Читаем The Coming of Bill полностью

The errant pair must be followed, and at once. Her great mind, playing over the situation like a searchlight, detected a connection between this elopement and the disappearance of William Bannister. She had long since marked Kirk down as a malcontent, and she now labelled the absent Mamie as a snake in the grass who had feigned submission to her rule, while meditating all the time the theft of the child and the elopement with Kirk. She had placed the same construction on Mamie's departure with Kirk as had Mr. Penway, showing that it is not only great minds that think alike.

A latent conviction as to the immorality of all artists, which had been one of the maxims of her late mother, sprang into life. She blamed herself for having allowed a nurse of such undeniable physical attractions to become a member of the household. Mamie's very quietness and apparent absence of bad qualities became additional evidence against her now, Mrs. Porter arguing that these things indicated deep deceitfulness. She told herself, what was not the case, that she had never trusted that girl.

But Lora Delane Porter was not a woman to waste time in retrospection. She had not been in her room five minutes before her mind was made up. It was improbable that Kirk and his guilty accomplice had sought so near and obvious a haven as the studio, but it was undoubtedly there that pursuit must begin. She knew nothing of his way of living at that retreat, but she imagined that he must have appointed some successor to George Pennicut as general factotum, and it might be that this person would have information to impart.

The task of inducing him to impart it did not daunt Mrs. Porter. She had a just confidence in her powers of cross-examination.

She went to the telephone and called up the garage where Ruth's automobiles were housed. Her plan of action was now complete. If no information were forthcoming at the studio, she would endeavour to find out where Kirk had hired the car in which he had taken Mamie away. He would probably have secured it from some garage near by. But this detective work would be a last resource. Like a good general, she did not admit of the possibility of failing in her first attack.

And, luck being with her, it happened that at the moment when she set out, Mr. Penway, feeling pretty comfortable where he was, abandoned his idea of going out for a stroll along Broadway and settled himself to pass the next few hours in Kirk's armchair.

Mr. Penway's first feeling when the bell rang, rousing him from his peaceful musings, was one of mild vexation. A few minutes later, when Mrs. Porter had really got to work upon him, he would not have recognized that tepid emotion as vexation at all.

Mrs. Porter wasted no time. She perforated Mr. Penway's spine with her eyes, reduced it to the consistency of summer squash, and drove him before her into the studio, where she took a seat and motioned him to do the same. For a moment she sat looking at him, by way of completing the work of subjection, while Mr. Penway writhed uneasily on his chair and thought of past sins.

"My name is Mrs. Porter," she began abruptly.

"Mine's Penway," said the miserable being before her. It struck him as the only thing to say.

"I have come to inquire about Mr. Winfield."

As she paused Mr. Penway felt it incumbent upon him to speak again.

"Dear old Kirk," he mumbled.

"Nothing of the kind," said Mrs. Porter sharply. "Mr. Winfield is a scoundrel of the worst type, and if you are as intimate a friend of his as your words imply, it does not argue well for your respectability."

Mr. Penway opened his mouth feebly and closed it again. Having closed it, he reopened it and allowed it to remain ajar, as it were. It was his idea of being conciliatory.

"Tell me." Mr. Penway started violently. "Tell me, when did you last see Mr. Winfield?"

"We went to Long Beach together this afternoon."

"In an automobile?"

"Yes."

"Ah! Were you here when Mr. Winfield left again?"

For the life of him Mr. Penway had not the courage to say no. There was something about this woman's stare which acted hypnotically upon his mind, never at its best as early in the evening.

He nodded.

"There was a young woman with him?" pursued Mrs. Porter.

At this moment Mr. Penway's eyes, roving desperately about the room, fell upon the bottle of Bourbon which Kirk's kindly hospitality had provided. His emotions at the sight of it were those of the shipwrecked mariner who see a sail. He sprang at it and poured himself out a stiff dose. Before Mrs. Porter's disgusted gaze he drained the glass and then turned to her, a new man.

The noble spirit restored his own. For the first time since the interview had begun he felt capable of sustaining his end of the conversation with ease and dignity.

"How's that?" he said.

"There was a young woman with him?" repeated Mrs. Porter. 

Перейти на страницу:

Похожие книги

Солнце
Солнце

Диана – певица, покорившая своим голосом миллионы людей. Она красива, талантлива и популярна. В нее влюблены Дастин – известный актер, за красивым лицом которого скрываются надменность и холодность, и Кристиан – незаконнорожденный сын богатого человека, привыкший получать все, что хочет. Но никто не знает, что голос Дианы – это Санни, талантливая студентка музыкальной школы искусств. И пока на сцене одна, за сценой поет другая.Что заставило Санни продать свой голос? Сколько стоит чужой талант? Кто будет достоин любви, а кто останется ни с чем? И что победит: истинный талант или деньги?

Анна Джейн , Артём Сергеевич Гилязитдинов , Екатерина Бурмистрова , Игорь Станиславович Сауть , Катя Нева , Луис Кеннеди

Фантастика / Проза / Классическая проза / Контркультура / Малые литературные формы прозы: рассказы, эссе, новеллы, феерия / Романы
Ад
Ад

Анри Барбюс (1873–1935) — известный французский писатель, лауреат престижной французской литературной Гонкуровской премии.Роман «Ад», опубликованный в 1908 году, является его первым романом. Он до сих пор не был переведён на русский язык, хотя его перевели на многие языки.Выйдя в свет этот роман имел большой успех у читателей Франции, и до настоящего времени продолжает там регулярно переиздаваться.Роману более, чем сто лет, однако он включает в себя многие самые животрепещущие и злободневные человеческие проблемы, существующие и сейчас.В романе представлены все главные события и стороны человеческой жизни: рождение, смерть, любовь в её различных проявлениях, творчество, размышления научные и философские о сути жизни и мироздания, благородство и низость, слабости человеческие.Роман отличает предельный натурализм в описании многих эпизодов, прежде всего любовных.Главный герой считает, что вокруг человека — непостижимый безумный мир, полный противоречий на всех его уровнях: от самого простого житейского до возвышенного интеллектуального с размышлениями о вопросах мироздания.По его мнению, окружающий нас реальный мир есть мираж, галлюцинация. Человек в этом мире — Ничто. Это означает, что он должен быть сосредоточен только на самом себе, ибо всё существует только в нём самом.

Анри Барбюс

Классическая проза