The Little Lady of the Big House / Маленькая хозяйка большого дома. Книга для чтения на английском языке

On a warm morning, in the cool arcade of the great patio, a chance group of four or five, among whom was Paula, formed about Graham, who had been reading alone. After a time he returned to his magazine with such absorption that he forgot those about him until an awareness of silence penetrated to his consciousness. He looked up. All the others save Paula had strayed off. He could hear their distant laughter from across the patio. But Paula! He surprised the look on her face, in her eyes. It was a look bent on him, concerning him. Doubt, speculation, almost fear, were in her eyes; and yet, in that swift instant, he had time to note that it was a look deep and searching – almost, his quick fancy prompted, the look of one peering into the just-opened book of fate. Her eyes fluttered and fell, and the color increased in her cheeks in an unmistakable blush. Twice her lips moved to the verge of speech; yet, caught so arrantly in the act, she was unable to phrase any passing thought. Graham saved the painful situation by saying casually:

“Do you know, I’ve just been reading De Vries[344]’ eulogy of Luther Burbank’s[345] work, and it seems to me that Dick is to the domestic animal world what Burbank is to the domestic vegetable world. You are life-makers here – thumbing the stuff into new forms of utility and beauty.”

Paula, by this time herself again, laughed and accepted the compliment.

“I fear me,” Graham continued with easy seriousness, “as I watch your achievements, that I can only look back on a misspent life. Why didn’t I get in and make things? I’m horribly envious of both of you.”

“We are responsible for a dreadful lot of creatures being born,” she said. “It makes one breathless to think of the responsibility.”

“The ranch certainly spells fecundity,” Graham smiled. “I never before was so impressed with the flowering and fruiting of life. Everything here prospers and multiplies —”

“Oh!” Paula cried, breaking in with a sudden thought. “Some day I’ll show you my goldfish. I breed them, too – yea, and commercially. I supply the San Francisco dealers with their rarest strains, and I even ship to New York. And, best of all, I actually make money – profits, I mean. Dick’s books show it, and he is the most rigid of bookkeepers. There isn’t a tack-hammer on the place that isn’t inventoried; nor a horse-shoe nail unaccounted for. That’s why he has such a staff of bookkeepers. Why, do you know, calculating every last least item of expense, including average loss of time for colic and lameness, out of fearfully endless columns of figures he has worked the cost of an hour’s labor for a draught horse to the third decimal place.”

“But your goldfish,” Graham suggested, irritated by her constant dwelling on her husband.

“Well, Dick makes his bookkeepers keep track of my goldfish in the same way. I’m charged every hour of any of the ranch or house labor I use on the fish – postage stamps and stationery, too, if you please. I have to pay interest on the plant. He even charges me for the water, just as if he were a city water company and I a householder. And still I net ten per cent.[346], and have netted as high as thirty. But Dick laughs and says when I’ve deducted the wages of superintendence – my superintendence, he means – that I’ll find I am poorly paid or else am operating at a loss; that with my net I couldn’t hire so capable a superintendent.

“Just the same, that’s why Dick succeeds in his undertakings. Unless it’s sheer experiment, he never does anything without knowing precisely, to the last microscopic detail, what it is he is doing.”

“He is very sure,” Graham observed.

“I never knew a man to be so sure of himself,” Paula replied warmly; “and I never knew a man with half the warrant. I know him. He is a genius – but only in the most paradoxical sense. He is a genius because he is so balanced and normal that he hasn’t the slightest particle of genius in him. Such men are rarer and greater than geniuses. I like to think of Abraham Lincoln[347] as such a type.”

“I must admit I don’t quite get you,” Graham said.

“Oh, I don’t dare to say that Dick is as good, as cosmically good, as Lincoln,” she hurried on. “Dick is good, but it is not that. It is in their excessive balance, normality, lack of flare, that they are of the same type. Now I am a genius. For, see, I do things without knowing how I do them. I just do them. I get effects in my music that way. Take my diving. To save my life I couldn’t tell how I swan-dive, or jump, or do the turn and a half.