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“Grishka, come on!” Ma shouted, and she ran ahead, still carrying Lev, who was now shrieking with fear. Grigori followed, but the delay had been fatal. The horsemen came closer, one approaching on either side. The path to the woods was cut off. In desperation Ma ran into the pond, but her feet sank into the mud, she slowed down, and at last she fell into the water.

The soldiers hooted with laughter.

They tied Ma’s hands and marched her back. “Make sure the boys come too,” said the land captain. “Prince’s orders.”

Grigori’s father had been taken away a week ago, along with two other men. Yesterday, Prince Andrei’s household carpenters had built a scaffold in the north meadow. Now, as Grigori followed his mother into the meadow, he saw three men standing on the scaffold, bound hand and foot, with ropes around their necks. Beside the scaffold stood a priest.

Ma screamed: “No!” She began to struggle with the rope that bound her hands. A cavalryman drew a rifle from the holster fixed to his saddle and, reversing it, hit her in the face with its wooden stock. She stopped struggling and began to sob.

Grigori knew what this meant: his father was going to die here. He had seen horse thieves hanged by the village elders, though that had seemed different because the victims were men he did not know. He was seized by a terror that turned his entire body numb and feeble.

Perhaps something would happen to prevent the execution. The tsar might intervene, if he truly watched over his people. Or perhaps an angel. Grigori’s face felt wet and he realized he was crying.

He and his mother were forced to stand right in front of the scaffold. The other villagers gathered around. Like Ma, the wives of the other two men had to be dragged there, screaming and crying, their hands bound, their children holding on to their skirts and howling in terror.

On the dirt track beyond the field gate stood a closed carriage, its matching chestnut horses cropping the roadside grass. When everyone was present, a black-bearded figure emerged from the carriage in a long dark coat: Prince Andrei. He turned and gave his hand to his little sister, Princess Bea, with furs around her shoulders against the morning cold. The princess was beautiful, Grigori could not help noticing, with pale skin and fair hair, just as he imagined angels to look, even though she was obviously a devil.

The prince addressed the villagers. “This meadow belongs to Princess Bea,” he said. “No one may graze cattle here without her permission. To do so is to steal the princess’s grass.”

There was a murmur of resentment from the crowd. They did not believe in this kind of ownership, despite what they were told every Sunday in church. They adhered to an older, peasant morality, according to which the land was for those who worked it.

The prince pointed to the three men on the scaffold. “These fools broke the law-not once, but repeatedly.” His voice was shrill with outrage, like a child whose toy has been snatched. “Worse, they told others that the princess had no right to stop them, and that fields the landowner is not using should be available to poor peasants.” Grigori had heard his father say such things often. “As a result, men from other villages have started grazing cattle on land that belongs to the nobility. Instead of repenting their sins, these three have turned their neighbors into sinners too! That is why they have been sentenced to death.” He nodded to the priest.

The priest climbed the makeshift steps and spoke quietly to each man in turn. The first nodded expressionlessly. The second wept and began to pray aloud. The third, Grigori’s father, spat in the priest’s face. No one was shocked: the villagers had a low opinion of the clergy, and Grigori had heard his father say that they told the police everything they heard in the confessional.

The priest descended the steps, and Prince Andrei nodded to one of his servants, who was standing by with a sledgehammer. Grigori noticed for the first time that the three condemned men were standing on a crudely hinged wooden platform supported only by a single prop, and he realized with terror that the sledgehammer was to knock away the prop.

Now, he thought, this is when an angel should appear.

The villagers moaned. The wives began to scream, and this time the soldiers did not stop them. Little Lev was hysterical. He probably did not understand what was about to happen, Grigori thought, but he was scared by their mother’s shrieks.

Pa showed no emotion. His face was stony. He looked into the distance and awaited his fate. Grigori wanted to be that strong. He struggled to maintain his self-control, even though he needed to howl like Lev. He could not hold back the tears, but he bit his lip and remained as silent as his father.

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Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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