Mukerjee, Radhakamal.
“Rasas” as Springs of Art in Indian Aesthetics// The Journal of Aesthetics and Art Criticism, Vol. 24, No.l, Oriental Aesthetics. Autumn, 1965, pp. 91–96.Mukher ji Anuradha.
The Holy Light: A Study of Natural Light in Hindu Temples in the Southern Region ofTamilnadu, India (7th century AD to 17th century AD). Submitted to the Office of Graduate Studies of Texas A 8c M University in partial fulfillment of the requirements for the degree of Master of Science. August, 2001.Munshi К. M.
Indian Temple Sculpture. With an Introduction by Jawaharlal Nehru. Ed. by A. Goswami. Calcutta, 1956.Munshi К. M. Saga of Indian Sculpture.
Bharatiya Vidya Bhavan. Bombay. 1957.Munshi К. M. Somanatha: The Shrine Eternal.
Bharatiya Vidya Bhavan. Chowpatty: Bombay, 1965.Murugavel N.
R.Temple-Festivals of South India I I Temple India. Vive-kananda Kendra Patrika.Nagaswamy R.
Ganggaikondacholapuram. Tamilnadu State Department of Archaeology. 1970.Nagaswamy R. New Light on Pallava Pandya Art Links I I
South Indian Studies. Editor Dr. R. Nagaswamy. Madras. Society for Archaeological, Historical 8c Epigraphical Research, 1978.– Gateway to the Gods // The Living Culture of the Tamils. The Unesco Courier. March 1994, № 3.
– Village Gods and Heroes // The Living Culture of the Tamils. The Unesco Courier. March 1994, № 3.
Naidu, В. V.
Narayanaswamy. The Temple of Siva Nataraja at Chidambaram /I Dr. S. Krishnaswami Aiyangar Commemoration Volume. Published by the Committee, 1936.Nandakumar Prema.
Hindu Temples and Festivals: Spirituality as Communal Participation I I Hindu Spirituality. Postclassical and Modern. Edited by K. R. Sundararajan and Bithika Mukerji. Vol. II. Motilal Banarsidass Publishers. Private Limited. Delhi, 2003.Nandi T. S.
Worldly Nature of Rasa //Some Aspects Of The Rasa Theory. Edited by V. M. Kulkarni. Bhogilal Leherchand Institute of Indology. Delhi. 1986.Narasimhan P. R.
Philosophical Interpretation of the Temple Architecture I I Art and Architecture. The Contributions of the Tamils to Indian Culture. Vol. II. Edited by K. Bhagavathi. International Institute of Tamil Studies. Madras, 1994.Narayanan Rama.
Popular Gods as seen from Sculpture in the Temples of Tamil Nadu I I Heritage of the Tamils Temple Arts. Ed. S.V. Subramanian, G. Rajendran. Madras. International Institute of Tamil Studies. 1985.Natarajan K.
Miss Mayo’s Mother India a Rejoinder. Madras, 1927.Nāgar, Amrtlāl.
Mahabhdrata. Dilll. 2009 (на хинди).Ndtyasdstra ofBharatamuni with the commentary «Abhinavabhdrati» by Abhinavaguptdcdrya.
Vol. I. Edition by K. Krishnamoorthy. Oriental Institute, Vadodara, 1992.– Volume II (Chapters 8-18). Edited by Late M. Ramakrishna Kavi. Oriental Institute, Vadodara (India), 2001.
– Volume IV (Chapters 28–37). Editedby Late M. Ramakrishna Kavi and Late J. S. Pade. Oriental Institute, Vadodara (India),
2006.
Nayar T. S., Binu S., Pushpangadan P.
Uses of Plants and Plant Products in Traditional Indian Mural Paintings. Economic Botany 53 (1), 1999.Nishanthi, M.
Terracotta Elephant Figures Used in Sri Lanka for Rituals and Beliefs // Asian Elephants in Culture 8c Nature. Centre for Asian Studies, University of Kelaniya, Sri Lanka. 2016.Orr, Leslie C.
Women of Medieval South India in Hindu Temple Ritual: Text and Practice I I Annual Review of Women in World Religions. 1993, 3:107–141.Orr, Leslie C.
Donors, Devotees, and Daughters of God. Temple Women in Medieval Tamilnadu. New York, Oxford, Oxford University Press. 2000.O’Shea, Janet.
At Home in the World. Bharata Natyam on the Global Stage. Wesleyan University Press, Middletown, Connecticut. 2007.