THE BRITFONE PAVILION was designed by an eminent architect I’ve never heard of and “quotes” Hadrian’s Wall, the Tower of London, a Tudor manor, postwar public housing, Wembley Stadium, and a Docklands skyscraper. What a sicked-up fry-up it is. A holographic flag of the BritNet logo flutters from its pinnacle and you ingress through a double-sized replica of 10 Downing Street’s famous black door. The security men are dressed as Beefeaters, and one asks for my VIP lanyard. I check my jacket; my trousers; my jacket again. “Oh, sod a dog, I put it down somewhere—look, I’m Crispin Hershey.”
“Sorry, sir,” says the Beefeater. “No ID, no entry.”
“Check your little list. Crispin Hershey. The writer.”
The Beefeater shakes his head. “I got my orders.”
“But I did a sodding event here only an hour ago.”
A second Beefeater comes over, eyes ashine with fan-glow: “You’re never—are you really …
“Yes, I
The Worthy Beefeater walks me through the small lobby where lesser mortals are patted down and have their bags checked. “Sorry about that, sir. The Afghan president’s here tonight so we’re on amber alert. My colleague back there’s not au fait with contemporary fiction. And, to be fair, you do look older on your author photos.”
I double-check this pleasing sentence. “Do I?”
“If I weren’t such a fan, sir, I wouldn’t have recognized you.” We enter the pavilion proper, where hundreds are mingling, but the Worthy Beefeater has a favor to beg: “Look, sir, I shouldn’t ask, but …” he produces a book from inside his ridiculous uniform, “… your new book’s the best thing you’ve ever written. I went to bed with it and read
I produce my fountain pen and the Beefeater hands me his book, already turned to the title page. Only when nib touches paper do I notice I am signing a novel called
A famous columnist from
Dedication written, I tell the bouncer, “So glad you enjoyed it.”
The pavilion contains enough celebrity wattage to power a small sun: I spy two Rolling Stones, a Monty Python; a teenage fifty-something presenter of
The stranger absorbs Hershey’s withering stare like a man in his prime with nothing to fear, notwithstanding the damage that Time the Vandal has done to his face. The clawed lines, the whisky nose, the sagging pouches, the droopy eyelids. A silk handkerchief pokes up from his jacket pocket and he wears an elegant fedora, but Sodding Hell. How can the incurably elderly stand it? “And you are?”
“I’m your near future, my boy.” He swivels his once-handsome face. “Take a good, long look. What do you think?”
What I think is that tonight is the Night of the Fruitcakes. “What I think is that I’m no fan of cryptic crosswords.”
“No? I enjoy them. I am Levon Frankland.”
I take the proffered champagne flute and make an underimpressed face. “No bells are going ‘dong,’ I must confess.”
“I’m an old mucker of your father’s from another time. We were both contemporaries at the Finisterre Club in Soho.”
I maintain my underimpressed face. “I heard it finally closed down.”
“The end of the end of an era. My era. We met,” Levon Frankland tilts his glass my way, “at a party at your house in Pembridge Place in, ooh, sixty-eight, sixty-nine, around the time of the
“Yeah? He did a sodding good job of hiding it.”