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Still holding Katerina’s arm, he hurried her along, even though she was limping. They needed to put distance between themselves and Pinsky.

As soon as they had turned the corner she said: “I have no money for a doctor.”

“I could give you a loan,” he said, with a pang of guilt: his money was for passage to America, not to soothe the bruises of pretty girls.

She gave him a calculating look. “I don’t really want a doctor,” she said. “What I need is a job. Could you take me to the factory office?”

She had guts, he thought admiringly. She had just been beaten up by a policeman, and all she could think about was getting a job. “The office is closed. I just said that to confuse the cops. But I can take you there in the morning.”

“I have nowhere to sleep.” She gave him a guarded look that he did not quite understand. Was she offering herself? Many peasant girls who came to the city ended up doing that. But perhaps her look meant the opposite, that she wanted a bed but was not prepared to pay with sexual favors.

“In the house where I live there’s a room shared by a number of women,” he said. “They sleep three or more to a bed, and they can always find space for another one.”

“How far is it?”

He pointed ahead to a street that ran alongside a railway embankment. “Just here.”

She nodded assent, and a few moments later they entered the house.

He had a back room on the first floor. The narrow bed that he shared with Lev stood against one wall. There was a fireplace with a hob, and a table and two chairs next to the window that overlooked the railway. An upended packing case served as a nightstand, with a jug and bowl for washing.

Katerina inspected the place with a long look that took everything in, then she said: “You have all this to yourself?”

“No-I’m not rich! I share with my brother. He’ll be here later.”

She looked thoughtful. Perhaps she was afraid she might be expected to have sex with both of them. To reassure her, Grigori said: “Shall I introduce you to the women in the house?”

“Plenty of time for that.” She sat in one of the two chairs. “Let me rest a while.”

“Of course.” The fire was laid, ready to be lit: he always built it in the morning before going to work. He put a match to the kindling.

There was a thunderous noise, and Katerina looked frightened. “It’s just a train,” Grigori said. “We’re right next to the railway.”

He poured water from the jug into the bowl, then set the bowl on the hob to warm. He sat opposite Katerina and looked at her. She had straight fair hair and pale skin. At first he had judged her to be quite pretty, but now he saw that she was really beautiful, with an oriental cast to her bone structure that suggested Siberian ancestry. There was strength of character in her face, too: her wide mouth was sexy, but also determined, and there seemed to be iron purpose in her blue-green eyes.

Her lips were swelling up from Pinsky’s punch. “How do you feel?” Grigori asked.

She ran her hands over her shoulders, ribs, hips, and thighs. “Bruised all over,” she said. “But you pulled that animal off me before he could do any serious damage.”

She was not going to feel sorry for herself. He liked that. He said: “When the water’s warm, I’ll wash away the blood.”

He kept food in a tin box. He took out a knuckle of ham and dropped it in the saucepan, then added water from the jug. He rinsed a turnip and began to slice it into the pan. He caught Katerina’s eye and saw a look of surprise. She said: “Did your father cook?”

“No,” said Grigori, and in a blink he was transported back to the age of eleven. The nightmare memories of Princess Bea could no longer be resisted. He put the pan down heavily on the table, then sat on the edge of the bed and buried his head in his hands, overwhelmed by grief. “No,” he repeated, “my father didn’t cook.”

{V}

They came to the village at dawn: the local land captain and six cavalrymen. As soon as Ma heard the trotting hoofbeats she picked up Lev. He was a heavy burden at age six, but Ma was broad-shouldered and strong-armed. She grabbed Grigori’s hand and ran out of the house. The horsemen were being led by the village elders, who must have met them at the outskirts. Because there was only one door, Grigori’s family had no chance of concealment, and as soon as they appeared the soldiers spurred their mounts.

Ma pounded around the side of the house, scattering chickens and scaring the goat so that it broke its tether and bolted too. She ran across the waste ground at the back toward the trees. They might have escaped, but Grigori suddenly realized that his grandmother was not with them. He stopped and pulled his hand free. “We forgot Gran!” he squealed.

“She can’t run!” Ma yelled back.

Grigori knew that. Gran could hardly walk. But all the same he felt they must not leave her behind.

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Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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