The Professor / Учитель. Книга для чтения на английском языке

We also go frequently to Hunsden Wood, and both I and Frances relish a visit there highly. If there are other guests, their characters are an interesting study; their conversation is exciting and strange; the absence of all local narrowness both in the host and his chosen society gives a metropolitan, almost a cosmopolitan freedom and largeness to the talk. Hunsden himself is a polite man in his own house: he has, when he chooses to employ it, an inexhaustible power of entertaining guests; his very mansion too is interesting, the rooms look storied, the passages legendary, the low-ceiled chambers, with their long rows of diamond-paned lattices, have an old-world, haunted air: in his travels he has collected stores of articles of vertu[546], which are well and tastefully disposed in his panelled or tapestried rooms: I have seen there one or two pictures, and one or two pieces of statuary which many an aristocratic connoisseur might have envied.

When I and Frances have dined and spent an evening with Hunsden, he often walks home with us. His wood is large, and some of the timber is old and of huge growth. There are winding ways in it which, pursued through glade and brake, make the walk back to Daisy Lane a somewhat long one. Many a time, when we have had the benefit of a full moon, and when the night has been mild and balmy, when, moreover, a certain nightingale has been singing, and a certain stream, hid in alders, has lent the song a soft accompaniment, the remote church-bell of the one hamlet in a district of ten miles, has tolled midnight ere the lord of the wood left us at our porch. Free-flowing was his talk at such hours, and far more quiet and gentle than in the day-time and before numbers[547]. He would then forget politics and discussion, and would dwell on the past times of his house, on his family history, on himself and his own feelings – subjects each and all invested with a peculiar zest, for they were each and all unique. One glorious night in June, after I had been taunting him about his ideal bride and asking him when she would come and graft her foreign beauty on the old Hunsden oak, he answered suddenly:

“You call her ideal; but see, here is her shadow; and there cannot be a shadow without a substance.”

He had led us from the depth of the “winding way” into a glade from whence the beeches withdrew, leaving it open to the sky; an unclouded moon poured her light into this glade, and Hunsden held out under her beam an ivory miniature.

Frances, with eagerness, examined it first; then she gave it to me – still, however, pushing her little face close to mine, and seeking in my eyes what I thought of the portrait. I thought it represented a very handsome and very individual-looking female face, with, as he had once said, “straight and harmonious features.” It was dark; the hair, raven-black, swept not only from the brow, but from the temples – seemed thrust away carelessly, as if such beauty dispensed with, nay, despised arrangement. The Italian eye looked straight into you, and an independent, determined eye it was; the mouth was as firm as fine; the chin ditto[548]. On the back of the miniature was gilded “Lucia.”

“That is a real head,” was my conclusion.

Hunsden smiled.

“I think so,” he replied. “All was real in Lucia.”

“And she was somebody you would have liked to marry – but could not?”

“I should certainly have liked to marry her, and that I HAVE not done so is a proof that I COULD not.”

He repossessed himself of the miniature, now again in Frances’ hand, and put it away.

“What do YOU think of it?” he asked of my wife, as he buttoned his coat over it.

“I am sure Lucia once wore chains and broke them,” was the strange answer. “I do not mean matrimonial chains,” she added, correcting herself, as if she feared misinterpretation, “but social chains of some sort. The face is that of one who has made an effort, and a successful and triumphant effort, to wrest some vigorous and valued faculty from insupportable constraint; and when Lucia’s faculty got free, I am certain it spread wide pinions and carried her higher than —” she hesitated.

“Than what?” demanded Hunsden.

“Than ‘les convenances[549]’ permitted you to follow.”

“I think you grow spiteful – impertinent.”

“Lucia has trodden the stage,” continued Frances. “You never seriously thought of marrying her; you admired her originality, her fearlessness, her energy of body and mind; you delighted in her talent, whatever that was, whether song, dance, or dramatic representation; you worshipped her beauty, which was of the sort after your own heart: but I am sure she filled a sphere from whence you would never have thought of taking a wife.”

“Ingenious,” remarked Hunsden; “whether true or not is another question. Meantime, don’t you feel your little lamp of a spirit wax very pale, beside such a girandole as Lucia’s?”

“Yes.”

“Candid, at least; and the Professor will soon be dissatisfied with the dim light you give?”