Another thing for which I had cause to thank the spirit of Parlabane was that in none of his letters to police or newspapers had he mentioned the Gryphius Portfolio. Where it was now I had no idea. But late on the Friday of the second week of this siege by newspapers and publishers I was sitting in Hollier's outer room, trying to get on with some of my own work, and not managing to do so, when there came a knock at the door.
"Go away," I shouted.
The knock was repeated, more powerfully.
"Bugger off!" I called, in something like a roar.
But I had not locked the door, and now it opened and Arthur Cornish poked his head around it, grinning.
"That's no way to speak to an old friend, Maria."
"Oh, it's you! If you're an old friend, why didn't you come sooner?"
"I assumed you would be busy. I've been reading about you in the papers, and they all said you were closeted with publishers for twelve hours a day, making juicy terms about your friend's book, over magnums of champagne."
"It's all very well for you to be facetious; I've been living like a hunted animal."
"Do you dare to come out with me for dinner? If you wear a heavy veil, nobody will recognize you. A veil and perhaps a pillow under the back of your coat. I'll say you are an unpresentable aunt; a Veiled Hunchback. Anyhow, I'd thought of going to a nice dark place."
I was not in the mood to be teased, but I was very much in a mood to be fed. I had not dared to eat in a restaurant since the trouble began, and I was sick of Mamusia's grim meals. He took me to a very good place, sat in a dark corner, and ordered a very good meal. It was deeply soothing to the spirit – a far cry from The Rude Plenty in the company of Parlabane. Of course we talked about the murder, the excitement, and the trouble I had been having. There was no pretence of rising above the most interesting thing either of us knew about at the moment, but it was possible, in these circumstances, to see it in a different light.
"So Hollier has taken to his bed and left you holding the bag?"
"The loss of the Gryphius Portfolio was the last straw. He simply couldn't believe Darcourt would take it. Where is it now?"
"I have it. Darcourt was evasive about how he came by it, but I gathered it had something to do with McVarish."
"What are you going to do with it?"
"I'd rather thought of giving it as a wedding present."
"Who to?"
"Why, to you and Hollier, of course. You
"No, I'm not."
"Then I am mistaken."
"You never thought any such thing."
"But you and he were so absorbed in your work. You were so very much his disciple. What did the murderer-monk call you – his
"You're being very objectionable."
"Not intentionally; I only want to get things straight."
"I wouldn't marry him even if he asked me. Which he won't. His mother wouldn't let him."
"Really? Is he under her thumb, then?"
"That's not fair. He lives for his work. People do, you know, in the University. But when I saw him in his mother's house, I knew that was where his emotions live still. His mother is on to me."
"Meaning?"
"When she looks at me I see a balloon coming out of her head with Gypsy Bitch written in it, like somebody in the comics."
"Not Bitch, surely."
"To people like her all Gypsy girls are bitches."
"That's a shame. I looked forward to giving you that Portfolio as a wedding present. Well, when you decide to marry somebody else, it's yours."
"Oh, please don't say that. Please give it to the University library, because Hollier wants it more than you can guess."
"You forget that it is mine. It was not included in the gifts to the University, and in fact I paid the bill for it less than a month ago; those dealers in rare manuscripts are slow with their bills, you know. Perhaps because they are ashamed of the prices they ask. I feel no yearning to oblige Professor Hollier; I once told you I'm a man of remarkable taste; I don't like a man who doesn't know a good thing when he sees it."
"Meaning -?"
"Meaning you. I think he's treated you shabbily."
"But you wouldn't expect him to marry me just to get the Gryphius, would you? Do you think I'd say yes to such a proposal?"
"Don't tempt me to give you an answer to either of those questions."
"You think very poorly of me, I see."
"I think the world of you, Maria. So let's stop this foolishness and talk to the point. Will you marry me?"
"Why should I marry you?"
"That would take a long time to answer, but I'll give you the best reason: because I think we have become very good friends, and could go on to be splendid friends, and would be very likely to be wonderful friends forever."
"Friends?"
"What's wrong with being friends?"
"When people talk about marriage, they generally use stronger words than that."
"Do they? I don't know. I've never asked anyone to marry me before."
"You mean you've never been in love?"
"Certainly I've been in love. More times than I can count. I've had two or three affairs with girls I loved. But I knew very well that they weren't friends."