Читаем The Master and Margarita полностью

From the outbuildings at the back of the palace, where the first cohort of the Twelfth Lightning legion,4 which had come to Yershalaim5 with the procurator, was quartered, a whiff of smoke reached the colonnade across the upper terrace of the palace, and this slightly acrid smoke, which testified that the centuries’ mess cooks had begun to prepare dinner, was mingled with the same thick rosy scent.

‘Oh, gods, gods, why do you punish me? ... Yes, no doubt, this is it, this is it again, the invincible, terrible illness ... hemicrania, when half of the head aches ... there’s no remedy for it, no escape ... I’ll try not to move my head ...’

On the mosaic floor by the fountain a chair was already prepared, and the procurator, without looking at anyone, sat in it and reached his hand out to one side. His secretary deferentially placed a sheet of parchment in this hand. Unable to suppress a painful grimace, the procurator ran a cursory, sidelong glance over the writing, returned the parchment to the secretary, and said with difficulty:

‘The accused is from Galilee?6 Was the case sent to the tetrarch?’

‘Yes, Procurator,’ replied the secretary.

‘And what then?’

‘He refused to make a decision on the case and sent the Sanhedrin’s7 death sentence to you for confirmation,‘ the secretary explained.

The procurator twitched his cheek and said quietly:

‘Bring in the accused.’

And at once two legionaries brought a man of about twenty-seven from the garden terrace to the balcony under the columns and stood him before the procurator’s chair. The man was dressed in an old and torn light-blue chiton. His head was covered by a white cloth with a leather band around the forehead, and his hands were bound behind his back. Under the man’s left eye there was a large bruise, in the comer of his mouth a cut caked with blood. The man gazed at the procurator with anxious curiosity.

The latter paused, then asked quietly in Aramaic:8

‘So it was you who incited the people to destroy the temple of Yershalaim?’9

The procurator sat as if made of stone while he spoke, and only his lips moved slightly as he pronounced the words. The procurator was as if made of stone because he was afraid to move his head, aflame with infernal pain.

The man with bound hands leaned forward somewhat and began to speak:

‘Good man! Believe me ...’

But the procurator, motionless as before and not raising his voice in the least, straight away interrupted him:

‘Is it me that you are calling a good man? You are mistaken. It is whispered about me in Yershalaim that I am a fierce monster, and that is perfectly correct.’ And he added in the same monotone: ‘Bring the centurion Ratslayer.’

It seemed to everyone that it became darker on the balcony when the centurion of the first century, Mark, nicknamed Ratslayer, presented himself before the procurator. Ratslayer was a head taller than the tallest soldier of the legion and so broad in the shoulders that he completely blocked out the still-low sun.

The procurator addressed the centurion in Latin:

The criminal calls me “good man”. Take him outside for a moment, explain to him how I ought to be spoken to. But no maiming.‘

And everyone except the motionless procurator followed Mark Ratslayer with their eyes as he motioned to the arrested man, indicating that he should go with him. Everyone generally followed Ratslayer with their eyes wherever he appeared, because of his height, and those who were seeing him for the first time also because the centurion’s face was disfigured: his nose had once been smashed by a blow from a Germanic club.

Mark’s heavy boots thudded across the mosaic, the bound man noiselessly went out with him, complete silence fell in the colonnade, and one could hear pigeons cooing on the garden terrace near the balcony and water singing an intricate, pleasant song in the fountain.

The procurator would have liked to get up, put his temple under the spout, and stay standing that way. But he knew that even that would not help him.

Having brought the arrested man from under the columns out to the garden, Ratslayer took a whip from the hands of a legionary who was standing at the foot of a bronze statue and, swinging easily, struck the arrested man across the shoulders. The centurion’s movement was casual and light, yet the bound man instantly collapsed on the ground as if his legs had been cut from under him; he gasped for air, the colour drained from his face, and his eyes went vacant.

With his left hand only, Mark heaved the fallen man into the air like an empty sack, set him on his feet, and spoke nasally, in poorly pronounced Aramaic:

‘The Roman procurator is called Hegemon.10 Use no other words. Stand at attention. Do you understand me, or do I hit you?’

The arrested man swayed, but got hold of himself, his colour returned, he caught his breath and answered hoarsely:

‘I understand. Don’t beat me.’

A moment later he was again standing before the procurator.

A lustreless, sick voice sounded:

‘Name?’

Перейти на страницу:

Похожие книги

Судьба. Книга 1
Судьба. Книга 1

Роман «Судьба» Хидыра Дерьяева — популярнейшее произведение туркменской советской литературы. Писатель замыслил широкое эпическое полотно из жизни своего народа, которое должно вобрать в себя множество эпизодов, событий, людских судеб, сложных, трагических, противоречивых, и показать путь трудящихся в революцию. Предлагаемая вниманию читателей книга — лишь зачин, начало будущей эпопеи, но тем не менее это цельное и законченное произведение. Это — первая встреча автора с русским читателем, хотя и Хидыр Дерьяев — старейший туркменский писатель, а книга его — первый роман в туркменской реалистической прозе. «Судьба» — взволнованный рассказ о давних событиях, о дореволюционном ауле, о людях, населяющих его, разных, не похожих друг на друга. Рассказы о судьбах героев романа вырастают в сложное, многоплановое повествование о судьбе целого народа.

Хидыр Дерьяев

Проза / Роман, повесть / Советская классическая проза / Роман
О, юность моя!
О, юность моя!

Поэт Илья Сельвинский впервые выступает с крупным автобиографическим произведением. «О, юность моя!» — роман во многом автобиографический, речь в нем идет о событиях, относящихся к первым годам советской власти на юге России.Центральный герой романа — человек со сложным душевным миром, еще не вполне четко представляющий себе свое будущее и будущее своей страны. Его характер только еще складывается, формируется, причем в обстановке далеко не легкой и не простой. Но он — не один. Его окружает молодежь тех лет — молодежь маленького южного городка, бурлящего противоречиями, характерными для тех исторически сложных дней.Роман И. Сельвинского эмоционален, написан рукой настоящего художника, язык его поэтичен и ярок.

Илья Львович Сельвинский

Проза / Историческая проза / Советская классическая проза
Ошибка резидента
Ошибка резидента

В известном приключенческом цикле о резиденте увлекательно рассказано о работе советских контрразведчиков, о которой авторы знали не понаслышке. Разоблачение сети агентов иностранной разведки – вот цель описанных в повестях операций советских спецслужб. Действие происходит на территории нашей страны и в зарубежных государствах. Преданность и истинная честь – важнейшие черты главного героя, одновременно в судьбе героя раскрыта драматичность судьбы русского человека, лишенного родины. Очень правдоподобно, реалистично и без пафоса изображена работа сотрудников КГБ СССР. По произведениям О. Шмелева, В. Востокова сняты полюбившиеся зрителям фильмы «Ошибка резидента», «Судьба резидента», «Возвращение резидента», «Конец операции «Резидент» с незабываемым Г. Жженовым в главной роли.

Владимир Владимирович Востоков , Олег Михайлович Шмелев

Советская классическая проза