In 1881 Van Gogh started to study art, but remained in a somewhat provincial Dutch tradition, out of touch with the colouristic discoveries of Impressionism. In 1886 he came to Paris for a two-year stay with his brother Theo, and under the influence of Impressionism and Japanese prints freed his palette and worked out a fresh, new, highly original sense of pattern in contour. Having shown signs of depression and emotional instability, he left the north early in 1888, hoping to find a happier existence in Arles, in Provence. During the next two years, he painted at white heatoften a canvas a day – his series of masterpieces in a style unprecedented in European art. He was fascinated by the beauty of the landscape, by the southern light, absolutely different from that of northern France with its mists and rain. He noted that the intense sunlight could drive a man mad.
An excellent example of his brief period of happiness is his A View of La Craw, painted in June 1888, with its almost Renaissance perspective of fields and farms, a surprising revival of the principles that had been swept aside by the Impressionists and Gauguin. To Van Gogh space construction became an expressive device, moving the observer forcefully toward the distant mountains. The whole picture is coloured in red-gold and blue that were his own colours. The thick pigment, blazing colour, and strong, straight strokes are Van Gogh's personal transformation of Impressionist technique. The happy period did not last long. In September 1888 Van Gogh painted the first of his disturbing pictures,
In late December of the same year Van Gogh threw with violence a knife at Gauguin and then cut off his own ear. Van Gogh was cared for at first in the hospital at Arles, and then in the asylum at nearby Saint-Remy. He was allowed to paint and produced beautiful and moving works. Van Gogh's Self-portrait, painted in the asylum in September 1889, reveals the period of desperation through which the artist had passed. The brushstrokes are now curved and vibrate throughout the picture. In a mood of renewed confidence, the artist has endowed the painting with his own physical colouring: his ivory face, gold hair, red-gold beard float in tides of deep blue, the colour of the artist's eyes. Only in Rembrandt's self-portraits it is possible to find such intense self-revelation.
In the fields near the asylum, by day and at night, Van Gogh drew and painted the wonders of the earth and sky. These pictures communicate a mood of self-identification, which is the mark of religious ecstasy in Van Gogh. The
In May 1890 Van Gogh went to Paris for a three-day stay with his brother, then to Auvers where Dr. Paul Gachet took care of him. Despairing of the cure, he shot himself on July 27, and died two days later. For all the tragic circumstances of his life, Van Gogh won a spiritual victory in opening a new path for artistic vision and expression.
Make sure you know how to pronounce the following words:
Vincent Van Gogh; Theo; Protestant; evangelism; Provence
1. In 1886 Van Gogh started to study art but he was out of touch with the colouristic discoveries of Impressionism.
2. Van Gogh's favourite colours were green, white and blue.
3. In Italy Van Gogh painted his series of masterpieces in a style unprecedented in European art.
4. Van Gogh constantly drew and painted the wonders of the earth and sky.
5. Van Gogh was fascinated by the beauty of the landscape of northern France with its mists and rain.
6. Van Gogh won a spiritual victory in opening a new path for artistk vision and expression.
II. How well have you read? Can you answer the following questions?
1. What did Van Gogh do in his youth? What was the theme of Van Gogh's art? What did Van Gogh work out in Paris under the influence of Impressionism and Japanese prints?
2. Why did Van Gogh leave Paris? What did he do during the next two years? How many canvases did Van Gogh paint in Arles? What inspired Van Gogh?
3. What was revived in