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“But you always acted as if I was a terrible young pest!”

“I had to hide my feelings from Fitz, who protected you like a guard dog.”

Aunt Herm coughed, indicating her disapproval of this instant intimacy. Maud said: “Aunt, this is Herr Walter von Ulrich, an old school friend of Fitz’s who used to come here in the holidays. Now he’s a diplomat at the German embassy in London.”

Walter said: “May I present my cousin the graf Robert von Ulrich.” Graf was German for count, Ethel knew. “He is a military attaché at the Austrian embassy.”

They were actually second cousins, Peel had explained gravely to Ethel: their grandfathers had been brothers, the younger of whom had married a German heiress and left Vienna for Berlin, which was how come Walter was German whereas Robert was Austrian. Peel liked to get such things right.

Everyone sat down. Ethel held a chair for Aunt Herm. “Would you like some mulligatawny soup, Lady Hermia?” she asked.

“Yes, please, Williams.”

Ethel nodded to a footman, who went to the sideboard where the soup was being kept hot in an urn. Seeing that the new arrivals were comfortable, Ethel quietly left to arrange their rooms. As the door was closing behind her, she heard Walter von Ulrich say: “I remember how fond you were of music, Lady Maud. We were just discussing the Russian ballet. What do you think of Diaghilev?”

Not many men asked a woman for her opinion. Maud would like that. As Ethel hurried down the stairs to find a couple of maids to do the rooms, she thought: That German is quite a charmer.

{III}

The Sculpture Hall at Tŷ Gwyn was an anteroom to the dining room. The guests gathered there before dinner. Fitz was not much interested in art-it had all been collected by his grandfather-but the sculptures gave people something to talk about while they were waiting for their dinner.

As he chatted to his aunt the duchess, Fitz looked around anxiously at the men in white tie and tails and the women in low-cut gowns and tiaras. Protocol demanded that every other guest had to be in the room before the king and queen entered. Where was Maud? Surely she would not cause an incident! No, there she was, in a purple silk dress, wearing their mother’s diamonds, talking animatedly to Walter von Ulrich.

Fitz and Maud had always been close. Their father had been a distant hero, their mother his unhappy acolyte; the two children had got the affection they needed from each other. After both parents died they had clung together, sharing their grief. Fitz had been eighteen then, and had tried to protect his little sister from the cruel world. She, in turn, had worshipped him. In adulthood, she had become independent-minded, whereas he continued to believe that as head of the family he had authority over her. However, their affection for one another had proved strong enough to survive their differences-so far.

Now she was drawing Walter’s attention to a bronze cupid. Unlike Fitz, she understood such things. Fitz prayed she would talk about art all evening and keep off women’s rights. George V hated liberals, everyone knew that. Monarchs were usually conservative, but events had sharpened this king’s antipathy. He had come to the throne in the middle of a political crisis. Against his will he had been forced, by Liberal prime minister H. H. Asquith-strongly backed by public opinion-to curb the power of the House of Lords. This humiliation still rankled. His Majesty knew that Fitz, as a Conservative peer in the House of Lords, had fought to the last ditch against the so-called reform. All the same, if he were harangued by Maud tonight, he would never forgive Fitz.

Walter was a junior diplomat, but his father was one of the kaiser’s oldest friends. Robert, too, was well-connected: he was close to the archduke Franz Ferdinand, the heir to the throne of the Austro-Hungarian Empire. Another guest who moved in exalted circles was the tall young American now talking to the duchess. His name was Gus Dewar, and his father, a senator, was intimate adviser to U.S. president Woodrow Wilson. Fitz felt he had done well in assembling such a group of young men, the ruling elite of the future. He hoped the king was pleased.

Gus Dewar was amiable but awkward. He stooped, as if he would have preferred to be shorter and less conspicuous. He seemed unsure of himself, but he was pleasantly courteous to everyone. “The American people are concerned with domestic issues more than foreign policy,” he was saying to the duchess. “But President Wilson is a liberal, and as such he is bound to sympathize with democracies such as France and Britain more than with authoritarian monarchies such as Austria and Germany.”

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Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

Историческая проза

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Владимир Бартол

Проза / Историческая проза