Шок новизны

Hess Thomas B. Willem de Kooning. New York: MoMA, 1968.

Hitchcock H. R. Architecture: Nineteenth and Twentieth Centuries. London: Penguin Books, 1958.

Hobbs R. C., Levin Gail. Abstract Expressionism: The Formative Years. New York: Whitney Museum, 1978.

Hodin J. P. Edvard Munch. London: Thames & Hudson; New York: Praeger, 1972.

Honisch Dieter, et al. Trends of the Twenties / Catalogue of the Council of Europe exhibition, Berlin 1977. Berlin: Reimer, 1977.

Hoog Michel. Robert Delaunay. Paris: Flammarion, 1976.

Hulton Pontus. The Machine as Seen at the End of the Mechanical Age. New York: MoMA, 1968.

Idea Art, A Critique / Ed. Gregory Battcock. New York: Dutton, 1973.

Koolhaas Rem. Delirious New York. London: Thames & Hudson, 1979; New York: Oxford University Press, 1978.

Kozloff Max. Jasper Johns. New York: Abrams, 1968.

Kozloff Max. Renderings: Critical Essays on a Century of Modern Art. New York: Simon & Schuster, 1969.

Kramer Hilton. The Age of the Avant-Garde. New York: Farrar, Straus, 1973.

Krauss Rosalind. Passages in Modern Sculpture. London: Thames & Hudson; New York: Viking, 1977.

Kudielka Robert. Bridget Riley: Works, 1959–1978. London: British Council, 1978.

Lane Barbara Miller. Architecture and Politics in Germany, 1918–1945. London: Oxford University Press; Cambridge: Harvard University Press, 1968.

Le Corbusier. The City of Tomorrow. London: Architect Press; Cambridge, Mass.: MIT Press, 1971.

Le Macchine Celibi / The Bachelor Machines / Ed. Szeeman Harald. Venice: Alfieri, 1975.

Leymarie Jean. Juan Gris. Paris: Editions des Musées Nationaux, 1974.

Lippard Lucy. Pop Art. London: Thames & Hudson, 1967; New York: Oxford University Press, 1966; Praeger, 1969.

Lippard Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972. New York: Praeger, 1973.

Marcel Duchamp / Eds. Anne d’Harnoncourt, Kynaston McShine. London: Thames & Hudson, 1974; New York: MoMA, 1973.

Marcel Jean, Arpad Meizei. History of Surrealist Painting. London: Weidenfeld & Nicolson; New York: Grove, 1960.

Matisse on Art / Ed. Jack D. Flam. London: Phaidon, 1973.

Modernism 1890–1930 / Ed. Malcolm Bradbury, James McFarlane. London: Penguin Books, 1978.

Mondrian Piet. Plastic Art and Pure Plastic Art. New York: Wittenborn, 1945.

Museums in Crisis / Brian O’Doherty. New York: Braziller, 1972.

Nadeau Maurice. The History of Surrealism. London: Cape, 1968.

Nochlin Linda. Realism. London: Penguin Books, 1971.

Nochlin Linda. The Invention of the Avant-Garde: France, 1830–1880 // Avant-Garde Art / Thomas B. Hess, John Ashbery. New York: Macmillan, 1968.

Novak Barbara. Nature and Culture: American Landscape and Paintings, 1825–1875. New York & London: Oxford University Press, 1980.

O’Connor Francis, Thaw Eugene. Jackson Pollock: A Catalogue Raisonne of Paintings, Drawings and Other Works. New Haven, Connecticut & London: Yale University Press, 1978.

O’Neill John P. Clyfford Still. New York: Abrams, 1979.

Overy Paul. Kandinsky: The Language of the Eye. London: Elek; New York: Praeger, 1969.

Paul Gauguin: The Writings of a Savage / Ed. Daniel Guérin. New York: Viking, 1978.

Pehnt Wolfgang. Expressionist Architecture. London & New York: Thames & Hudson, 1979.

Poggioli Renato. The Theory of the Avant-Garde. New York: Harper, 1971.

Programs and Manifestoes on 20th-century Architecture / Ulrich Conrads. London: Lund Humphries; Cambridge Mass.: MIT Press, 1970.

Readings in American Art since 1900: a Documentary Survey / Ed. Barbara Rose. New York: Praeger, 1968.

Richardson John. Georges Braque. London: Penguin Books, 1959.

Richter Hans. Dada: Art and Anti-Art. London: Thames & Hudson, 1968; New York: McGraw-Hill, 1966.

Rose Barbara. Claes Oldenberg: a Catalogue. New York: MoMA, 1969.

Rose Barbara. Helen Frankenthaler. New York: Abrams, 1971.

Rosenberg Harold. Art on the Edge: Creators and Situations. London: Secker & Warburg, 1976; New York: Macmillan, 1975.

Rosenberg Harold. Discovering the Present: Three Decades in Art, Culture, and Politics. Chicago & London: University of Chicago Press, 1973.

Rosenberg Harold. The De-Definition of Art: Action Art to Pop to Earthworks. London: Secker & Warburg; New York: Horizon Press, 1972.

Rosenblum Robert. Cubism and Twentieth-Century Art. London: Thames & Hudson; New York: Abrams, 1961.

Rosenblum Robert. Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko. London: Thames & Hudson; New York: Harper & Row, 1975.