Читаем The Coming of Bill полностью

Kirk stood motionless at the rail, thinking. It was not what was past that occupied his thoughts, as the third officer had supposed; it was the future.

The forlorn hope had failed; he was limping back to Ruth wounded and broken. He had sent her a wireless message. She would be at the dock to meet him. How could he face her? Fate had been against him, it was true, but he was in no mood to make excuses for himself. He had failed. That was the beginning and the end of it. He had set out to bring back wealth and comfort to her, and he was returning empty-handed.

That was what the immediate future held, the meeting with Ruth. And after? His imagination was not equal to the task of considering that. He had failed as an artist. There was no future for him there. He must find some other work. But he was fit for no other work. He had no training. What could he do in a city where keenness of competition is a tradition? It would be as if an unarmed man should attack a fortress.

The thought of the years he had wasted was very bitter. Looking back, he could see how fate had tricked him into throwing away his one talent. He had had promise. With hard work he could have become an artist, a professional—a man whose work was worth money in the open market. He had never had it in him to be a great artist, but he had had the facility which goes to make a good worker of the second class. He had it still. Given the time for hard study, it was still in him to take his proper place among painters.

But time for study was out of his reach now. He must set to work at once, without a day's delay, on something which would bring him immediate money. The reflection brought his mind back abruptly to the practical consideration of the future.

Before him, as he stood there, the ragged battlements of New York seemed to frown down on him with a cold cruelty that paralysed his mind. He had seen them a hundred times before. They should have been familiar and friendly. But this morning they were strange and sinister. The skyline which daunts the emigrant as he comes up the bay to his new home struck fear into Kirk's heart.

He turned away and began to walk up and down the deck.

He felt tired and lonely. For the first time he realized just what it meant to him that he should never see Hank again. It had been hard, almost impossible, till now to force his mind to face that fact. He had winced away from it. But now it would not be avoided. It fell upon him like a shadow.

Hank had filled a place of his own in Kirk's life. Theirs had been one of those smooth friendships which absence cannot harm. Often they had not seen each other for months at a time. Indeed, now that he thought of it, Hank was generally away; and he could not remember that they had ever exchanged letters. Yet even so there had been a bond between them which had never broken. And now Hank had dropped out.

Kirk began to think about death. As with most men of his temperament, it was a subject on which his mind had seldom dwelt, never for any length of time. His parents had died when he was too young to understand; and circumstances had shielded him from the shadow of the great mystery. Birth he understood; it had forced itself into the scheme of his life; but death till now had been a stranger to him.

The realization of it affected him oddly. In a sense, he found it stimulating; not stimulating as birth had been, but more subtly. He could recall vividly the thrill that had come to him with the birth of his son. For days he had walked as one in a trance. The world had seemed unreal, like an opium-smoker's dream. There had been magic everywhere.

But death had exactly the opposite effect. It made everything curiously real—himself most of all. He had the sensation, as he thought of Hank, of knowing himself for the first time. Somehow he felt strengthened, braced for the fight, as a soldier might who sees his comrade fall at his side.

There was something almost vindictive in the feeling that came to him. It was too vague to be analysed, but it filled him with a desire to fight, gave him a sense of determination of which he had never before been conscious. It toughened him, and made the old, easy-going Kirk Winfield seem a stranger at whom he could look with detachment and a certain contempt.

As he walked back along the deck the battlements of the city met his gaze once more. But now they seemed less formidable.

In the leisurely fashion of the home-coming ship the Santa Barbara slid into her dock. The gangplank was thrust out. Kirk walked ashore.

For a moment he thought that Ruth had not come to meet him. Then his heart leaped madly. He had seen her.

* * * * *
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Фантастика / Проза / Классическая проза / Контркультура / Малые литературные формы прозы: рассказы, эссе, новеллы, феерия / Романы
Ад
Ад

Анри Барбюс (1873–1935) — известный французский писатель, лауреат престижной французской литературной Гонкуровской премии.Роман «Ад», опубликованный в 1908 году, является его первым романом. Он до сих пор не был переведён на русский язык, хотя его перевели на многие языки.Выйдя в свет этот роман имел большой успех у читателей Франции, и до настоящего времени продолжает там регулярно переиздаваться.Роману более, чем сто лет, однако он включает в себя многие самые животрепещущие и злободневные человеческие проблемы, существующие и сейчас.В романе представлены все главные события и стороны человеческой жизни: рождение, смерть, любовь в её различных проявлениях, творчество, размышления научные и философские о сути жизни и мироздания, благородство и низость, слабости человеческие.Роман отличает предельный натурализм в описании многих эпизодов, прежде всего любовных.Главный герой считает, что вокруг человека — непостижимый безумный мир, полный противоречий на всех его уровнях: от самого простого житейского до возвышенного интеллектуального с размышлениями о вопросах мироздания.По его мнению, окружающий нас реальный мир есть мираж, галлюцинация. Человек в этом мире — Ничто. Это означает, что он должен быть сосредоточен только на самом себе, ибо всё существует только в нём самом.

Анри Барбюс

Классическая проза