Читаем The Coming of Bill полностью

William Bannister Winfield slept the peaceful sleep of childhood in his sterilized cot. The light gleamed faintly on the white tiles. It lit up the brass knobs on the walls, the spotless curtains, the large thermometer.

An intruder, interested in these things, would have seen by a glance at this last that the temperature of the room was exactly that recommended by doctors as the correct temperature for the nursery of a sleeping child; no higher, no lower. The transom over the door was closed, but the window was open at the top to precisely the extent advocated by the authorities, due consideration having been taken for the time of year and the condition of the outer atmosphere.

The hour was one in the morning.

Childhood is a readily adaptable time of life, and William Bannister, after a few days of blank astonishment, varied by open mutiny, had accepted the change in his surroundings and daily existence with admirable philosophy. His memory was not far-reaching, and, as time went on and he began to accommodate himself to the new situation, he had gradually forgotten the days at the studio, as, it is to be supposed, he had forgotten the clouds of glory which he had trailed on his entry into this world. If memories of past bear-hunts among the canvases on the dusty floor ever came to him now, he never mentioned it.

A child can weave romance into any condition of life in which fate places him; and William Bannister had managed to interest himself in his present existence with a considerable gusto. Scraps of conversation between Mrs. Porter and Mamie, overheard and digested, had given him a good working knowledge of the system of hygiene of which he was the centre. He was vague as to details, but not vaguer than most people.

He knew that something called "sterilizing" was the beginning and end of life, and that things known as germs were the Great Peril. He had expended much thought on the subject of germs. Mamie, questioned, could give him no more definite information than that they were "things which got at you and hurt you," and his awe of Mrs. Porter had kept him from going to the fountainhead of knowledge for further data.

Building on the information to hand, he had formed in his mind an odd kind of anthropomorphic image of the germ. He pictured it as a squat, thick-set man of repellent aspect and stealthy movements, who sneaked up on you when you were not looking and did unpleasant things to you, selecting as the time for his attacks those nights when you had allowed your attention to wander while saying your prayers.

On such occasions it was Bill's practice to fool him by repeating his prayers to himself in bed after the official ceremony. Some times, to make certain, he would do this so often that he fell asleep in mid-prayer.

He was always glad of the night-light. A germ hates light, preferring to do his scoundrelly work when it is so black that you can't see your hand in front of your face and the darkness presses down on you like a blanket. Occasionally a fear would cross his mind that the night-light might go out; but it never did, being one of Mr. Edison's best electric efforts neatly draped with black veiling.

Apart from this he had few worries, certainly none serious enough to keep him awake.

He was sleeping now, his head on his right arm, a sterilized Teddy-bear clutched firmly in his other hand, with the concentration of one engaged upon a feat at which he is an expert.

* * * * *

The door opened slowly. A head insinuated itself into the room, furtively, as if uncertain of its welcome. The door continued to open and Steve slipped in.

He closed the door as gently as he had opened it, and stood there glancing about him. A slow grin appeared upon his face, to be succeeded by an expression of serious resolve. For Steve was anxious.

It was still Steve's intention to remove, steal, purloin, and kidnap William Bannister that night, but now that the moment had come for doing it he was nervous.

He was not used to this sort of thing. He was an honest ex-middleweight, not a burglar; and just now he felt particularly burglarious. The stillness of the house oppressed him. He had not relished the long wait between the moment of his apparent departure and that of his entry into the nursery.

He had acted with simple cunning. He had remained talking pugilism with Keggs in the pantry till a prodigious yawn from his host had told him that the time was come for the breaking up of the party. Then, begging Keggs not to move, as he could find his way out, he had hurried to the back door, opened and shut it, and darted into hiding. Presently Keggs, yawning loudly, had toddled along the passage, bolted the door, and made his way upstairs to bed, leaving Steve to his vigil.

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Фантастика / Проза / Классическая проза / Контркультура / Малые литературные формы прозы: рассказы, эссе, новеллы, феерия / Романы
Ад
Ад

Анри Барбюс (1873–1935) — известный французский писатель, лауреат престижной французской литературной Гонкуровской премии.Роман «Ад», опубликованный в 1908 году, является его первым романом. Он до сих пор не был переведён на русский язык, хотя его перевели на многие языки.Выйдя в свет этот роман имел большой успех у читателей Франции, и до настоящего времени продолжает там регулярно переиздаваться.Роману более, чем сто лет, однако он включает в себя многие самые животрепещущие и злободневные человеческие проблемы, существующие и сейчас.В романе представлены все главные события и стороны человеческой жизни: рождение, смерть, любовь в её различных проявлениях, творчество, размышления научные и философские о сути жизни и мироздания, благородство и низость, слабости человеческие.Роман отличает предельный натурализм в описании многих эпизодов, прежде всего любовных.Главный герой считает, что вокруг человека — непостижимый безумный мир, полный противоречий на всех его уровнях: от самого простого житейского до возвышенного интеллектуального с размышлениями о вопросах мироздания.По его мнению, окружающий нас реальный мир есть мираж, галлюцинация. Человек в этом мире — Ничто. Это означает, что он должен быть сосредоточен только на самом себе, ибо всё существует только в нём самом.

Анри Барбюс

Классическая проза