Versilov supposedly managed to instill into the young person, in his own way, subtly and irrefutably, that the reason why Katerina Nikolaevna would not consent was that she was in love with him herself and had long been tormenting him with her jealousy, pursuing him, intriguing, had already made him a declaration, and was now ready to burn him up for loving another woman—in short, something like that. The worst of it was that he supposedly also “hinted” it to the father, the husband of the “unfaithful” wife, explaining that the prince was only an amusement. Naturally, there began to be real hell in the family. According to some versions, Katerina Nikolaevna loved her stepdaughter terribly, and now, being slandered before her, was in despair, to say nothing of her relations with the sick husband. But then, next to that there exists another version, in which, to my sorrow, Kraft fully believed, and in which I also believed myself (I had already heard about all that). It was affirmed (Andronikov is said to have heard it from Katerina Nikolaevna herself ) that, on the contrary, Versilov, still earlier, before the beginning of the young girl’s feelings, had offered Katerina Nikolaevna his love; that she, being his friend, and even in exaltation over him for some time, though constantly disbelieving and contradicting him, met this declaration of Versilov’s with extreme hatred and mocked him venomously. She formally drove him away from her, because the man had proposed directly that she be his wife, in view of her husband’s supposedly impending second stroke. Thus Katerina Nikolaevna must have felt a particular hatred for Versilov when she saw afterwards that he was openly seeking her stepdaughter’s hand. Marya Ivanovna, conveying all this to me in Moscow, believed both the one variant and the other, that is, all of it together: she precisely affirmed that it could all occur at once, that it was something like la haine dans l’amour,19 an offended love’s pride on both sides, etc., etc., in short, something in the way of some most subtle novelistic entanglement, unworthy of any serious and sober-minded person, and with meanness to boot. But Marya Ivanovna herself had been stuffed with novels from childhood and read them day and night, despite her excellent character. As a result, Versilov’s obvious meanness was displayed, a lie and an intrigue, something black and vile, the more so in that the end was indeed tragic: they say the poor inflamed girl poisoned herself with phosphorus matches; however, I don’t know even now whether this last rumor was accurate; at least they tried their best to stifle it. The girl was sick for no more than two weeks and then died. The matches thus remained in doubt, but Kraft firmly believed in them as well. Soon after that, the girl’s father also died—of grief, they say, which caused a second stroke, though not before three months had passed. But after the girl’s funeral, the young Prince Sokolsky, having returned to Ems from Paris, gave Versilov a slap in the face publicly in the garden, and the latter did not respond with a challenge; on the contrary, the very next day he appeared at a promenade as if nothing had happened. It was then that everyone turned away from him, in Petersburg as well. Versilov, though he continued to have acquaintances, had them in a totally different circle. His society acquaintances all accused him, though, incidentally, very few of them knew all the details; they only knew something about the novelistic death of the young lady and about the slap. Only two or three persons had possibly full information; the late Andronikov, who had long had business connections with the Akhmakovs, and particularly with Katerina Nikolaevna on a certain matter, knew most of all. But he kept all these secrets even from his own family, and only revealed something to Kraft and Marya Ivanovna, and that out of necessity.
“Above all, there’s now a certain document involved,” Kraft concluded, “which Mme. Akhmakov is extremely afraid of.”
And here is what he told me about that as well.