История и культура индийского храма. Книга III. Эстетика храма

Tivāri, Sasi. Sdraddtanaya kd Bhdvaprakdsana. Vivecanatmaka ad-hyayana. Āgrā, 1984. (хинди)

Torri, Maria Constanza. Abuse of Lower Castes in South India: The Institution ofDevadasi. Journal of International Women’s Studies, 2009, № 11(2), pp. 31–48.

Torzsok Judit. Icons of Inclusivism: Mandalas in Some Early Saiva Tantras I I Biihnemann, Gudrun. Mandalas and Yantras in the Hindu Tradition. Leiden: Brill, 2003.

Trawick Margaret. The Ideology of Love in a Tamil Family I I Divine Passions. The Social Construction of Emotion in India. Edited by Owen M. Lynch. University of California Press. Berkeley, Los Angeles, Oxford, 1990.

Tripathi G.C. Navakalevara: The Unique Ceremony of the 'birth' and the 'death' of the 'Lord of the World' I I The Cult of Jagannath and the Regional Tradition of Orissa. Ed. by Anncharlott Eschmann, Hermann Kulke, Gaya Charan Tripathi. Manohar, 1986.

– The Daily Pūjā Ceremony of the Jagavmatha Temple and its Special Features // The Cult of Jagannath and the Regional Tradition of Orissa. Ed. by Anncharlott Eschmann, Hermann Kulke, Gaya Charan Tripathi. Manohar, 1986.

– Jaganndtha: The Ageless Deity of the Hindus // The Cult of Jagannath and the Regional Tradition of Orissa. Ed. by Anncharlott Eschmann, Hermann Kulke, Gaya Charan Tripathi. Manohar, 1986.

Trouillet, Pierre-Yves. Hindu Temples and Development of Localities in Tamil Nadu (South India) I I Eric Denis 8c Marie-Helene Ze-rah. Subaltern Urbanization in India: An Introduction to the Dynamics of Ordinary Towns, Springer. 2017.

Turpin, Solveig A. The Were-Cougar Theme in Pecos River-Style Art and Its Implications for Traditional Archeology I I New Light on Old Art. Recent Advances in Hunter-Gatherer Rock Art Research. Ed. by David S. Whitley and Lawrence L. Loendorf. Institute of Archaeology, Univetsity of California, Los Angeles. 1994.

Unni N. P. Tantra Literature of Kerala. New Bharatiya Book Corporation. Delhi, 2006.

– Tantrapaddhati. A Study. Bharatiya Vidya Prakashan. Delhi, Varanasi, 1987.

Vaidyanathaswamy R. Muthusivami Dikshita’s Art //Dr. S. Krishnas-wami Aiyangar Commemoration Volume. Published by the Committee, 1936.

Vaithilingam S. The Temple ofVaitheesvaram I I Heritage of the Tamils Temple Arts. Ed. S.V. Subramanian, G. Rajendran. Madras. International Institute of Tamil Studies. 1985.

VAK [The Voice of Temples]. Vol. 17. August, 2016, № 8.

VAK [The Voice of Temples]. Vol. 17. September, 2016, № 9.

Vatsyayan K. Classical Indian Dance in Literature and Arts. Sangeet Natak Akademi. Rabindra Bhavan Ferozeshah Road New Delhi, 1977.

Vatsyayan K. The Dance Sculptures ofLara-Djonggrang (Pramloanan). A Comparative Study // Quarterly Journal of the National Centre for the Performing Arts, Vol. VI, 1977.

– Traditional Indian Theatre: Multiple Streams. National Book Trust, India, 1980.

– Die Klassische Tanze // Indien. Kultur, Geschichte, Politik, Wirtschaft, Umwelt. Ein Handbuch. Herausgegeben von Dietmar Rothermund. Verlag С. H. Beck. 1995.

– The Square and the Circle of the Indian Arts. New Delhi, 1997.

– Indian Classical Dance. New Delhi, 1997.

Vasudevar T. S. Carnatic Music Composer. Chennai, 2008.

Vedachalam V. Thiruvellarai Paintings I I South Indian Studies. Editor Dr. R. Nagaswamy. Madras. Society for Archaeological, Historical 8c Epigraphical Research, 1978.

Velusamysvadandaram A. Temples at Puhar I I Heritage of the Tamils Temple Arts. Ed. S.V. Subramanian, G. Rajendran. Madras. International Institute of Tamil Studies. 1985.

Venkataraman K. R. Devi Kāmākshi in Kdnchl. Sri Vani Vilas Syndicate Ltd. Srirangam, Tiruchirapalli, 1973.

Venkataraman R. The Sculptures on the Gopuras of Madurai Minakshi-Sundaresvara Temple Complex – A Survey // Heritage of the Tamils Temple Arts. Ed. S.V. Subramanian, G. Rajendran. Madras. International Institute of Tamil Studies. 1985.