Читаем Hans Brinker, or the Silver Skates / Серебряные коньки. Книга для чтения на английском языке полностью

There were the gentry in their coaches, dressed like Parisians, fresh from the boulevards; Amsterdam children in charity uniforms; girls from the Roman Catholic Orphan House, in sable gowns and white headbands; boys from the Burgher Asylum, with their black tights and short-skirted, harlequin coats[412]. There were old-fashioned gentlemen in cocked hats and velvet knee breeches; old-fashioned ladies, too, in stiff quilted skirts and bodices of dazzling brocade. These were accompanied by servants bearing foot stoves and cloaks. There were the peasant folk arrayed in every possible Dutch costume, shy young rustics in brazen buckles; simple village maidens concealing their flaxen hair under fillets of gold; women whose long, narrow aprons were stiff with embroidery; women with short corkscrew curls hanging over their foreheads; women with shaved heads and close-fitting caps; and women in striped skirts and windmill bonnets. Men in leather, in homespun, in velvet, and in broadcloth; burghers in model European attire, and burghers in short jackets, wide trousers, and steeple-crowned hats.

There were beautiful Friesland girls in wooden shoes and coarse petticoats, with solid gold crescents encircling their heads, finished at each temple with a golden rosette and hung with lace a century old. Some wore necklaces, pendants, and earrings of the purest gold. Many were content with gilt or even with brass, but it is not an uncommon thing for a Friesland woman to have all the family treasure in her headgear. More than one rustic lass displayed the value of two thousand guilders upon her head that day.

Scattered throughout the crowd were peasants from the Island or Marken, with sabots, black stockings, and the widest of breeches; also women from Marken with short blue petticoats, and black jackets, gaily figured in front. They wore red sleeves, white aprons, and a cap like a bishop’s miter over their golden hair.

The children often were as quaint and odd-looking as their elders. In short, one-third of the crowd seemed to have stepped bodily from a collection of Dutch paintings.

Everywhere could be seen tall women and stumpy men, lively-faced girls, and youths whose expression never changed from sunrise to sunset.

There seemed to be at least one specimen from every known town in Holland. There were Utrecht water bearers, Gouda cheesemakers, Delft pottery men, Schiedam distillers, Amsterdam diamond cutters, Rotterdam merchants, dried-up herring packers, and two sleepy-eyes shepherds from Texel. Every man of them had his pipe and tobacco pouch. Some carried what might be called the smoker’s complete outfit – a pipe, tobacco, a pricker with which to clean the tube, a silver net for protecting the bowl, and a box of the strongest brimstone matches.

A true Dutchman, you must remember, is rarely without his pipe on any possible occasion. He may for a moment neglect to breathe, but when the pipe is forgotten, he must be dying indeed. There were no such sad cases here.[413] Wreaths of smoke were rising from every possible quarter. The more fantastic the smoke wreath, the more placid and solemn the smoker.

Look at those boys and girls on stilts[414]! That is a good idea. They can see over the heads of the tallest. It is strange to see those little bodies high in the air, carried about on mysterious legs. They have such a resolute look on their round faces, what wonder that nervous old gentlemen with tender feet wince and tremble while the long-legged little monsters stride past them.

You will read in certain books that the Dutch are a quiet people – so they are generally. But listen! Did you ever hear such a din? All made up of human voices – no, the horses are helping somewhat, and the fiddles are squeaking pitifully (how it must pain fiddles to be tuned!), but the mass of the sound comes from the great vox humana that belongs to a crowd.

That queer little dwarf going about with a heavy basket, winding in and out among the people, helps not a little. You can hear his shrill cry above all the other sounds, “Pypen en tabac![415] Pypen en tabac!

Another, his big brother, though evidently some years younger, is selling doughnuts and bonbons. He is calling on all pretty children far and near to come quickly or the cakes will be gone.

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Сьюзен Зонтаг , Энтони Троллоп

Проза / Классическая проза ХIX века / Прочее / Зарубежная классика