“
“This comes from your family,” said Vassily dryly to Nina, as red-faced Dominika would glower when the music was turned off, gravely displeased, eyes ablaze. If she was this way at age five, what would she be like later on?
When at the age of ten Dominika auditioned at the Moscow State Academy of Choreography at second Frunzenskaya 5 she impressed the admissions panel. She had no technique, no formal discipline, but even at that young age they saw in her the intensity, the natural skill, the instincts of a great dancer. They had asked her why she wanted to dance, and had laughed at her answer, “Because I can see the music,” and the room grew still as her already strikingly beautiful face darkened and she regarded the panel through narrowed eyes as if contemplating doing them all physical harm.
Dominika made her saucy, triumphant way through the academy, the great feeder school for the Bolshoi. She flourished despite the rigors of the classical Vaganova method. She had by then become accustomed to living with the colors. Her ability to see them, whether while listening to music, or dancing, or simply talking to people, now felt more refined, somehow more under her control. And she began deciphering the colors, associating them with moods and emotions. It was not a burden. To her it was simply something she lived with.
Dominika continued to excel, but not only in dancing. She achieved highest marks in the academy’s middle and upper schools, where her ability to remember everything she had been taught served her well. This was something new, something different. Dominika listened to the political lectures, the ideological lessons, the history of communism, the rise and fall of the socialist state, the history of Soviet ballet. Of course, there had been excesses, and there had been corrections. And now modern Russia would continue to grow, a sum greater than its parts. Her young mind made the leap, accepted the cant.
By age eighteen, Dominika was promoted to the first student troupe at school and led her study class in political achievement. Each night she would return home to tell her secretly horrified father what she had learned. He tried to counterbalance her growing enthusiasms with the lessons of literature and history. But Dominika was in the full flight of her adolescence, in the grip of her young career. If she sensed the nature of his desperate message, if she read the colors above his head, she gave no sign. Vassily could not be more clear. He dared not speak out openly against the system.
Of course, Nina was pleased that her daughter was progressing so rapidly in the junior ballet company. It was fine, a secure future was assured. But she too watched in dismay as her little girl became a model Modern Russian Woman, an ultranationalist, a tall, chestnut-haired beauty who walked with the elegance of a ballerina, and who behaved like the
Dominika lay on the carpet in the living room, her mother combing her dark hair softly, rhythmically, with the long-handled brush that belonged to her great-grandmother. The tortoiseshell brush with gently curved handle that, along with a framed photograph and a silver samovar, was the only family belonging rescued from the elegant house in pre-Bolshevik Petersburg. The hog’s-hair bristles made a quiet stirring sound, crimson in the air. Her hair was radiant. Dominika, stretching after a long day of ballet, interrupted her father’s soft-spoken narrative by relating what she had heard at school. “Father, do you realize that
With a dull ache, the parents looked down at their daughter.