Читаем A Good Man Is Hard to Find and Other Stories полностью

The Negroes were pleased to see Mr. Shortley back. The Displaced Person had expected them to work as hard as he worked himself, whereas Mr. Shortley recognized their limitations. He had never been a very good worker himself with Mrs. Shortley to keep him in line, but without her, he was even more forgetful and slow. The Pole worked as fiercely as ever and seemed to have no inkling that he was about to be fired. Mrs. McIntyre saw jobs done in a short time that she had thought would never get done at all. Still she was resolved to get rid of him. The sight of his small stiff figure moving quickly here and there had come to be the most irritating sight on the place for her, and she felt she had been tricked by the old priest. He had said there was no legal obligation for her to keep the Displaced Person if he was not satisfactory, but then he had brought up the moral one.

She meant to tell him that her moral obligation was to her own people, to Mr. Shortley, who had fought in the world war for his country and not to Mr. Guizac who had merely arrived here to take advantage of whatever he could. She felt she must have this out with the priest before she fired the Displaced Person. When the first of the month came and the priest hadn’t called, she put off giving the Pole notice for a little longer.

Mr. Shortley told himself that he should have known all along that no woman was going to do what she said she was when she said she was. He didn’t know how long he could afford to put up with her shilly-shallying. He thought himself that she was going soft and was afraid to turn the Pole out for fear he would have a hard time getting another place. He could tell her the truth about this: that if she let him go, in three years he would own his own house and have a television aerial sitting on top of it. As a matter of policy, Mr. Shortley began to come to her back door every evening to put certain facts before her. “A white man sometimes don’t get the consideration a nigger gets,” he said, “but that don’t matter because he’s still white, but sometimes,” and here he would pause and look off into the distance, “a man that’s fought and bled and died in the service of his native land don’t get the consideration of one of them like them he was fighting. I ast you: is that right?” When he asked her such questions he could watch her face and tell he was making an impression. She didn’t look too well these days. He noticed lines around her eyes that hadn’t been there when he and Mrs. Shortley had been the only white help on the place. Whenever he thought of Mrs. Shortley, he felt his heart go down like an old bucket into a dry well.

The old priest kept away as if he had been frightened by his last visit but finally, seeing that the Displaced Person had not been fired, he ventured to call again to take up giving Mrs. McIntyre instructions where he remembered leaving them off. She had not asked to be instructed but he instructed anyway, forcing a little definition of one of the sacraments or of some dogma into each conversation he had, no matter with whom. He sat on her porch, taking no notice of her partly mocking, partly outraged expression as she sat shaking her foot, waiting for an opportunity to drive a wedge into his talk. “For,” he was saying, as if he spoke of something that had happened yesterday in town, “when God sent his Only Begotten Son, Jesus Christ Our Lord”—he slightly bowed his head—”as a Redeemer to mankind, He…”

“Father Flynn!” she said in a voice that made him jump. “I want to talk to you about something serious!”

The skin under the old man’s right eye flinched.

“As far as I’m concerned,” she said and glared at him fiercely, “Christ was just another D. P.”

He raised his hands slightly and let them drop on his knees. “Arrrrrr,” he murmured as if he were considering this.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука