Nothing is left to write of any more,all that there is to say was said before:all is recorded — every human breath.The poets have discussed God, love and death,the seasons and the land and water here,cities around us, and the atmosphere,creatures from the amoeba to the auk,including beings that can sing and talk.All you need do is listen, gratefully,to Swinburne, or Verlaine, or Po Chu-i.
7 Mar. 1956
528. Nocturne («Late twilight in October…»)
Late twilight in October.Stillness hangsabove primeval marshes like spun glass.Escaping lightly from the reaching armsof scrawny birch, the moon,opaque and naked,drops her seventh mist.No rustle stirsthe elderberries. Sorrowful, a loonraises his pointed head among the bladesof marsh grass; even he does not invadethe silence with habitual complaint.This is whensuddenly, passing high above, departing cranescry out between the earth and moonurgently, clearly, for a rapid moment;the marshes bear their softprovocative and wistful voices,high in the air, yet ultimately close;then they are gone.And in their wakethe first large timid snowflakesdim the moon.
There is something you want to say —thoughts gurgling in your brain,words choking your throat.Say them, say them before you stop breathing,see the darkness converging upon youfrom the sky — from the shore — from the water —The circles upon the water grow large and flatand disappear altogether,and the surface is silent.Speak out — call loudlyand say all those turbulent words,cry lustilyso that the shores will echo,then whisper softlythose last compassionate words,and all will be dark, dark.
1 Mar. 1957
530. «There was hoarfrost on the lawn this morning…»
There was hoarfrost on the lawn this morningat dawn.The seagulls were flying inland from the ocean,to the warm earth and the grass.They were gray in the early lightagainst the November sky.