The Little Lady of the Big House / Маленькая хозяйка большого дома. Книга для чтения на английском языке

Taller in truth was she, as well as in seeming, than he had judged her, and as finely proportioned in her gown as in her swimming suit. He noted her shining gold-brown hair piled high; the healthy tinge of her skin that was clean and clear and white; the singing throat, full and round, incomparably set on a healthy chest; and the gown, dull blue, a sort of medieval thing with half-fitting, half-clinging body, with flowing sleeves and trimmings of gold-jeweled bands.

She smiled an embracing salutation and greeting. Graham recognized it as kin to the one he had seen when she smiled from the back of the stallion. When she started forward, he could not fail to see the inimitable way she carried the cling and weight of her draperies with her knees – round knees, he knew, that he had seen press desperately into the round muscle-pads of Mountain Lad. Graham observed, also, that she neither wore nor needed corseting. Nor could he fail, as she crossed the floor, to see two women: one, the grand lady, the mistress of the Big House; one, the lovely équestrienne[168] statue beneath the dull-blue, golden-trimmed gown, that no gowning could ever make his memory forget.

She was upon them, among them, and Graham’s hand held hers in the formal introduction as he was made welcome to the Big House and all the hacienda in a voice that he knew was a singing voice and that could proceed only from a throat that pillared, such as hers, from a chest deep as hers despite her smallness.

At table, across the corner from her, he could not help a surreptitious studying of her. While he held his own in the general fun and foolishness[169], it was his hostess that mostly filled the circle of his eye and the content of his mind.

It was as bizarre a company as Graham had ever sat down to dinner with. The sheep-buyer and the correspondent for the Breeders’ Gazette were still guests. Three machine-loads of men, women, and girls, totaling fourteen, had arrived shortly before the first gong and had remained to ride home in the moonlight. Graham could not remember their names; but he made out that they came from some valley town thirty miles away called Wickenberg, and that they were of the small-town banking, professional, and wealthy-farmer class. They were full of spirits, laughter, and the latest jokes and catches sprung in the latest slang.

“I see right now,” Graham told Paula, “if your place continues to be the caravanserai which it has been since my arrival, that I might as well give up trying to remember names and people.”

“I don’t blame you,” she laughed concurrence. “But these are neighbors. They drop in any time. Mrs. Watson, there, next to Dick, is of the old land-aristocracy. Her grandfather, Wicken, came across the Sierras in 1846. Wickenberg is named after him. And that pretty dark-eyed girl is her daughter…”

And while Paula gave him a running sketch[170] of the chance guests, Graham heard scarce half she said, so occupied was he in trying to sense his way to an understanding of her. Naturalness was her key-note, was his first judgment. In not many moments he had decided that her key-note was joy. But he was dissatisfied with both conclusions, and knew he had not put his finger on her[171]. And then it came to him – pride. That was it! It was in her eye, in the poise of her head, in the curling tendrils of her hair, in her sensitive nostrils, in the mobile lips, in the very pitch and angle of the rounded chin, in her hands, small, muscular and veined, that he knew at sight to be the hard-worked hands of one who had spent long hours at the piano. Pride it was, in every muscle, nerve, and quiver of her – conscious, sentient, stinging pride.

She might be joyous and natural, boy and woman, fun and frolic; but always the pride was there, vibrant, tense, intrinsic, the basic stuff of which she was builded. She was a woman, frank, outspoken, straight-looking, plastic, democratic; but toy she was not. At times, to him, she seemed to glint an impression of steel – thin, jewel-like steel. She seemed strength in its most delicate terms and fabrics. He fondled the impression of her as of silverspun wire, of fine leather, of twisted hair-sennit from the heads of maidens such as the Marquesans make[172], of carven pearl-shell for the lure of the bonita, and of barbed ivory at the heads of sea-spears such as the Eskimos throw.

“All right, Aaron,” they heard Dick Forrest’s voice rising, in a lull, from the other end of the table. “Here’s something from Phillips Brooks[173] for you to chew on[174]. Brooks said that no man ‘has come to true greatness who has not felt in some degree that his life belongs to his race, and that what God gives him, he gives him for mankind.’”

“So at last you believe in God?” the man, addressed Aaron, genially sneered back. He was a slender, long-faced olive-brunette, with brilliant black eyes and the blackest of long black beards.