Страдающее Средневековье. Парадоксы христианской иконографии

Holly F. Women Wielding Knives: The Circumcision of Christ by His Mother in an Illustrated Manuscript of the Meditationes Vitae Christi (Paris, Bibliothèque Nationale de France ital. 115) // The Christ Child in Medieval Culture. Alpha est et O! Toronto; Buffalo; London: University of Toronto Press, 2012. Pp. 145–166.

Hotchkiss V. R. Clothes make the Man. Female Cross Dressing in Medieval Europe. London; New York: Routledge, 2012.

Lavin M. A. Maria-Ecclesia and the Meaning of Marriage in the Late 13th Century // Acta ad Archaeologiam et Artium Historiam Pertinentia, 2008, Vol. 21. Pp. 153–169.

Lavin M. A. The «Stella Altarpiece». Magnum Opus of the Cesi Master // Artibus et Historiae, 2001, Vol. 22, № 44. Pp. 9–22.

Lewis F. The Wound in Christ's Side and the Instruments of Passion: Gendered Experience and Response // Women and the Book: Assessing the Visual Evidence. Toronto; London: British Library, University of Toronto Press, 1997. Pp. 204–229.

Mikuž J. Le sang et le lait dans l'imaginaire médiéval. Ljubljana: Založba ZRC, 2013.

Olson V. Penetrating the Void: Picturing the Wound in Christ's Side as a Performative Space // Wounds and Wound Repair in Medieval Culture. Leiden; Boston: Brill, 2015. Pp. 313–339.

Reilly D. J. Picturing the Monastic Drama: Romanesque Bible Illustrations of the Song of Songs // Word & Image: A Journal of Verbal/Visual Enquiry, 2001, Vol. 17, № 4. Pp. 389–400.

Steinberg L. The Sexuality of Christ in Renaissance Art and in Modern Oblivion (2^nd ed.). Chicago; London: The University of Chicago Press, 1996.

Мать или дева? Как рождается бог

Baert B. The Annunciation Revisited. Essay on the Concept of Wind and the Senses in Late Medieval and Early Modern Visual Culture // Critica d'arte, 2013, Vol. 47–48. Pp. 57–68.

Bynum C. W. Encounter: Holy Beds // Gesta, 2016, Vol. 55, № 2. Pp. 129–131.

Gertsman E. Image as Word: Visual Openings, Verbal Imaginings // Studies in Iconography, 2011, Vol. 32. Pp. 51–80.

Hull V. J. The Sex of the Savior in Renaissance Art: the Revelations of Saint Bridget and the Nude Christ Child in Renaissance Art // Studies in Iconography, 1993, Vol. 15. Pp. 77–112.

Ippel I. A Christmas Crib as a Meek Heart of the Late Mediaeval Christian // The Rijksmuseum Bulletin, 2014, Vol. 62, № 4. Pp. 330–347.

Jung J. E. Crystalline Wombs and Pregnant Hearts. The Exuberant Bodies of the Katharinenthal Visitation Group // History in the Comic Mode. New York: Columbia University Press, 2007. Pp. 223–237.

Katz M. R. Marian Motion: Opening the Body of the Vierge Ouvrante // Meaning in Motion. The Semantics of Movement in Medieval Art. Princeton: Princeton University Press, 2011. Pp. 63–91.

Langum V. «As a Kinde Modur Schulde»: Mary and Natural Maternity in the Middle Ages // Words and Matter: The Virgin Mary in Late Medieval and Early Modern Parish Life. Stockholm: Sällskapet Runica et Mediaevalia, 2015. Pp. 133–148.

L'Estrange E. Holy Motherhood. Gender, Dynasty and Visual Culture in the Later Middle Ages. Manchester: Manchester University Press, 2012.

LeZotte A. Cradling Power: Female Devotions and Early Netherlandish Jésueaux // Push Me, Pull You. Imaginative and Emotional Interaction in Late Medieval and Renaissance Art. Vol. 2. Leiden; Boston: Brill, 2011. Pp. 59–84.

Neff A. The Pain of Compassio: Mary’s Labor at the Foot of the Cross // The Art Bulletin, 1998, Vol. 80, № 2. Pp. 254–273.

Salvador Gonzalez J. M. Per Aurem Intrat Christus in Mariam. An Iconographic Approach to the Conceptio per Aurem in Italian Trecento Painting from Patristic and Theological Sources // De Medio Aevo, 2016, Vol. 5, № 1. Pp. 83–122.

Steinberg L. «How Shall This Be?» Reflections on Filippo Lippi's «Annunciation» in London. Part I // Artibus et Historiae, 1987, Vol. 8, № 16. Pp. 25–44.

Гендерный беспорядок — кто в семье главный?

Coo J., de. Das Josefshosen-Motiv im Weihnachtslied und in der bildenden Kunst // Jahrbuch für Volksliedforschung, 1966. Pp. 58–89.

Decker J. More Strength for Contemplation: Spiritual Play in the Amsterdam Holy Kinship // Journal of Historians of Netherlandish Art, 2016, Vol. 8, № 1.

Hahn C. «Joseph will Perfect, Mary Enlighten and Jesus Save Thee»: The Holy Family as Marriage Model in the Mérode Triptych // The Art Bulletin, 1986, Vol. 68, № 1. Pp. 54–66.

Hand J. O. Saint Anne with the Virgin and the Christ Child by the Master of Frankfurt // Studies in the History of Art, 1982, Vol. 12. Pp. 43–52.

Herlihy D. The Making of the Medieval Family: Symmetry, Structure and Sentiment // Journal of Family History, 1983, Vol. 8, № 2. Pp. 116–130.