The first lighthouse, a marvel of structural engineering not incomparable to the great pyramids, was the Pharos of Alexandria, completed under Ptolemy II in approximately 280 B.C. “Admirably constructed of white marble,” according to Strabo, it stood for two centuries near the mouth of the Nile; what finally destroyed it is a secret lost in antiquity. No accurate description or representation of the Pharos has survived these past two thousand years, although an imagined rendering appears on many Roman coins. Edrisi, the Arabian geographer, described it in 1154 as “singularly remarkable, as much because of its height as of its solidity… During the night it appears as a star, and during the day it is distinguished by the smoke.” The fact that it was one of the Seven Wonders of the Ancient World has nowhere been disputed in
No. Too flat, too pedantic. The Pharos must have been awesome; it deserved better than this. Sparkle. Flair. Make the student-excuse me, the reader — see the sun on the white marble, the smoke from its open fire, the glow radiating out to the Mediterranean sailor in his galley.
Jan ripped the sheet of paper from his old Underwood portable, crumpled it, chucked it at the cardboard carton he was using as a waste receptacle, and inserted a fresh sheet. His fingers felt cramped; he flexed them. He still wasn’t used to working on a manual typewriter-any kind of typewriter, for that matter. He had a secretary at school; she transcribed his dictated tapes on an IBM word processor.
All right. Try it again.
In the Romance languages the word for lighthouse is pharos. a word derived from the world’s first and most remarkable safeguard for the mariner, the Pharos of Alexandria. Completed under Ptolemy II in approximately 280 B.C., this marvel of structural engineering stood sentinel at the mouth of the Nile for two centuries, by day sunstruck and wreathed in smoke from its slave-tended fire, by night sending out its beacon across the dark waters to the unwary sailor
For God’s sake, no! Childish. Like a bad freshman composition. No one would publish this sort of drivel.
The pain intensified behind his eyes.
It was no longer sharp; it had modulated into that bulging ache again, as if the pressure might pop his eyes right out, roll them down his cheeks like sunstruck white marbles. Wait it out, that was all he could do. Just when he felt he could suffer it no longer, it would subside and he would begin to feel normal again for a few days. Then it would come back, as it had tonight, after a full week of relative peace, to remind him of what the future held. Sharp and pulsing. Dull and pulsing. Savage. Nagging. Bulging. That was the worst, the bulging
Damn you! he thought suddenly, savagely, and drove the heels of his hands against his eyes. His vision blurred, shifted; he endured a panicky moment until it cleared again. Calm, he thought. Calm. He reached for his pipe, loaded it with McBaren’s, set fire to the tobacco.
On one comer of the table that served as his desk, the stack of finished manuscript pages caught his attention. He picked it up. Nineteen pages so far. Not bad, really, considering how much time in the week they’d been here he’d spent on housekeeping matters, on preparations for work on the light, on organizing his notes and research material. Introductory remarks, a prologue comprised of an edited-down version of Anderson’s taped reminiscences about his days as keeper of Washington’s Destruction Island Light, and a scant beginning for the general-history chapter. And now he could not seem to get past the Pharos of Alexandria, one of the Seven Wonders of the Ancient World.
The title page seemed to stare back at him, mockingly.
Guardians of the Night
A Definitive History of North American Lighthouses
By Jan H. Ryerson