Международный психоаналитический ежегодник. Шестой выпуск. Избранные статьи из «Международного журнала психоанализа» (сборник)

Berman E. (2001). Hitchcock’s Vertigo: The collapse of a rescue fantasy // Gabbard G.O., editor. Psychoanalysis and film. London: Karnac.

Boileau P., Narcejac N. (1958). Sueurs froides (D’entre les morts). Paris: Denoel.

Boileau P., Narcejac N. (1997). Vertigo, Sainsbury G, translator. London: Bloomsbury Film Classics.

Bollas C. (1995). The structure of evil. In: Cracking up: The work of unconscious experience, 180–220. New York, NY: Hill & Wang.

Freud S. (1900). The interpretation of dreams. SE 4, 5.

Freud S. (1927). Humour. SE 21:159–166.

Gabbard G.O. (1998). Vertigo: Female objectification, Male desire, and object loss. Psychoanal Inq 18:161–167.

Gordon P. (2008). Dial M for mother: A Freudian Hitchcock. Teaneck, NJ: Fairleigh Dickinson UP.

Hicks D. (2011). Dignity: Its essential role in resolving conflict. New Haven, CT: Yale UP.

Higham C. (1962). Hitchcock’s world. Film Q 16:3 – 16.

Jaeger C.S. (2012). Enchantment. Philadelphia, PA: U Pennsylvania Press.

Krohn B. (2000). Hitchcock at work. London: Phaidon.

Lee S.H. (1986). Existential themes in the films of Alfred Hitchcock. Philos Res Archives 11:225–244.

Levine S.S. (2009). On the mirror stage with Henry and Eliza, or play-ing with Pygmalion in five acts // Levine S.S. Loving psychoanalysis: Technique and theory in the therapeutic relationship, 7 – 29. Lanham, MD: Aronson.

Marcovitz E. (1970). Dignity. Bull Philadelphia Assoc Psychoanal 20:105–116.

Perry D.R. (2003). Hitchcock and Poe: The legacy of delight and terror. Lanham, MD: Scarecrow.

Poague L. (2002). Engendering Vertigo // Gottlieb S., Brookhouse C., editors. Framing Hitchcock: Selected essays from the Hitchcock annual, 18–54. Detroit, MI: Wayne State UP.

Pomerance M. (2004). An eye for Hitchcock. New Brunswick, NJ: Rutgers UP.

Ravetto-Biagioli K. (2011). Vertigo and the vertiginous history of film theory. Camera Obscura 75, 25 (3):100–142.

Richman K.A. (2004). Ethics and the metaphysics of medicine: Reflections on health and beneficence. Cambridge, MA: MIT Press.

Rosen M. (2012). Dignity: Its history and meaning. Cambridge, MA: Harvard UP.

Rothman W. (2004). The «I» of the camera: Essays in film criticism, history, and aesthetics. Cambridge: Cambridge UP.

Sabbadini A. (2014). Moving images: Psychoanalytic reflections on film. Hove: Routledge.

Sanchez-Cardenas M. (2013). Matte Blanco and narrativity: Hitchcock’s Vertigo. Int J Psychoanal 94:825–840.

San Juan E., McDevitt J. (2013). Hitchcock’s villains: Murderers, maniacs, and mother issues. Lanham, MD: Scarecrow.

Spoto D. (1983). The dark side of genius: The life of Alfred Hitchcock. New York, NY: Ballantine.

Stoichita V.I. (2008). The Pygmalion effect: From Ovid to Hitchcock, Anderson A., translator. Chicago, IL: U Chicago Press.

Truffaut F. (1969). Hitchcock. London: Panther.

Winnicott D.W. (1971). Playing and reality. Harmondsworth: Penguin.

Wood R. (2009). Retrospective // Deutelbaum M., Poague L., editors. A Hitchcock reader. 2nd edn, 35–46. Oxford: Wiley-Blackwell.

Zizek S. (1990). How the non-duped err. Qui Parle 4:1 – 20.

Ханна Сигал

Размышления о работе Ханны Сигал (1918–2011) [121] , [122] Джон Стайнер

John Steiner. Reflections on the work of Hanna Segal (1918–2011). Int J Psychoanal (2015) 96:165–175.

63 Cholmley Gardens, London, NW6 1AJ 020 7794 1708, UK – johnsteiner28@gmail.com.