I tried awhile to ring Information for the number at the clinic, but I couldn’t decipher the complicated switchboard. I finally gave up and walked to the couches. I took a seat in the one at the front of the rank, right at the windows. New louvered sun shades waited along the baseboard. They would replace the old blinds. Now the sun boomed in dead level, like cannon fire.
I got up and went around to the couch at the rear. It was still in the sun but I managed to pull it over into the bar of shade from one of the window frames. I sat down in the narrow shadow and closed my eyes.
Joe was gone a long time. The sun angled along. I had to keep scooting on the plastic to stay behind that shadow. I slumped back and folded my arms, hoping I might appear calm and relaxed should a guard happen past. I just about had the flutter in my breath under control when a thumping crash right at my feet made me jump a mile. My shoulder bag on the couch had been spilled by my fidgeting—the thump was the
I tried to make fun of myself: Whadja think, one of the guys in white gotcha with his butterfly net? I was leaning to gather up the spilled stuff when I saw something that got me worse than any net ever could. It was on the front cover of the book, one of the pictures taken years before-of a little boy in pajamas looking over the rail of a crib at the back of a cluttered bus. God Almighty had
yet…
there must be something more to it than surface waves to get you so good. It stirs too far down, rolls from too far away. To roll that far, wouldn’t the two moments have to share something deeper as well? some primal heading? some upwelling force from a mutual spring that drives the pair of times to join forces and become one many times more lasting than either original time alone, a double-sided moment that can roll powerfully across years and at the same time remain fixed, permanently laminated in a timeproof vault of the memory, where the little boy stands longing yet, in unfading Kodachrome, in flannel pajamas and Grateful Deadshirt both, on the porch at the farm and holding to the crib rail at the back of the bus, eyes shining forever brave down that dim and disorderly tube—
and yet…
it isn’t the longing. Or the bravery. It’s the trust. If Dad leaves a speed demon to babysit, the very act must signify it’s aw-right, right? If he says a visit to Disney World is a Big People’s business trip, then that’s that. Trust doesn’t fume off in a pout, like big brother Quiston, or wheedle like May or Sherree; but it does expect to have something brought back. It does expect to reel in something if it casts far and often and deep enough, like those faces on the ward. It does expect to slide in someday to more than a plate of dirt if it rounds bases enough. It expects these things because these things have been signified. That’s what gets you.
Especially if you’re one of those that’s been doing the signifying.
So the discovery that I was having