Читаем The Coming of Bill полностью

There are worse spots in the world than the sheds of the New York customs, but few more desolate; yet to Kirk just then the shadowy vastness seemed a sunlit garden. A flame of happiness blazed up in his mind, blotting out in an instant the forebodings which had lurked there like evil creatures in a dark vault. The future, with its explanations and plans, could take care of itself. Ruth was a thing of the present.

He put his arms round her and held her. The friendly drummer, who chanced to be near, observed them with interest and a good deal of pleasure. The third officer's story had temporarily destroyed his feeling that all was right with the world, and his sympathetic heart welcomed this evidence that life held compensations even for men who had been swindled out of valuable gold-mines.

"I guess he's not feeling so worse, after all," he mused, and went on his way with an easy mind to be fawned upon by his grateful firm.

Ruth was holding Kirk at arm's length, her eyes full of tears at the sight.

"You poor boy, how thin you are!"

"I had fever. It's an awful place for fever out there."

"Kirk!"

"Oh, I'm all right now. The voyage set me up. They made a great fuss over me on board."

Ruth's hand was clinging to his arm. He squeezed it against his side. It was wonderful to him, this sense of being together again after these centuries of absence. It drove from his mind the thought of all the explanations which sooner or later he had got to make. Whatever might come after, he would keep this moment in his memory golden and untarnished.

"Don't you worry about me," he said. "Now that I've found you again I'm feeling better than I ever did in my life. You wait till you see me sparring with Steve to-morrow. By the way, how is Steve?"

"Splendid."

"And Bill?"

Ruth drew herself up haughtily.

"You dare to ask about your son after Steve? How clumsy that sounds! I mean you dare to put Steve before your son. I believe you've only just realized that you have a son."

"I've only just realized there's anybody or anything in the world except my wife."

"Well, after that I suppose I've got to forgive you. Since you have asked after Bill at last, I may tell you that he's very well indeed."

Kirk's eyes glowed.

"He ought to be a great kid by now."

"He is."

"And Mamie? Have you still got her?"

"I wouldn't lose her for a million."

"And Whiskers?"

"I'm afraid Whiskers is gone."

"Not dead?"

"No. I gave him away."

"For Heaven's sake! Why?"

"Well, dear, the fact is, I've come around to Aunt Lora's way of thinking."

"Eh?"

"About germs."

Kirk laughed, the first real laugh he had had for a year.

"That insane fad of hers!"

Ruth was serious.

"I have," she said. "We're taking a great deal more care of Bill than in the old days. I hate to think of the way I used to let him run around wild then. He might have died."

"What nonsense! He was simply bursting with health all the time."

"I had a horrible shock after you left," Ruth went on. "The poor little fellow was awfully ill with some kind of a fever. The doctor almost gave him up."

"Good heavens!"

"Aunt Lora helped me to nurse him, and she made me see how I had been exposing him to all sorts of risks, and—well, now we guard against them."

There was a silence.

"I grew to rely on her a great deal, Kirk, when you were away. You know I always used to before we were married. She's so wonderfully strong. And then when your letters stopped coming——" 

"There aren't any postal arrangements out there in the interior. It was the worst part of it—not being able to write to you or hear from you. Heavens, what an exile I've been this last year! Anything may have happened!"

"Perhaps something has," said Ruth mysteriously.

"What do you mean?"

"Wait and see. Oh, I know one thing that has happened. I've been looking at you all this while trying to think what it was. You've grown a beard, and it looks perfectly horrid."

"Sheer laziness. It shall come off this very day. I knew you would hate it."

"I certainly do. It makes you look so old."

Kirk's face clouded.

"I feel old."

For the first time since he had left the ship the memory of Hank had come back to him. The sight of Ruth had driven it away, but now it swept back on him. The golden moment was over. Life with all its troubles and its explanations and its burdening sense of failure must be faced.

"What's the matter?" asked Ruth, startled by the sudden change.

"I was thinking of poor old Hank."

"Where is Mr. Jardine? Didn't he come back with you?"

"He's dead, dear," said Kirk gently. "He died of fever while we were working our way back to the coast."

"Oh!"

It was the idea of death that shocked Ruth, not the particular manifestation of it. Hank had not touched her life. She had begun by disliking him and ended by feeling for him the tolerant sort of affection which she might have bestowed upon a dog or a cat. Hank as a man was nothing to her, and she could not quite keep her indifference out of her voice.

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Ад

Анри Барбюс (1873–1935) — известный французский писатель, лауреат престижной французской литературной Гонкуровской премии.Роман «Ад», опубликованный в 1908 году, является его первым романом. Он до сих пор не был переведён на русский язык, хотя его перевели на многие языки.Выйдя в свет этот роман имел большой успех у читателей Франции, и до настоящего времени продолжает там регулярно переиздаваться.Роману более, чем сто лет, однако он включает в себя многие самые животрепещущие и злободневные человеческие проблемы, существующие и сейчас.В романе представлены все главные события и стороны человеческой жизни: рождение, смерть, любовь в её различных проявлениях, творчество, размышления научные и философские о сути жизни и мироздания, благородство и низость, слабости человеческие.Роман отличает предельный натурализм в описании многих эпизодов, прежде всего любовных.Главный герой считает, что вокруг человека — непостижимый безумный мир, полный противоречий на всех его уровнях: от самого простого житейского до возвышенного интеллектуального с размышлениями о вопросах мироздания.По его мнению, окружающий нас реальный мир есть мираж, галлюцинация. Человек в этом мире — Ничто. Это означает, что он должен быть сосредоточен только на самом себе, ибо всё существует только в нём самом.

Анри Барбюс

Классическая проза