It was not Disneyland. Disneyland was a blend of technology and farce. It was mostly fantasy, a tame kind of surrealism, a comfortable cartoon in three dimensions. But the more I saw of Butlin’s, the more it resembled English life; it was very close to reality in its narrowness, its privacies, and its pleasures. It was England without work—leisure had been overtaken by fatigue and dull-wittedness: electronic games were easier than sports, and eating junk food had become another recreation. No one seemed to notice how plain the buildings were, how tussocky the grass was, or that everywhere there was a pervasive sizzle and smell of food frying in hot fat.
In that sense, too, it was like a real town. People walked around believing that it was all free; but most pastimes there cost money, and some were very expensive—like a ticket to the cabaret show that night, Freddie and the Dreamers, a group of middle-aged musicians who were a warmed-over version of their sixties’ selves.
If it had a futuristic feel, it was the deadened imagination and the zombie-like attitude of the strolling people, condemned to a week or two of fun under cloudy skies. And it was also the arrangements for children. The kids were taken care of—they could be turned loose in Butlin’s in perfect safety. They couldn’t get hurt or lost. There was a high fence around the camp. There was a Nursery Chalet Patrol and a Child Listening Service and a large Children’s Playground. In the planned cities of the future, provisions like this would be made for children.
Most of the events were for children, apart from whist and bingo. As a Day Visitor, I had my choice of the Corona Junior Fancy Dress Competition, a Kids’ Quiz Show, the Trampoline Test, the Donkey Derby, or the Beaver and Junior Talent Contest Auditions. The Donkey Derby was being held in a high wind on Gaiety Green—screaming children and plodding animals. I went to the talent show auditions in the Gaiety Revue Theatre. A girl of eight did a suggestive dance to a lewd pop song; two sisters sang a song about Jesus; Amanda and Kelly sang “Daisy”; and Miranda recited a poem much too fast. Most of the parents were elsewhere—playing the one-armed bandits and drinking beer.
I wandered into the Camp Chapel (“A Padre is available in the Centre at all times”). There was a notice stuck to the chapel door.
I found three ladies having tea in the Regency Building: Daphne Bunsen, from Bradford, said, “We don’t talk about this Falklands business here, ’cause we’re on holiday. It’s a right depressing soobject.”
“Anyway,” Mavis Hattery said, “there’s only one thing to say.”
What was that?
“I say, ‘Get it over with! Stop playing cat and mouse!’ ” Mrs. Bunsen said they loved Butlin’s. They had been here before and would certainly come back. Their sadness was they could not stay longer. “And Mavis’s room is right posh!”
“I paid a bit extra,” Mrs. Hattery said. “I have a fitted carpet in my shally.”
It was easy to mock Butlin’s for its dreariness and its brainless pleasures. It was an inadequate answer to leisure, but there were scores of similar camps all around the coast, so there was no denying its popularity. It combined the security and equality of prison with the vulgarity of an amusement park. I asked children what their parents were doing. Usually the father was playing billiards and the mother was shopping, but many said their parents were sleeping—having a kip. Sleeping until noon, not having to cook or mind children, and being a few steps away from the fish-and-chip shop, the bar, and the betting shop—it was a sleazy paradise in which people were treated more or less like animals in a zoo. In time to come, there would be more holiday camps on the British coast—“Cheap and cheerful,” Daphne Bunsen said.
Butlin’s was staffed by “Redcoats”—young men and women who wore red blazers. It was a Redcoat named Rod Firsby who told me that the camp could accommodate fourteen thousand people (“but nine thousand is about average”). Where did the people come from? I asked. He said they came from all over. It was when I asked him what sorts of jobs they did that he laughed.
“Are you joking, sunshine?” he said.
I said no, I wasn’t.
He said, “Half the men here are unemployed. That’s the beauty of Butlin’s—you can pay for it with your dole money.”