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Beside me, a burly man with dark hair and a mustache that absorbed his upper lip spoke of marlin fishing as if it were a combat sport. A lanky and lean man who spoke with a Mississippi accent told a familiar story about a barn-burning to a crowd of women who gazed adoringly at his face. Behind him, a tiny woman with an acid tongue talked in disparaging terms of the Algonquin, and another man with white hair, a face crinkled from too much drink, and a body so thin it appeared dapper, studied the edges of the conversation as if the words were written in front of him.

They all had skin as pale as Fitz's, and a life force that seemed to have more energy than substance.

There were others scattered among the crowd: a man with an unruly shock of white hair who spoke of his boyhood in Illinois, his cats, and the workings of riverboats powered by steam; the demure brown-haired woman wearing a long white dress, standing in a corner, refusing to meet anyone's gaze. "She's a poet," a young girl beside me whispered, and I nodded, recognizing the heart-shaped face, the quiet, steady eyes.

In that house, on that night, I never questioned their presence, as if being in the company of people long-dead were as natural as speaking to myself. I avoided them: they had nothing to do with me. I was drawn to none of them, except, perhaps, Fitz himself.

He was as invisible as Ari. I wandered through the manse three times, pushing past bodies flushed from dancing, bright with too much drink, letting the conversation flow over me like water over a stone. Most of my colleagues spoke of Fitz himself, how he had favored them in one way or another, with a commission or, in the case of the women, with time alone. They spoke with a sigh, their eyes a bit glazed, as if the memory were more of a dream, and as they spoke, they touched their throats, or played with pearl chokers around their necks. A shudder ran through me and I wondered what I had brought Arielle into.

I found her at 3 a.m., waltzing in the empty grand ballroom with Fitz. He wore an ice cream suit, perfectly tailored, his hair combed back, and she wore a white gown that rippled around her like her hair. She gazed at him like a lover, her lips parted and moist, her body pressed against his, and as they whirled to the imaginary music, I caught glimpses of his face, his brows brought together in concentration, his eyes sparkling and moist. He looked like a man caught in a dream from which he could not wake, a dream which had gone bad, a dream which, when he remembered it, he would term a nightmare.

Then she saw me, and her expression changed. "Nick," she said. "Nick Carraway." And she laughed. The voice was not hers. It had more music than before, but beneath it, a rasp older women gained from too many cigarettes, too much drink. "He will never leave us alone, Scott."

Fitz looked at me. If anything, he appeared paler than he had before. The sparkle in his eyes was not tears, but the hard glare of a man who could not cry. "Thanks for all your help, old man," he said, and with that I knew I had been dismissed.

Chapter V

About a week before, an ambitious young reporter appeared on Fitz's doorstep as one of the parties began. He managed to find Fitz at the edge of the pool and asked him if he had anything to say.

"About what?" Fitz asked.

"About anything."

It transpired after a few minutes that the young man had heard Fitz's name around the office in a connection he wouldn't or couldn't reveal and, it being his day off, had hurried out to Connecticut "to see."

It was a random shot and yet the reporter's instinct had been right. Fitz's reputation, as spread by the people who saw him, the people who came to his gatherings, had that summer fallen just short of news. Stories of his mysterious past persisted, and yet none came close to the truth.

You see, he did not die of a heart attack in 1940. Instead he fell in, as he later said, with the ghouls of the Hollywood crowd. Obsessed with immortality, glamour and youth, they convinced him to meet a friend, a person whose name remains forever elusive. He succumbed to the temptation, as he had so often before, and discovered, only after he had changed, that in giving up life he had given up living and that the needs which drove his fiction disappeared with his need for food and strong drink.

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