Читаем The Master and Margarita полностью

‘Unfortunately not,’ the secretary replied unexpectedly and handed Pilate another piece of parchment.

‘What’s this now?’ Pilate asked and frowned.

Having read what had been handed to him, he changed countenance even more. Either the dark blood rose to his neck and face, or something else happened, only his skin lost its yellow tinge, turned brown, and his eyes seemed to sink.

Again it was probably owing to the blood rising to his temples and throbbing in them, only something happened to the procurator’s vision. Thus, he imagined that the prisoner’s head floated off somewhere, and another appeared in its place.21 On this bald head sat a scant-pointed golden diadem. On the forehead was a round canker, eating into the skin and smeared with ointment. A sunken, toothless mouth with a pendulous, capricious lower lip. It seemed to Pilate that the pink columns of the balcony and the rooftops of Yershalaim far below, beyond the garden, vanished, and everything was drowned in the thickest green of Caprean gardens. And something strange also happened to his hearing: it was as if trumpets sounded far away, muted and menacing, and a nasal voice was very clearly heard, arrogantly drawling: ‘The law of lese-majesty ...’

Thoughts raced, short, incoherent and extraordinary: ‘I’m lost! ...’ then: ‘We’re lost! ...’ And among them a totally absurd one, about some immortality, which immortality for some reason provoked unendurable anguish.

Pilate strained, drove the apparition away, his gaze returned to the balcony, and again the prisoner’s eyes were before him.

‘Listen, Ha-Nozri,’ the procurator spoke, looking at Yeshua somehow strangely: the procurator’s face was menacing, but his eyes were alarmed, ‘did you ever say anything about the great Caesar? Answer! Did you? ... Yes ... or ... no?’ Pilate drew the word ‘no’ out somewhat longer than is done in court, and his glance sent Yeshua some thought that he wished as if to instil in the prisoner.

‘To speak the truth is easy and pleasant,’ the prisoner observed.

‘I have no need to know,’ Pilate responded in a stifled, angry voice, ‘whether it is pleasant or unpleasant for you to speak the truth. You will have to speak it anyway. But, as you speak, weigh every word, unless you want a not only inevitable but also painful death.’

No one knew what had happened with the procurator of Judea, but he allowed himself to raise his hand as if to protect himself from a ray of sunlight, and from behind his hand, as from behind a shield, to send the prisoner some sort of prompting look.

‘Answer, then,’ he went on speaking, ‘do you know a certain Judas from Kiriath,22 and what precisely did you say to him about Caesar, if you said anything?’

‘It was like this,’ the prisoner began talking eagerly. ‘The evening before last, near the temple, I made the acquaintance of a young man who called himself Judas, from the town of Kiriath. He invited me to his place in the Lower City and treated me to ...’

‘A good man?’ Pilate asked, and a devilish fire flashed in his eyes.

‘A very good man and an inquisitive one,’ the prisoner confirmed. ‘He showed the greatest interest in my thoughts and received me very cordially ...’

‘Lit the lamps ...’23 Pilate spoke through his teeth, in the same tone as the prisoner, and his eyes glinted.

‘Yes,’ Yeshua went on, slightly surprised that the procurator was so well informed, ‘and asked me to give my view of state authority. He was extremely interested in this question.’

‘And what did you say?’ asked Pilate. ‘Or are you going to reply that you’ve forgotten what you said?’ But there was already hopelessness in Pilate’s tone.

‘Among other things,’ the prisoner recounted, ‘I said that all authority is violence over people, and that a time will come when there will be no authority of the Caesars, nor any other authority. Man will pass into the kingdom of truth and justice, where generally there will be no need for any authority.’

‘Go on!’

‘I didn’t go on,’ said the prisoner. ‘Here men ran in, bound me, and took me away to prison.’

The secretary, trying not to let drop a single word, rapidly traced the words on his parchment.

‘There never has been, is not, and never will be any authority in this world greater or better for people than the authority of the emperor Tiberius!’ Pilate’s cracked and sick voice swelled. For some reason the procurator looked at the secretary and the convoy with hatred.

‘And it is not for you, insane criminal, to reason about it!’ Here Pilate shouted: ‘Convoy, off the balcony!’ And turning to the secretary, he added: ‘Leave me alone with the criminal, this is a state matter!’

The convoy raised their spears and with a measured tramp of hob-nailed caligae walked off the balcony into the garden, and the secretary followed the convoy.

For some time the silence on the balcony was broken only by the water singing in the fountain. Pilate saw how the watery dish blew up over the spout, how its edges broke off, how it fell down in streams.

The prisoner was the first to speak.

Перейти на страницу:

Похожие книги

Судьба. Книга 1
Судьба. Книга 1

Роман «Судьба» Хидыра Дерьяева — популярнейшее произведение туркменской советской литературы. Писатель замыслил широкое эпическое полотно из жизни своего народа, которое должно вобрать в себя множество эпизодов, событий, людских судеб, сложных, трагических, противоречивых, и показать путь трудящихся в революцию. Предлагаемая вниманию читателей книга — лишь зачин, начало будущей эпопеи, но тем не менее это цельное и законченное произведение. Это — первая встреча автора с русским читателем, хотя и Хидыр Дерьяев — старейший туркменский писатель, а книга его — первый роман в туркменской реалистической прозе. «Судьба» — взволнованный рассказ о давних событиях, о дореволюционном ауле, о людях, населяющих его, разных, не похожих друг на друга. Рассказы о судьбах героев романа вырастают в сложное, многоплановое повествование о судьбе целого народа.

Хидыр Дерьяев

Проза / Роман, повесть / Советская классическая проза / Роман
О, юность моя!
О, юность моя!

Поэт Илья Сельвинский впервые выступает с крупным автобиографическим произведением. «О, юность моя!» — роман во многом автобиографический, речь в нем идет о событиях, относящихся к первым годам советской власти на юге России.Центральный герой романа — человек со сложным душевным миром, еще не вполне четко представляющий себе свое будущее и будущее своей страны. Его характер только еще складывается, формируется, причем в обстановке далеко не легкой и не простой. Но он — не один. Его окружает молодежь тех лет — молодежь маленького южного городка, бурлящего противоречиями, характерными для тех исторически сложных дней.Роман И. Сельвинского эмоционален, написан рукой настоящего художника, язык его поэтичен и ярок.

Илья Львович Сельвинский

Проза / Историческая проза / Советская классическая проза
Ошибка резидента
Ошибка резидента

В известном приключенческом цикле о резиденте увлекательно рассказано о работе советских контрразведчиков, о которой авторы знали не понаслышке. Разоблачение сети агентов иностранной разведки – вот цель описанных в повестях операций советских спецслужб. Действие происходит на территории нашей страны и в зарубежных государствах. Преданность и истинная честь – важнейшие черты главного героя, одновременно в судьбе героя раскрыта драматичность судьбы русского человека, лишенного родины. Очень правдоподобно, реалистично и без пафоса изображена работа сотрудников КГБ СССР. По произведениям О. Шмелева, В. Востокова сняты полюбившиеся зрителям фильмы «Ошибка резидента», «Судьба резидента», «Возвращение резидента», «Конец операции «Резидент» с незабываемым Г. Жженовым в главной роли.

Владимир Владимирович Востоков , Олег Михайлович Шмелев

Советская классическая проза