saying you're committed?"

Macon cleared his throat. He said, "Committed."

"Alexander's got ten more years of school ahead of him. Are you saying you'll be around for all ten years?"

"Urn . . ."

"I can't just put him in a school and take him out again with every passing whim of yours."

He was silent.

"Just tell me this much," she said. "Do you picture us getting married sometime? I mean when your divorce comes through?"

He said, "Oh, well, marriage, Muriel . . ."

"You don't, do you. You don't know what you want. One minute you like me and the next you don't. One minute you're ashamed to be seen with me and the next you think I'm the best thing that ever happened to you."

He stared at her. He had never guessed that she read him so clearly.

"You think you can just drift along like this, day by day, no plans," she said. "Maybe tomorrow you'll be here, maybe you won't. Maybe you'll just go on back to Sarah. Oh yes! I saw you at Rose's wedding. Don't think I didn't see how you and Sarah looked at each other."

Macon said, "All I'm saying is-"

"All I'm saying," Muriel told him, "is take care what you promise my son.

Don't go making him promises you don't intend to keep."

"But I just want him to learn to subtract!" he said.

She didn't answer, and so the last word rang in the air for moments afterward. Subtract. A flat, sharp, empty sound that dampened Macon's spirits.

At supper she was too quiet; even Alexander was quiet, and excused himself the minute he'd finished his BLT. Macon, though, hung around the kitchen. Muriel was running a sinkful of water. He said, "Shall I dry?"

Перейти на страницу:

Похожие книги

Точка опоры
Точка опоры

В книгу включены четвертая часть известной тетралогия М. С. Шагинян «Семья Ульяновых» — «Четыре урока у Ленина» и роман в двух книгах А. Л. Коптелова «Точка опоры» — выдающиеся произведения советской литературы, посвященные жизни и деятельности В. И. Ленина.Два наших современника, два советских писателя - Мариэтта Шагинян и Афанасий Коптелов,- выходцы из разных слоев общества, люди с различным трудовым и житейским опытом, пройдя большой и сложный путь идейно-эстетических исканий, обратились, каждый по-своему, к ленинской теме, посвятив ей свои основные книги. Эта тема, говорила М.Шагинян, "для того, кто однажды прикоснулся к ней, уже не уходит из нашей творческой работы, она становится как бы темой жизни". Замысел создания произведений о Ленине был продиктован для обоих художников самой действительностью. Вокруг шли уже невиданно новые, невиданно сложные социальные процессы. И на решающих рубежах истории открывалась современникам сила, ясность революционной мысли В.И.Ленина, энергия его созидательной деятельности.Афанасий Коптелов - автор нескольких романов, посвященных жизни и деятельности В.И.Ленина. Пафос романа "Точка опоры" - в изображении страстной, непримиримой борьбы Владимира Ильича Ленина за создание марксистской партии в России. Писатель с подлинно исследовательской глубиной изучил события, факты, письма, документы, связанные с биографией В.И.Ленина, его революционной деятельностью, и создал яркий образ великого вождя революции, продолжателя учения К.Маркса в новых исторических условиях. В романе убедительно и ярко показаны не только организующая роль В.И.Ленина в подготовке издания "Искры", не только его неустанные заботы о связи редакции с русским рабочим движением, но и работа Владимира Ильича над статьями для "Искры", над проектом Программы партии, над книгой "Что делать?".

Афанасий Лазаревич Коптелов , Виль Владимирович Липатов , Дмитрий Громов , Иван Чебан , Кэти Тайерс , Рустам Карапетьян

Фантастика / Современная русская и зарубежная проза / Современная проза / Cтихи, поэзия / Проза / Советская классическая проза
Салихат
Салихат

Салихат живет в дагестанском селе, затерянном среди гор. Как и все молодые девушки, она мечтает о счастливом браке, основанном на взаимной любви и уважении. Но отец все решает за нее. Салихат против воли выдают замуж за вдовца Джамалутдина. Девушка попадает в незнакомый дом, где ее ждет новая жизнь со своими порядками и обязанностями. Ей предстоит угождать не только мужу, но и остальным домочадцам: требовательной тетке мужа, старшему пасынку и его капризной жене. Но больше всего Салихат пугает таинственное исчезновение первой жены Джамалутдина, красавицы Зехры… Новая жизнь представляется ей настоящим кошмаром, но что готовит ей будущее – еще предстоит узнать.«Это сага, написанная простым и наивным языком шестнадцатилетней девушки. Сага о том, что испокон веков объединяет всех женщин независимо от национальности, вероисповедания и возраста: о любви, семье и детях. А еще – об ожидании счастья, которое непременно придет. Нужно только верить, надеяться и ждать».Финалист национальной литературной премии «Рукопись года».

Наталья Владимировна Елецкая

Современная русская и зарубежная проза