Many theatrical historians have puzzled over this lenity. But if the Lord Chamberlain’s Men had indeed been threatened and cajoled by the plotters, the members of the committee may well have decided to exercise clemency. Tudor law is often regarded as inconsistent and draconian, but there was still a measure of fair play and common sense in its decisions. The players also had a reliable patron in the Lord Chamberlain, a loyal and trusted servant of the queen to whom he was also closely related. If they had been charged with treachery would not the shadow of suspicion, however unjustified, have fallen upon him also? That was unthinkable. Others have suggested that the good report of Francis Bacon, a friend of the players, saved the company. It is also evident that Elizabeth herself regarded the Lord Chamberlain’s Men with particular favour – especially, perhaps primarily, because of their Shakespearian repertoire. So, by the grace of God and Her Majesty, Shakespeare and his fellows avoided the prison or even the gallows. In fact, a week after Phillips’s interrogation, the Lord Chamberlain’s Men were once more playing before the queen. On the day after that performance, Essex was beheaded.
CHAPTER 70
Cut I Am in Their Bosomes
There is one small episode of the period that also merits attention. At a slightly later date William Shakespeare sued a Stratford apothecary, Philip Rogers, for non-payment upon a consignment of malt. He had sold 20 bushels, at a price of 38 shillings, and then lent Rogers a further 2 shillings. Rogers himself had repaid only 6 shillings of the total amount, and so Shakespeare went to court for the remainder with a further demand for 10 shillings in damages. Nothing more is known of the case, and so it is likely that Rogers made reparations. It testifies, if nothing else, to Shakespeare’s strong sense of financial justice. It also suggests that Anne Shakespeare, in charge of domestic arrangements, ran something of a small household business in Stratford itself.