Читаем The Coming of Bill полностью

He loved William Bannister as a son, and it had been one of his favourite day dreams to conjure up a vision of the time when he should be permitted to undertake the child's physical training. He had toyed lovingly with the idea of imparting to this promising pupil all that he knew of the greatest game on earth. He had watched him in the old days staggering about the studio, and had pictured him grown to his full strength, his muscles trained, his brain full of the wisdom of one who, if his mother had not kicked, would have been middle-weight champion of America.

He had resigned himself to the fact that the infant's social status made it impossible that he should be the real White Hope whom he had once pictured beating all comers in the roped ring; but, after all, there was a certain mild fame to be acquired even by an amateur. And now that dream was over—unless Kirk could be goaded into strong action in time.

"Why don't you sneak the kid away somewhere?" he suggested. "Why don't you go right in at them and say: 'It's my kid, and I'm going to take him away into the country out of all this white-tile stuff and let him roll in the mud same as he used to.' Why, say, there's that shack of yours in Connecticut, just made for it. That kid would have the time of his life there."

"You think that's the solution, do you, Steve?"

"I'm dead sure it is." Steve's voice became more and more enthusiastic as the idea unfolded itself. "Why, it ain't only the kid I'm thinking of. There's Miss Ruth. Say, you don't mind me pulling this line of talk?"

"Go ahead. I began it. What about Miss Ruth?"

"Well, you know just what's the matter with her. She's let this society game run away with her. I guess she started it because she felt lonesome when you were away; and now it's got her and she can't drop it. All she wants is a jolt. It would slow her up and show her just where she was. She's asking for it. One good, snappy jolt would put the whole thing right. And this thing of jerking the kid away to Connecticut would be the right dope, believe me."

Kirk shook his head.

"It wouldn't do, Steve. It isn't that I don't want to do it; but one must play to the rules. I can't explain what I mean. I can only say it's impossible. Let's think of a parallel case. When you were in the ring, there must have been times when you had a chance of hitting your man low. Why didn't you do it? It would have jolted him, all right."

"Why, I'd have lost on a foul."

"Well, so should I lose on a foul if I started the sort of rough-house you suggest."

"I don't get you."

"Well, if you want it in plain English, Ruth would never forgive me. Is that clear enough?"

"You're dead wrong, boss," said Steve excitedly. "I know her."

"I thought I did. Well, anyway, Steve, thanks for the suggestion; but, believe me, nothing doing. And now, if you feel like it, I wish you would resume your celebrated imitation of a man exulting over the fact that he is wearing Middleton's Undeniable. There isn't much more to do, and I should like to get through with it to-day, if possible. There, hold that pose. It's exactly right. The honest man gloating over his suspenders. You ought to go on the stage, Steve."

<p><strong>Chapter VII</strong></p><p>Cutting the Tangled Knot</p>

There are some men whose mission in life it appears to be to go about the world creating crises in the lives of other people. When there is thunder in the air they precipitate the thunderbolt.

Bailey Bannister was one of these. He meant extraordinarily well, but he was a dangerous man for that very reason, and in a properly constituted world would have been segregated or kept under supervision. He would not leave the tangled lives of those around him to adjust themselves. He blundered in and tried to help. He nearly always produced a definite result, but seldom the one at which he aimed.

That he should have interfered in the affairs of Ruth and Kirk at this time was, it must be admitted, unselfish of him, for just now he was having troubles of his own on a somewhat extensive scale. His wife's extravagance was putting a strain on his finances, and he was faced with the choice of checking her or increasing his income. Being very much in love, he shrank from the former task and adopted the other way out of the difficulty.

It was this that had led to the change in his manner noticed by Steve. In order to make more money he had had to take risks, and only recently had he begun to perceive how extremely risky these risks were. For the first time in its history the firm of Bannister was making first-hand acquaintance with frenzied finance.

Перейти на страницу:

Похожие книги

Солнце
Солнце

Диана – певица, покорившая своим голосом миллионы людей. Она красива, талантлива и популярна. В нее влюблены Дастин – известный актер, за красивым лицом которого скрываются надменность и холодность, и Кристиан – незаконнорожденный сын богатого человека, привыкший получать все, что хочет. Но никто не знает, что голос Дианы – это Санни, талантливая студентка музыкальной школы искусств. И пока на сцене одна, за сценой поет другая.Что заставило Санни продать свой голос? Сколько стоит чужой талант? Кто будет достоин любви, а кто останется ни с чем? И что победит: истинный талант или деньги?

Анна Джейн , Артём Сергеевич Гилязитдинов , Екатерина Бурмистрова , Игорь Станиславович Сауть , Катя Нева , Луис Кеннеди

Фантастика / Проза / Классическая проза / Контркультура / Малые литературные формы прозы: рассказы, эссе, новеллы, феерия / Романы
Ад
Ад

Анри Барбюс (1873–1935) — известный французский писатель, лауреат престижной французской литературной Гонкуровской премии.Роман «Ад», опубликованный в 1908 году, является его первым романом. Он до сих пор не был переведён на русский язык, хотя его перевели на многие языки.Выйдя в свет этот роман имел большой успех у читателей Франции, и до настоящего времени продолжает там регулярно переиздаваться.Роману более, чем сто лет, однако он включает в себя многие самые животрепещущие и злободневные человеческие проблемы, существующие и сейчас.В романе представлены все главные события и стороны человеческой жизни: рождение, смерть, любовь в её различных проявлениях, творчество, размышления научные и философские о сути жизни и мироздания, благородство и низость, слабости человеческие.Роман отличает предельный натурализм в описании многих эпизодов, прежде всего любовных.Главный герой считает, что вокруг человека — непостижимый безумный мир, полный противоречий на всех его уровнях: от самого простого житейского до возвышенного интеллектуального с размышлениями о вопросах мироздания.По его мнению, окружающий нас реальный мир есть мираж, галлюцинация. Человек в этом мире — Ничто. Это означает, что он должен быть сосредоточен только на самом себе, ибо всё существует только в нём самом.

Анри Барбюс

Классическая проза