Музыка боли. Образ травмы в советской и восточноевропейской музыке конца XX века

76. Pennebaker. Emotion, Disclosure and Health; Janoff-Bulman R. Shattered Assumptions: Towards a New Psychology of Trauma. New York: Free Press, 1992.

77. Davis. The Tormented and the Transformed. P. 137–142; см. также: Sewell K. W. and Williams A. M. Construing Stress: A Constructivist Therapeutic Approach to Posttraumatic Stress Reactions // Meaning Reconstruction and the Experience of Loss / Ed. by Robert A. Neimeyer. Washington, D.C.: American Psychological Association, 2001. P. 293–310.

78. Merridale. Night of Stone. P. 16–19, 282–291, 326–328, 331, 334; Figes. The Whisperers. P. 553, 606, 633–635.

79. Merridale. Night of Stone. P. 299.

80. Calinescu. Five Faces of Modernity. P. 269–275.

81. Kramer L. Musical Meaning: Toward a Critical History. Berkeley: University of California Press, 2002. P. 20. Мой методологический подход во многом основывается на следующих работах: McClary S. Feminine Endings: Music, Gender and Sexuality. Minneapolis: University of Minnesota Press, 1991; McClary S. Conventional Wisdom: The Content of Musical Form. Berkeley: University of California Press, 2000; Lep-pert R. D. The Sight of Sound: Music, Representation and the History of the Body. Berkeley: University of California Press, 1993; Kramer L. Music as Cultural Practice, 1800–1900. Berkeley: University of California Press, 1990; Kramer L. Classical Music and Postmodern Knowledge.

82. Schechner R. Performance Theory. London and New York: Routledge, 2003. P. 215. Обзор соответствующих источников на тему исполнения см.: Schechner R. Between Theater and Anthropology. Philadelphia: University of Pennsylvania Press, 1985; Schechner R. and Appel W. By Means of Performance: Intercultural Studies of Theatre and Ritual. Cambridge and New York: Cambridge University Press, 1990; Schechner R. The Future of Ritual: Writings on Culture and Performance. London and New York: Routledge, 1993; Schechner R. Performance Studies: An Introduction. 2nd ed. New York: Routledge, 2006; Turner V. The Ritual Process: Structure and Anti-Structure. Ithaca, N.Y: Cornell University Press, 1977; Turner V. From Ritual to Theatre: The Human Seriousness of Play. New York: Performing Arts Journal Publications, 1982; Turner V. The Anthropology of Performance. New York: PAJ Publications, 1988; Carlson M. Performance: A Critical Introduction. London and New York: Routledge, 1996; Barba E. Theatre Anthropology// A Dictionary of Theatre Anthropology: The Secret Art of the Performer I Ed. by Eugenio Barba and Nicola Savarese. London: Routledge, 1991.

83. Во вступлении к сборнику литературоведы Ана Дуглас и Томас Воглер рассматривают этот троп и прослеживают его истоки в теориях Канта о «возвышенном». См.: Douglass A. and Vogler Т. A. (eds). Witness and Memory: The Discourse of Trauma. New York and London: Routledge, 2003. P. 32–33.

84. Saltzman L. and Rosenberg E. M. Trauma and Visuality in Modernity. Hanover, N.H.: Dartmouth College Press and University Press of New England, 2006. P. xii. Авторы также обращают внимание, насколько больший упор в исследованиях травмы делается на язык, чем на визуальные образы.

85. Mazo. The Present and the Unpredictable Past. P. 371–400.

86. Ziarek. Melancholic Nationalism. P. 301–326.

Глава 1

1. Ramadanovic P. Forgetting Futures: On Memory, Trauma and Identity. Lanham, Md.: Lexington Books, 2001. P. 5–6, 99.

2. Ivashkin A. Alfred Schnittke. London: Phaidon, 1996. P. 169.

3. Smith К. E. Remembering Stalins Victims: Popular Memory and the End of the Soviet Union. Ithaca, N.Y. and London: Cornell University Press, 1996. P. 10.

4. Merridale C. Night of Stone: Death and Memory in Russia. London: Granta, 2000. P. 12, 16,19,252–253,294. См. также: Figes O. The Whisperers: Private Life in Stalins Russia. London and New York: Allen Lane, 2007. P. 582, 607, 652.

5. Clark K. Changing Historical Paradigms in Soviet Culture // Late Soviet Culture: From Perestroika to Novostroika I Ed. by Thomas Lahusen and Gene Kuperman. Durham, N.C. and London: Duke University Press, 1993. P. 289. См. также: Platt К. M. E and Brandenberger D. (eds). Epic Revisionism: Russian History and Literature as Stalinist Propaganda. Madison: University of Wisconsin Press, 2006.

6. Nove A. Glasnost’ in Action: Cultural Renaissance in Russia. Boston: Unwin Hyman, 1989.

7. Boobbyer P. Conscience, Dissent and Reform in Soviet Russia. London: Routledge, 2005. P. 43–50.

8. Figes. The Whisperers. P. 629–656.

9. Cm.: Suny R. G. The Soviet Experiment: Russia, the Soviet Union and the Successor States. Oxford: Oxford University Press, 1998. P. 405. Автор рассматривает отход от теории невступления в конфликты начиная с 1954 года.

10. Nove. Glasnost’ in Action. P. 5.