Читаем The Coming of Bill полностью

He placed a hand over his heart. This seemed to depress him still further. Finally he went to the table, took up the glass, poured its contents carefully back into the bottle, which he corked and replaced on the shelf.

On the floor against the wall was a pair of Indian clubs. He picked these up and examined them owlishly. He gave them little tentative jerks. Finally, with the air of a man carrying out a great resolution, he began to swing them. He swung them in slow, irregular sweeps, his eyes the while, still glassy, staring fixedly at the ceiling.

<p><strong>Chapter XII</strong></p><p>Dolls with Souls</p>

Ruth had not seen Bailey since the afternoon when he had called to warn her against Basil Milbank. Whether it was offended dignity that kept him away, or merely pressure of business, she did not know.

That pressure of business existed, she was aware. The papers were full, and had been full for several days, of wars and rumours of wars down in Wall Street; and, though she understood nothing of finance, she knew that Bailey was in the forefront of the battle. Her knowledge was based partly on occasional references in the papers to the firm of Bannister & Co. and partly on what she heard in society.

She did not hear all that was said in society about Bailey's financial operations—which, as Bailey had the control of her money, was unfortunate for her. The manipulation of money bored her, and she had left the investing of her legacy entirely to Bailey. Her father, she knew, had always had a high opinion of Bailey's business instincts, and that was good enough for her.

She could not know how completely revolutionized the latter's mind had become since the old man's death, and how freedom had turned him from a steady young man of business to a frenzied financier.

It was common report now that Bailey was taking big chances. Some went so far as to say that he was "asking for it," "it" in his case being presumably the Nemesis which waits on those who take big chances in an uncertain market. It was in the air that he was "going up against" the Pinkey-Dowd group and the Norman-Graham combination, and everybody knew that the cemeteries of Wall Street were full of the unhonoured graves of others who in years past had attempted to do the same.

Pinkey, that sinister buccaneer, could have eaten a dozen Baileys. Devouring aspiring young men of the Bailey type was Norman's chief diversion.

Ruth knew nothing of these things. She told herself that it was her abruptness that had driven Bailey away.

Weariness and depression had settled on Ruth since that afternoon of the storm. It was as if the storm had wrought an awakening in her. It had marked a definite point of change in her outlook. She felt as if she had been roused from a trance by a sharp blow.

If Steve had but known, she had had the "jolt" by which he set such store. She knew now that she had thrown away the substance for the shadow.

Kirk's anger, so unlike him, so foreign to the weak, easy-going person she had always thought him, had brought her to herself. But it was too late. There could be no going back and picking up the threads. She had lost him, and must bear the consequences.

The withdrawal of Bailey was a small thing by comparison, a submotive in the greater tragedy. But she had always been fond of Bailey, and it hurt her to think that she should have driven him out of her life.

It seemed to her that she was very much alone now. She was marooned on a desert island of froth and laughter. Everything that mattered she had lost.

Even Bill had gone from her. The bitter justice of Kirk's words came home to her now in her time of clear thinking. It was all true. In the first excitement of the new life he had bored her. She had looked upon Mrs. Porter as a saviour who brought her freedom together with an easy conscience. It had been so simple to deceive herself, to cheat herself into the comfortable belief that all that could be done for him was being done, when, as concerned the essential thing, as Kirk had said, there was no child of the streets who was not better off.

She tramped her round of social duties mechanically. Everything bored her now. The joy of life had gone out of her. She ate the bread of sorrow in captivity.

And then, this morning, had come a voice from the world she had lost—little Mrs. Bailey's voice, small and tearful.

Could she possibly come out by the next train? Bailey was very ill. Bailey was dying. Bailey had come home last night looking ghastly. He had not slept. In the early morning he had begun to babble—Mrs. Bailey's voice had risen and broken on the word, and Ruth at the other end of the wire had heard her frightened sobs. The doctor had come. The doctor had looked awfully grave. The doctor had telephoned to New York for another doctor. They were both upstairs now. It was awful, and Ruth must come at once.

This was the bad news which had brought about the pallor which had impressed Mr. Keggs as he helped Ruth into her cab.

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Фантастика / Проза / Классическая проза / Контркультура / Малые литературные формы прозы: рассказы, эссе, новеллы, феерия / Романы
Ад
Ад

Анри Барбюс (1873–1935) — известный французский писатель, лауреат престижной французской литературной Гонкуровской премии.Роман «Ад», опубликованный в 1908 году, является его первым романом. Он до сих пор не был переведён на русский язык, хотя его перевели на многие языки.Выйдя в свет этот роман имел большой успех у читателей Франции, и до настоящего времени продолжает там регулярно переиздаваться.Роману более, чем сто лет, однако он включает в себя многие самые животрепещущие и злободневные человеческие проблемы, существующие и сейчас.В романе представлены все главные события и стороны человеческой жизни: рождение, смерть, любовь в её различных проявлениях, творчество, размышления научные и философские о сути жизни и мироздания, благородство и низость, слабости человеческие.Роман отличает предельный натурализм в описании многих эпизодов, прежде всего любовных.Главный герой считает, что вокруг человека — непостижимый безумный мир, полный противоречий на всех его уровнях: от самого простого житейского до возвышенного интеллектуального с размышлениями о вопросах мироздания.По его мнению, окружающий нас реальный мир есть мираж, галлюцинация. Человек в этом мире — Ничто. Это означает, что он должен быть сосредоточен только на самом себе, ибо всё существует только в нём самом.

Анри Барбюс

Классическая проза