Читаем The Living Dead полностью

And as for the priest, he remained in his sanctuary, and fed the dwindling members of his flock each Sunday, until no flesh remained with which he could do so. But by that time, it didn't matter, as there were none left who required salvation.

And there you have it—the last tale I'm ever going to tell.


The last story . . .

I never thought I'd ever consider a story and judge it to be the last. I thought I'd die in the middle of telling a tale. But now . . . why bother? The telling of tales is through. And I, too, am almost through. Let it be the last story, and let it be told by the last man.

The candy machines are empty now, and I've resorted to licking the empty wrappings that I'd previously abandoned. All that's left in the soda machine are a few cans of grape. I've long ago gone through the desks of the missing (why can't I think dead?) workers and found every last candy bar and cracker. Electricity is random, and water has slowed to a trickle, which means that the world beyond this one is sending signals to me that it is running down. Entropy is rising. Soon I will be out of both food and water, and my only choices will be . . .

Do I die because I no longer have anything left to eat?

Or because I let myself be eaten?

There seems to be little difference between the two. Whether I choose death by action or death by inaction, I will have still chosen death. I have been backed into a corner. I guess I should consider that is a good thing, because it means that I will not be a victim in my own death. I will be a participant.

When I go (which will not be long, or else my choice will be taken from me), will I be the last? Isolated as I am, I can't tell. I'll never know. I guess that each of us, wherever we are, will appear to be the last to ourselves. And if we appear to be the last, then we are the last.

But if by some miracle, I am not the last man telling the last story, if there are others who someday read these words, who have managed to restore a civilization to this planet currently hovering between life and death, think of me from time to time as you go about your day. Think of us. I lived in a time of no hope, feeling there was no life outside my own, and with no new life to follow.

I wish that you could know this time, as I have known the times before my own. I wish that I could trust that you would be there to someday read these words, even if you are not human, even if you must be a visitor who travels to our world a million years from now to discover what exists on the third planet from the sun, and all you find is the shuffling undead, the same ones I have known, still hunting, still searching, much like we were, only eternal. Will you be able to figure out who we once were, or will you merely sit in awe and wonder at how such shambling creatures could have built this world and then seemingly forgotten how they brought it into existence. If you come here, to this building, to this vault, to these pages, you will know. It is important that you know.

In any case, I do not think you will be coming, not from this world or any other. I may be imaginative, I may be a dreamer, but I am unable to live in either imagination or dream.

And so I will be gone soon. With my strength fading, and with your future existence to read these words in doubt, I do not know why I struggle to write them.

Well . . . maybe I do.

I can't stop writing.

Well . . . I can.

It will be when I stop living.

And with strength finally fading . . . it is time for me to do both.

I cannot write. I can barely think. I can only choose.

So goodbye.

In case you surprise me, and come to read these words, let's leave it like this:

Did I starve? Was I eaten? As long as I do not write the words, I did neither, and continue to exist, in the eternal present, forever alive, as immortal as the undead. I can be with you still.

Whoever you are, whenever you are, as long as you are, if you are . . . keep me alive.

So perhaps I was wrong.

Perhaps art alone, art for art's sake, can be enough. It feels enough now, as I make my choice.


Meanwhile, our man with a stick and plot of land, who toiled on the other side of the globe and slept under different stars (remember him, the one who knew nothing of our roaring earthquakes, rising floods, or falling towers?), wakes before dawn from troubling dreams.

While he'd slept, the strange visions had made sense to him, but once he was awake, it all slipped away. When he rose from his straw mat and woke his son and tried to tell the boy what he had seen, because dreams were meaningful to his people, he remembered nothing of libraries or zombies or the taste of grape soda. All that came to him was the uncomfortable feeling of having been in the heart of a big city, which to him was frightening enough.

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1. Никогда никому не доверять.2. Помнить, что они всегда ищут.3. Не ввязываться.4. Не высовываться.5. Не влюбляться.Пять простых правил. Ариана Такер следовала им с той ночи, когда сбежала из лаборатории генетики, где была создана, в результате объединения человека и внеземного ДНК. Спасение Арианы — и ее приемного отца — зависит от ее способности вписаться в среду обычных людей в маленьком городке штата Висконсин, скрываясь в школе от тех, кто стремится вернуть потерянный (и дорогой) «проект». Но когда жестокий розыгрыш в школе идет наперекосяк, на ее пути встает Зейн Брэдшоу, сын начальника полиции и тот, кто знает слишком много. Тот, кто действительно видит ее. В течении нескольких лет она пыталась быть невидимой, но теперь у Арианы столько внимания, которое является пугающим и совершенно опьяняющим. Внезапно, больше не все так просто, особенно без правил…

Анна Альфредовна Старобинец , Константин Алексеевич Рогов , Константин Рогов , Стэйси Кейд

Фантастика / Любовное фэнтези, любовно-фантастические романы / Ужасы / Юмористическая фантастика / Любовно-фантастические романы / Романы