Читаем The Coming of Bill полностью

After what seemed to Bailey a considerable time, the writing ceased. It was succeeded by the sound of paper vigorously blotted. Then, with startling suddenness, Mrs. Porter whirled round on the swivel-chair, tilted it back, and faced him.

"Well, Bailey?" she said.

She looked at Bailey. Bailey looked at her. Her eyes had the curious effect of driving out of his head what he had intended to say.

"Well?" she said again.

He tried to remember the excellent opening speech which he had prepared in the cab.

"Good gracious, Bailey!" cried Mrs. Porter, "you have not come here and ruined my morning's work for the pleasure of looking at me surely? Say something."

Bailey found his voice.

"I have called to see Ruth, who, I am informed, is with you."

"She is in her room. I made her breakfast in bed. Is there any message I can give her?" 

Bailey suddenly remembered the speech he had framed in the cab.

"Aunt Lora," he said, "I am sorry to have to intrude upon you at so early an hour, but it is imperative that I see Ruth and ask her to explain the meaning of a most disturbing piece of news that has come to my ears."

Mrs. Porter did not appear to have heard him.

"A man of your height should weigh more," she said. "What is your weight?"

"My weight; beside the point——"

"Your weight is under a hundred and forty pounds, and it ought to be over a hundred and sixty. Eat more. Avoid alcohol. Keep regular hours."

"Aunt Lora!"

"Well?"

"I wish to see my sister."

"You will have to wait. What did you wish to see her about?"

"That is a matter that concerns——No! I will tell you, for I believe you to be responsible for the whole affair."

"Well?"

"Last night, quite by chance, I found out that Ruth has for some time been paying visits to the studio of an artist."

Mrs. Porter nodded.

"Quite right. Mr. Kirk Winfield. She is going to marry him."

Bailey's hat fell to the floor. His stick followed. His mouth opened widely. His glasses shot from his nose and danced madly at the end of their string.

"What!"

"It will be a most suitable match in every way," said Mrs. Porter.

Bailey bounded to his feet.

"It's incredible!" he shouted. "It's ridiculous! It's abominable! It's—it's incredible!" 

Mrs. Porter gazed upon his transports with about the same amount of interest which she would have bestowed upon a whirling dervish at Coney Island.

"You have not seen Mr. Winfield, I gather?"

"When I do, he will have reason to regret it. I——"

"Sit down."

Bailey sat down.

"Ruth and Mr. Winfield are both perfect types. Mr. Winfield is really a splendid specimen of a man. As to his intelligence, I say nothing. I have ceased to expect intelligence in man, and I am grateful for the smallest grain. But physically, he is magnificent. I could not wish dear Ruth a better husband."

Bailey had pulled himself together with a supreme effort and had achieved a frozen calm.

"Such a marriage is, of course, out of the question," he said.

"Why?"

"My sister cannot marry a—a nobody, an outsider——"

"Mr. Winfield is not a nobody. He is an extraordinarily healthy young man."

"Are you aware that Ruth, if she had wished, could have married a prince?"

"She told me. A little rat of a man, I understand. She had far too much sense to do any such thing. She has a conscience. She knows what she owes to the future of the——"

"Bah!" cried Bailey rudely.

"I suppose," said Mrs. Porter, "that, like most men, you care nothing for the future of the race? You are not interested in eugenics?"

Bailey quivered with fury at the word, but said nothing.

"If you have ever studied even so elementary a subject as the colour heredity of the Andalusian fowl——"

The colour heredity of the Andalusian fowl was too much for Bailey.

"I decline to discuss any such drivel," he said, rising. "I came here to see Ruth, and—"

"And here she is," said Mrs. Porter.

The door opened, and Ruth appeared. She looked, to Bailey, insufferably radiant and pleased with herself.

"Bailey!" she cried. "Whatever brings my little Bailey here, when he ought to be working like a good boy in Wall Street?"

"I will tell you," Bailey's demeanour was portentous.

"He's frowning," said Ruth. "You have been stirring his hidden depths, Aunt Lora!" 

Bailey coughed.

"Ruth!"

"Bailey, don't! You don't know how terrible you look when you're roused."

"Ruth, kindly answer me one question. Aunt Lora informs me that you are going to marry this man Winfield. Is it or is it not true?"

"Of course it's true."

Bailey drew in his breath. He gazed coldly at Ruth, bowed to Mrs. Porter, and smoothed the nap of his hat. 

"Very good," he said stonily. "I shall now call upon this Mr. Winfield and thrash him." With that he walked out of the room.

He directed his cab to the nearest hotel, looked up Kirk's address in the telephone-book, and ten minutes later was ringing the studio bell.

A look of relief came into George Pennicut's eyes as he opened the door. To George, nowadays, every ring at the bell meant a possible visit from Lora Delane Porter.

"Is Mr. Kirk Winfield at home?" inquired Bailey.

"Yes, sir. Who shall I say, sir?"

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Фантастика / Проза / Классическая проза / Контркультура / Малые литературные формы прозы: рассказы, эссе, новеллы, феерия / Романы
Ад
Ад

Анри Барбюс (1873–1935) — известный французский писатель, лауреат престижной французской литературной Гонкуровской премии.Роман «Ад», опубликованный в 1908 году, является его первым романом. Он до сих пор не был переведён на русский язык, хотя его перевели на многие языки.Выйдя в свет этот роман имел большой успех у читателей Франции, и до настоящего времени продолжает там регулярно переиздаваться.Роману более, чем сто лет, однако он включает в себя многие самые животрепещущие и злободневные человеческие проблемы, существующие и сейчас.В романе представлены все главные события и стороны человеческой жизни: рождение, смерть, любовь в её различных проявлениях, творчество, размышления научные и философские о сути жизни и мироздания, благородство и низость, слабости человеческие.Роман отличает предельный натурализм в описании многих эпизодов, прежде всего любовных.Главный герой считает, что вокруг человека — непостижимый безумный мир, полный противоречий на всех его уровнях: от самого простого житейского до возвышенного интеллектуального с размышлениями о вопросах мироздания.По его мнению, окружающий нас реальный мир есть мираж, галлюцинация. Человек в этом мире — Ничто. Это означает, что он должен быть сосредоточен только на самом себе, ибо всё существует только в нём самом.

Анри Барбюс

Классическая проза