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The Irish peasant, hungry albeit he may be, is very particular as regards the description of animal food in which he allows himself to indulge. For instance, I have heard a fisherman object to skate as having a “wild taste,” and have endeavoured without success to convince them that whale’s flesh is an excellent substitute for beef…

I found it far more easy to sympathize with their prejudice against eating the flesh of seals. They have a superstition, a poetical one in my opinion, that the souls of the hapless beings who were drowned in the deluge, entered into the bodies of seals and dwelt there. The plaintive expression which in the eyes of these amphibious creatures is noticeable, lends itself to this fanciful idea…

They are evidently fond of music, and will follow a boat for long distances when the whistle or song of one of the crew attracts their attention. I was once the unfortunate witness of a successful shot which killed a nursing mother as its child, a tiny creature, lay placidly on the parent’s damp and comfortless-looking back. The piteous look of the bereaved one, as it floated past me, was more than human in the intensity of its reproachful despair.

—“Net Fishing in the Killary Bay,” by M. C. Houstoun, from London Society: A Monthly Magazine of Light and Amusing Literature for the Hours of Relaxation, Vol. LVIII, July to December 1890<p>1</p></span><span>

While Nora was showering after their dip in the sea, Elizabeth crept downstairs to the kitchen, glad to have all that itchy salt off her skin. In her left hand was the seal doll she had stolen from the cottage, tucked under her shirt when Nora wasn’t looking. The black button eye stared back at her, unblinking. She wasn’t even sure why she’d taken it, except that the poor thing seemed to need looking after. She pushed the springy wool back into the open seam at the side of its head, feeling a little uneasy about her conversation with Nora at the cottage. Should she have said all those things about her mother? Her dad said it wasn’t a good idea to talk about the naps mama used to take. He said talking about it could get them all into trouble.

Cormac came in through the back door with a heavy box of provisions. Elizabeth drew back into a corner of the kitchen, dropping whatever it was she’d been holding. He stooped to pick it up—and recognized the seal poppet from the selkie cottage. He studied the creature for a minute before handing it back. “Is everything all right, Elizabeth? Where’s Nora?”

“Upstairs—taking a shower.”

“I’ve got a surprise,” Cormac said, hoping to put her at ease. “Something I hope you’ll find interesting.” Fishing in his box of groceries, he pulled out a flat brown paper bag. “Here’s the first thing we need,” he said. “And here’s the second.” Ducking into his father’s room, he brought out the fiddle case he’d found there earlier. He lifted the instrument from the case and set it on the table. “Can you see our trouble?”

Elizabeth looked closer. “No strings.”

“And that’s what we’re going to remedy, right now.” Elizabeth sat at the table, keeping the seal hidden on her lap as he took out his flute case as well.

“Did you and Nora get up to anything interesting while I was out?”

“We went to a beach. It had all these round stones—”

“Ah—I know the place you mean. It’s called Port na Rón. Rón is the Irish word for seal—like your friend there. ‘Port na Rón’ means ‘Seal Harbor.’ People say it used to be a great spot for smugglers and pirates.”

“Pirates?”

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False Mermaid
False Mermaid

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can't move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.Determined to put her sister's case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona's murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister's death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona's body? Why was her behavior so erratic in the days before her murder?Is there a link between Tríona's death and that of another young woman?Nora's search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman's wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn't repeat itself.

Эрин Харт

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Эскортница
Эскортница

— Адель, милая, у нас тут проблема: другу надо настроение поднять. Невеста укатила без обратного билета, — Михаил отрывается от телефона и обращается к приятелям: — Брюнетку или блондинку?— Брюнетку! - требует Степан. — Или блондинку. А двоих можно?— Ади, у нас глаза разбежались. Что-то бы особенное для лучшего друга. О! А такие бывают?Михаил возвращается к гостям:— У них есть студентка юрфака, отличница. Чиста как слеза, в глазах ум, попа орех. Занималась балетом. Либо она, либо две блондинки. В паре девственница не работает. Стесняется, — ржет громко.— Петь, ты лучше всего Артёма знаешь. Целку или двух?— Студентку, — Петр делает движение рукой, дескать, гори всё огнем.— Мы выбрали девицу, Ади. Там перевяжи ее бантом или в коробку посади, — хохот. — Да-да, подарочек же.

Агата Рат , Арина Теплова , Елена Михайловна Бурунова , Михаил Еремович Погосов , Ольга Вечная

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