O’Hay, the critic, had been compelled to linger several days in order to live down the disastrous culmination of the musical raid made upon him by the philosophers. The idea and the trick had been Dick’s. Combat had joined early in the evening, when a seeming chance remark of Ernestine had enabled Aaron Hancock to fling the first bomb into the thick of O’Hay’s deepest convictions. Dar Hyal, a willing and eager ally, had charged around the flank with his blastic theory of music and taken O’Hay in reverse. And the battle had raged until the hot-headed Irishman, beside himself with the grueling the pair of skilled logomachists were giving him, accepted with huge relief the kindly invitation of Terrence McFane to retire with him to the tranquillity and repose of the stag room, where, over a soothing highball and far from the barbarians, the two of them could have a heart to heart talk on real music[310]
. At two in the morning, wild-eyed and befuddled, O’Hay had been led to bed by the upright-walking and unshakably steady Terrence.“Never mind,” Ernestine had told O’Hay later, with a twinkle in her eye that made him guess the plot. “It was only to be expected. Those rattle-brained philosophers would drive even a saint to drink.”
“I thought you were safe in Terrence’s hands,” had been Dick’s mock apology. “A pair of Irishmen, you know. I’d forgot Terrence was case-hardened[311]
. Do you know, after he said good night to you, he came up to me for a yarn. And he was steady as a rock. He mentioned casually of having had several sips, so I… I… never dreamed… er… that he had indisposed you.”When Lute and Ernestine departed for Santa Barbara, Bert Wainwright and his sister remembered their long-neglected home in Sacramento. A pair of painters, protegés of Paula, arrived the same day. But they were little in evidence, spending long days in the hills with a trap and driver and smoking long pipes in the stag room.
The free and easy life of the Big House went on in its frictionless way. Dick worked. Graham worked. Paula maintained her seclusion. The sages from the madroño grove strayed in for wordy dinners – and wordy evenings, except when Paula played for them. Automobile parties, from Sacramento, Wickenberg, and other valley towns, continued to drop in unexpectedly, but never to the confusion of Oh Joy and the house boys, whom Graham saw, on occasion, with twenty minutes’ warning, seat a score of unexpected guests to a perfect dinner. And there were even nights – rare ones – when only Dick and Graham and Paula sat at dinner, and when, afterward, the two men yarned for an hour before an early bed, while she played soft things to herself or disappeared earlier than they.
But one moonlight evening, when the Watsons and Masons and Wombolds arrived in force, Graham found himself out, when every bridge table was made up. Paula was at the piano. As he approached he caught the quick expression of pleasure in her eyes at sight of him, which as quickly vanished. She made a slight movement as if to rise, which did not escape his notice any more than did her quiet mastery of the impulse that left her seated.
She was immediately herself as he had always seen her – although it was little enough he had seen of her, he thought, as he talked whatever came into his head, and rummaged among her songs with her. Now one and now another song he tried with her, subduing his high baritone to her light soprano with such success as to win cries of more from the bridge players.
“Yes, I am positively aching to be out again over the world with Dick,” she told him in a pause. “If we could only start to-morrow! But Dick can’t start yet. He’s in too deep[312]
with too many experiments and adventures on the ranch here. Why, what do you think he’s up to now? As if he did not have enough on his hands, he’s going to revolutionize the sales end, or, at least, the California and Pacific Coast portion of it, by making the buyers come to the ranch.”“But they do do that,” Graham said. “The first man I met here was a buyer from Idaho.”
“Oh, but Dick means as an institution, you know – to make them come
She sighed and rippled her fingers along the keyboard.
“But, oh, if only we could get away – Timbuctoo, Mokpo, or Jericho.”
“Don’t tell me you’ve ever been to Mokpo,” Graham laughed.
She nodded. “Cross my heart, solemnly, hope to die.[314]
It was with Dick in the