Увлечь за 100 слов. С чего начинается бестселлер?

Knowles, T. ‘Coronavirus: Shoppers judge books by back covers’, The Times [online], https://www.thetimes.co.uk/article/coronavirusshoppers-judge-books-by-back-covers-txn9tmjbm

Kwakkel, E. ‘Medieval Spam: The Oldest Advertisements for Books’, Medievalbooks [online], https://medievalbooks.nl/2014/12/05/medieval-spam-the-oldest-advertisements-for-books/ – ‘The oldest surviving printed advertisement in English (London, 1477)’, Medievalbooks [online], https://medievalbooks.nl/2019/01/24/the-oldest-surviving-printed-advertisement-in-english-london-1477/

Latham, M. The Bookseller’s Tale (London: Particular Books, 2020)

Leith, S. Write to the Point: How to be Clear, Correct and Persuasive on the Page (London: Profile Books, 2018)

Levinovitz, A. ‘I Greet You in the Middle of a Great Career: A Brief History of Blurbs’, The Millions [online], https://themillions.com/2012/02/i-greet-you-in-the-middle-of-a-great-career-a-briefhistory-of-blurbs.html

Lewis, J. Kindred Spirits: Adrift in Literary London (London: Faber &Faber Ltd, 2008)

Lewis, H. ‘The Hazards of Writing While Female’, The Atlantic [online], https://www.theatlantic.com/international/archive/2019/08/sallyrooney-and-hazards-writing-while-female/596218/

Mangan, L. Bookworm: A Memoir of Childhood Reading (London: Square Peg, 2018)

Manguel, A. A History of Reading (London: HarperCollins, 1996)

Mazin, C. ‘How to Write a Movie Transcript’, Scriptnotes [online], https://johnaugust.com/2019/scriptnotes-ep-403-how-to-writea-movie-transcript

McCrum, R. ‘Publishers be bold: Why It’s Time to Ditch the Subtitle’, Guardian [online], https://www.theguardian.com/books/booksblog/2009/sep/21/william-golding-subtitles

McHugh, J. ‘How women invented book clubs, changing reading and their lives’, Independent [online], https://www.independent.co.uk/life-style/women-book-clubs-reading-america-b1823819.html

McLuhan, M. and Fiore, Q. The Medium is the Massage: An Inventory of Effects (London: Bantam Books, 1967)

Miller, A. My Year of Reading Dangerously: How Fifty Great Books Saved My Life (London: Fourth Estate, 2014)

Mullan, J. The Artful Dickens: The Tricks and Ploys of the Great Novelist (London: Bloomsbury, 2020)

Norris, M. Between You & Me: Confessions of a Comma Queen (New York: W. W. Norton, 2015)

Orwell, G. A Life in Letters (London: Harvill Secker; 1st Edition, 2010)

Perloff, R. M. The Dynamics of Persuasion: Communication and Attitudes in the 21st Century (Oxford: Routledge, 2003)

Philpott, M. L. ‘Why, Exactly, Do We Have Subtitles on Books?’, Literary Hub [online], https://lithub.com/why-exactly-do-we-havesubtitles-on-books/

Pinker, S. The Sense of Style: The Thinking Person’s Guide to Writing in the 21st Century (London: Allen Lane, 2014) – The Stuff of Thought: Language as a Window into Human Nature (London: Allen Lane, 2007)

Pollard, C. Fierce Bad Rabbits: The Tales Behind Children’s Picture Books (London: Fig Tree, 2019)

Rapaille, C. The Culture Code (New York: Broadway Books, 2006)

Rentzenbrink, C. Dear Reader: The Comfort and Joy of Books (London: Picador, 2020)

Schlaff, M. ‘Publishers’ Advertisements in the Nineteenth Century’ [online], https://sites.google.com/a/umich.edu/from-tablet-totablet/final-projects/macaila-schlaff-13

Schuchard, R. ‘T. S. Eliot as Publisher: Book Reports, Blurbs, Poets’ [online], https://tseliot.com/editorials/eliot-as-publisher

Sieghart, M. A. ‘Why do so few men read books by women?’, Guardian [online], https://www.theguardian.com/books/2021/jul/09/whydo-so-few-men-read-books-by-women

Spufford, F. The Child That Books Built (London: Faber & Faber, 2002)

Storr, W. The Science of Storytelling (London: William Collins, 2019)

Sullivan, M. C. Jane Austen Cover to Cover: 200 Years of Classic Covers (Philadelphia: Quirk Books, 2014)