Читаем The Coming of Bill полностью

"I have. Or I'm practically certain I have. At any rate, I know that I have discovered the ditches made by the Spaniards three hundred years ago. If there was gold there in those days there is apt to be gold there now. Only it isn't on the surface any longer. They cleaned up as far as the surface is concerned, so I have to sink shafts and dig tunnels."

"I see. It isn't so simple as it used to be."

"It is, practically, if you have any knowledge of mining."

"Well, what's your trouble?" asked Kirk. "Why did you come back? Why aren't you out there grabbing it with both hands and getting yourself into shape to be a walking gold-mine to your friends? I don't like to see this idle spirit in you, Hank."

Hank smoked long and thoughtfully.

"Kirk," he said suddenly.

"Well?"

Hank shook his head.

"No, it's no good."

"What is no good? What do you mean?"

"I came back," said Hank, suddenly lucid, "with a wild notion of getting you to come in with me on this thing."

"What! Go to Colombia with you?"

Hank nodded.

"But, of course, it's not possible. It's no job for a married man."

"Why not? If this gold of yours is just lying about in heaps it seems to me that a married man is exactly the man who ought to be around grabbing it. Or do you believe that old yarn about two being able to live as cheaply as one? Take it from me, it's not so. If there is gold waiting to be gathered up in handfuls, me for it. When do we start? Can I bring Ruth and the kid?"

"I wish we could start. If I could have had you with me these last few months I'd never have quit. But I guess it's out of the question. You've no idea what sort of an inferno it is, and I won't let you come into it with your eyes shut. But if ever you are in a real tight corner let me know. It might be worth your while then to take a few risks."

"Oh! there are risks?"

"Risks! My claims are located along the Atrato River in the Choco district. Does that convey anything to you?"

"Not a thing."

"The workings are three hundred miles inland. Just three hundred miles of pure Hades. You can get all the fevers you ever heard of, and a few more, I got most of them last trip."

"I thought you were looking pretty bad."

"I ought to be. I've swallowed so much quinine since I saw you last that my ears are buzzing still. And then there are the insects. They all bite. Some bite worse than others, but not much. Darn it! even the butterflies bite out there. Every animal in the country has some other animal constantly chasing it until a white man comes along, when they call a truce and both chase him. And the vegetation is so thick and grows so quickly that you have to cut down the jungle about the workings every few days or so to avoid being swamped by it. Otherwise," finished Hank, refilling his pipe and lighting it, "the place is a pretty good kind of summer resort."

"And you're going back to it? Back to the quinine and the beasts and the butterflies?"

"Sure. The gold runs up to twenty dollars the cubic yard and is worth eighteen dollars an ounce."

"When are you going?"

"I'm in no hurry. This year, next year, some time, never. No, not never. Call it some time."

"And you want me to come, too?"

"I would give half of whatever there is in the mine to have you come. But things being as they are, well, I guess we can call it off. Is there any chance in the world, Kirk, of your ever ceasing to be a bloated capitalist? Could any of your stocks go back on you?"

"I doubt it. They're pretty gilt-edged, I fancy, though I've never studied the question of stocks. My little gold-mine isn't in the same class with yours, but it's as solid as a rock, and no fevers and insects attached to it, either."

* * * * *

And now the gold-mine had proved of less than rock-like solidity. The most gilt-edged of all the stocks had failed. The capitalist had become in one brief day the struggling artist.

Hank's proposal seemed a good deal less fantastic now to Kirk as he prepared for his second onslaught, the grand attack, on the stronghold of those who bought art with gold.

<p><strong>Chapter XII</strong></p><p>A Climax</p>

One afternoon, about two weeks later, Kirk, returning to the studio from an unprofitable raid into the region of the dealers, found on the table a card bearing the name of Mrs. Robert Wilbur. This had been crossed out, and beneath it, in a straggly hand, the name Miss Wilbur had been written.

The phenomenon of a caller at the cell of the two hermits was so strange that he awaited Ruth's arrival with more than his customary impatience. She would be able to identify the visitor. George Pennicut, questioned on the point, had no information of any value to impart. A very pretty young lady she was, said George, with what you might call a lively manner. She had seemed disappointed at finding nobody at home. No, she had left no message.

Ruth, arriving a few moments later, was met by Kirk with the card in his hand.

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Анри Барбюс (1873–1935) — известный французский писатель, лауреат престижной французской литературной Гонкуровской премии.Роман «Ад», опубликованный в 1908 году, является его первым романом. Он до сих пор не был переведён на русский язык, хотя его перевели на многие языки.Выйдя в свет этот роман имел большой успех у читателей Франции, и до настоящего времени продолжает там регулярно переиздаваться.Роману более, чем сто лет, однако он включает в себя многие самые животрепещущие и злободневные человеческие проблемы, существующие и сейчас.В романе представлены все главные события и стороны человеческой жизни: рождение, смерть, любовь в её различных проявлениях, творчество, размышления научные и философские о сути жизни и мироздания, благородство и низость, слабости человеческие.Роман отличает предельный натурализм в описании многих эпизодов, прежде всего любовных.Главный герой считает, что вокруг человека — непостижимый безумный мир, полный противоречий на всех его уровнях: от самого простого житейского до возвышенного интеллектуального с размышлениями о вопросах мироздания.По его мнению, окружающий нас реальный мир есть мираж, галлюцинация. Человек в этом мире — Ничто. Это означает, что он должен быть сосредоточен только на самом себе, ибо всё существует только в нём самом.

Анри Барбюс

Классическая проза