Читаем Fall of Giants полностью

At that moment the double doors opened, the room fell silent, and the king and queen walked in. Princess Bea curtsied, Fitz bowed, and everyone else followed suit. There were a few moments of mildly embarrassed silence, for no one was allowed to speak until one of the royal couple had said something. At last the king said to Bea: “I stayed at this house twenty years ago, you know,” and people began to relax.

The king was a neat man, Fitz reflected as the four of them made small talk. His beard and mustache were carefully barbered. His hair was receding, but he had enough left on top to comb with a parting as straight as a ruler. Close-fitting evening clothes suited his slim figure: unlike his father, Edward VII, he was not a gourmet. He relaxed with hobbies that required precision: he liked to collect postage stamps, sticking them meticulously into albums, a pastime that drew mockery from disrespectful London intellectuals.

The queen was a more formidable figure, with graying curls and a severe line to her mouth. She had a magnificent bosom, shown off to great advantage by the extremely low neckline that was currently de rigueur. She was the daughter of a German prince. Originally she had been engaged to George’s older brother, Albert, but he had died of pneumonia before the wedding. When George became heir to the throne he also took over his brother’s fiancée, an arrangement that was regarded by some people as a bit medieval.

Bea was in her element. She was enticingly dressed in pink silk, and her fair curls were perfectly arranged to look slightly disordered, as if she had suddenly broken away from an illicit kiss. She talked animatedly to the king. Sensing that mindless chatter would not charm George V, she was telling him how Peter the Great had created the Russian navy, and he was nodding interestedly.

Peel appeared in the dining room door, an expectant look on his freckled face. He caught Fitz’s eye and gave an emphatic nod. Fitz said to the queen: “Would you care to go in to dinner, Your Majesty?”

She gave him her arm. Behind them, the king stood arm in arm with Bea, and the rest of the party formed up in pairs according to precedence. When everyone was ready, they walked into the dining room in procession.

“How pretty,” the queen murmured when she saw the table.

“Thank you,” said Fitz, and breathed a silent sigh of relief. Bea had done a wonderful job. Three chandeliers hung low over the long table. Their reflections twinkled in the crystal glasses at each place. All the cutlery was gold, as were the salt and pepper containers and even the small boxes of matches for smokers. The white tablecloth was strewn with hothouse roses and, in a final dramatic touch, Bea had trailed delicate ferns from the chandeliers down to the pyramids of grapes on golden platters.

Everyone sat down, the bishop said grace, and Fitz relaxed. A party that began well almost always continued successfully. Wine and food made people less disposed to find fault.

The menu began with hors d’oeuvres Russes, a nod to Bea’s home country: little blinis with caviar and cream, triangles of toast and smoked fish, crackers with soused herring, all washed down with the Perrier-Jouët 1892 champagne, which was as mellow and delicious as Peel had promised. Fitz kept an eye on Peel, and Peel watched the king. As soon as His Majesty put down his cutlery, Peel took away his plate, and that was the signal for the footmen to clear all the rest. Any guest who happened to be still tucking into the dish had to abandon it in deference.

Soup followed, a pot-au-feu, served with a fine dry oloroso sherry from Sanlúcar de Barrameda. The fish was sole, accompanied by a mature Meursault Charmes like a mouthful of gold. With the medallions of Welsh lamb Fitz had chosen the Château Lafite 1875-the 1870 was still not ready to drink. The red wine continued to be served with the parfait of goose liver that followed and with the final meat course, quails with grapes baked in pastry.

No one ate all this. The men took what they fancied and ignored the rest. The women picked at one or two dishes. Many plates went back to the kitchen untouched.

There was salad, a dessert, a savory, fruit, and petits fours. Finally, Princess Bea raised a discreet eyebrow to the queen, who replied with an almost imperceptible nod. They both got up, everyone else stood, and the ladies left the room.

The men sat down again, the footmen brought boxes of cigars, and Peel placed a decanter of Ferreira 1847 port at the king’s right hand. Fitz drew thankfully on a cigar. Things had gone well. The king was famously unsociable, feeling comfortable only with old shipmates from his happy navy days. But this evening he had been charming and nothing had gone wrong. Even the oranges had arrived.

Перейти на страницу:

Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

Историческая проза

Похожие книги

Аламут (ЛП)
Аламут (ЛП)

"При самом близоруком прочтении "Аламута", - пишет переводчик Майкл Биггинс в своем послесловии к этому изданию, - могут укрепиться некоторые стереотипные представления о Ближнем Востоке как об исключительном доме фанатиков и беспрекословных фундаменталистов... Но внимательные читатели должны уходить от "Аламута" совсем с другим ощущением".   Публикуя эту книгу, мы стремимся разрушить ненавистные стереотипы, а не укрепить их. Что мы отмечаем в "Аламуте", так это то, как автор показывает, что любой идеологией может манипулировать харизматичный лидер и превращать индивидуальные убеждения в фанатизм. Аламут можно рассматривать как аргумент против систем верований, которые лишают человека способности действовать и мыслить нравственно. Основные выводы из истории Хасана ибн Саббаха заключаются не в том, что ислам или религия по своей сути предрасполагают к терроризму, а в том, что любая идеология, будь то религиозная, националистическая или иная, может быть использована в драматических и опасных целях. Действительно, "Аламут" был написан в ответ на европейский политический климат 1938 года, когда на континенте набирали силу тоталитарные силы.   Мы надеемся, что мысли, убеждения и мотивы этих персонажей не воспринимаются как представление ислама или как доказательство того, что ислам потворствует насилию или террористам-самоубийцам. Доктрины, представленные в этой книге, включая высший девиз исмаилитов "Ничто не истинно, все дозволено", не соответствуют убеждениям большинства мусульман на протяжении веков, а скорее относительно небольшой секты.   Именно в таком духе мы предлагаем вам наше издание этой книги. Мы надеемся, что вы прочтете и оцените ее по достоинству.    

Владимир Бартол

Проза / Историческая проза