Читаем The Coming of Bill полностью

In a word, he was very young, very much in love, and for the first time in his life was living with every drop of blood in his veins.

* * * * *

Hank returned to New York in due course. He came to the studio the same night, and he had not been there five minutes before a leaden weight descended on Kirk's soul. It was as he had feared. Ruth did not like him.

Hank was not the sort of man who makes universal appeal. Also, he was no ladies' man. He was long and lean and hard-bitten, and his supply of conventional small talk was practically non-existent. To get the best out of Hank, as has been said, you had to let him take his coat off and put his feet up on the back of a second chair and reconcile yourself to the pestiferous brand of tobacco which he affected.

Ruth conceded none of these things. Throughout the interview Hank sat bolt upright, tucking a pair of shoes of the dreadnought class coyly underneath his chair, and drew suspiciously at Turkish cigarettes from Kirk's case. An air of constraint hung over the party. Again and again Kirk hoped that Hank would embark on the epic of his life, but shyness kept Hank dumb.

He had heard, on reaching New York, that Kirk was married, but he had learned no details, and had conjured up in his mind the vision of a jolly little girl of the Bohemian type, who would make a fuss over him as Kirk's oldest friend. Confronted with Ruth, he lost a nerve which had never before failed him. This gorgeous creature, he felt, would never put up with those racy descriptions of wild adventures which had endeared him to Kirk. As soon as he could decently do so, he left, and Kirk, returning to the studio after seeing him out, sat down moodily, trying to convince himself against his judgment that the visit had not been such a failure after all.

Ruth was playing the piano softly. She had turned out all the lights except one, which hung above her head, shining on her white arms as they moved. From where he sat Kirk could see her profile. Her eyes were half closed.

The sight of her, as it always did, sent a thrill through him, but he was conscious of an ache behind it. He had hoped so much that Hank would pass, and he knew that he had not. Why was it that two people so completely one as Ruth and himself could not see Hank with the same eyes?

He knew that she had thought him uncouth and impossible. Why could not Hank have exerted himself more, instead of sitting there in that stuffed way? Why could not Ruth have unbent? Why had not he himself done something to save the situation? Of the three, he blamed himself most. He was the one who should have taken the lead and made things pleasant for everybody instead of forcing out conversational platitudes.

Once or twice he had caught Hank's eye, and had hated himself for understanding what it said and not being able to deny it. He had marked the end of their old relationship, the parting of the ways, and that a tragedy had been played out that night.

He found himself thinking of Hank as of a friend who had died. What times they had had! How smoothly they had got on together! He could not recall a single occasion on which they had fallen out, from the time when they had fought as boys at the prep. school and cemented their friendship the next day. After that there had been periods when they had parted, sometimes for more than a year, but they had always come together again and picked up the threads as neatly as if there had been no gap in their intimacy.

He had gone to college: Hank had started on the roving life which suited his temperament. But they had never lost touch with each other. And now it was all over. They would meet again, but it would not be the same. The angel with the flaming sword stood between them.

For the first time since the delirium of marriage had seized upon him, Kirk was conscious of a feeling that all was not for the best in a best of all possible worlds, a feeling of regret, not that he had married—the mere thought would have been a blasphemy—but that marriage was such a complicated affair. He liked a calm life, free from complications, and now they were springing up on every side.

There was the matter of the models. Kirk had supposed that it was only in the comic papers that the artist's wife objected to his employing models. He had classed it with the mother-in-law joke, respecting it for its antiquity, but not imagining that it ever really happened. And Ruth had brought this absurd situation into the sphere of practical politics only a few days ago.

Since his marriage Kirk had dropped his work almost entirely. There had seemed to be no time for it. He liked to spend his days going round the stores with Ruth, buying her things, or looking in at the windows of Fifth Avenue shops and choosing what he would buy her when he had made his fortune. It was agreed upon between them that he was to make his fortune some day.

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Фантастика / Проза / Классическая проза / Контркультура / Малые литературные формы прозы: рассказы, эссе, новеллы, феерия / Романы
Ад
Ад

Анри Барбюс (1873–1935) — известный французский писатель, лауреат престижной французской литературной Гонкуровской премии.Роман «Ад», опубликованный в 1908 году, является его первым романом. Он до сих пор не был переведён на русский язык, хотя его перевели на многие языки.Выйдя в свет этот роман имел большой успех у читателей Франции, и до настоящего времени продолжает там регулярно переиздаваться.Роману более, чем сто лет, однако он включает в себя многие самые животрепещущие и злободневные человеческие проблемы, существующие и сейчас.В романе представлены все главные события и стороны человеческой жизни: рождение, смерть, любовь в её различных проявлениях, творчество, размышления научные и философские о сути жизни и мироздания, благородство и низость, слабости человеческие.Роман отличает предельный натурализм в описании многих эпизодов, прежде всего любовных.Главный герой считает, что вокруг человека — непостижимый безумный мир, полный противоречий на всех его уровнях: от самого простого житейского до возвышенного интеллектуального с размышлениями о вопросах мироздания.По его мнению, окружающий нас реальный мир есть мираж, галлюцинация. Человек в этом мире — Ничто. Это означает, что он должен быть сосредоточен только на самом себе, ибо всё существует только в нём самом.

Анри Барбюс

Классическая проза