Читаем The Rebel Angels полностью

What did the house make of it? The poodles barked furiously. Mrs. Faiko remained invisible, but turned up the volume of her TV. Miss Gretser appeared in her nightdress, supported by Mrs. Schreyvogl, and they nodded and smiled appreciatively, and so did Mrs. Nowaczynski, who had been in the bathroom and made an appearance without teeth or wig that embarrassed her more than it did us. On the third floor Mr. Kostich looked out on the landing in his pyjamas, and smiled and said, "Great! Very fine Madam," but Mr. Home burst out of his door in a fury, shouting, "Jesus, isn't anybody supposed to get any sleep around here?"

Mamusia stopped playing, and gestured with her bow towards Mr. Home, who slept in his pyjama jacket only, so that his shrivelled and unpleasing privy parts were offered to our view. "Mr. Home," she said, grandly; "Mr. Home is a male nurse."

As if a button had been touched, Mr. Home screamed, "Well I sure as hell ain't a female nurse! Now stop that fucking row, willya, or I'll beat the bejesus outa you all!"

Yerko approached Mr. Home very softly. "You not talk like that to my sister. You not talk dirty to my niece, who is a virgin. You not make ugly when we sing for Bebby Jesus. You shut up."

Mr. Home did not shut up. He shouted, "You're drunk, the whole bunch of you! Maybe it's Christmas for you, but it's a work day for me."

Yerko advanced upon Mr. Home, and nicked him sharply on the tip of his penis with one of the long, supple hammers of his cimbalom. Mr. Home danced and screamed, and I forgot to maintain my virginal character and laughed loud and long as we retreated down the stairs, where the poodles were still barking. It came to me that Rabelais would have enjoyed this.

Mamusia remembered that she was appearing to my friends as a great lady. In a voice pitched to reach the ear of Mr. Home she explained, "You must pay no attention. He is a man of low birth and I have him here out of pity."

Mr. Home's rage could find no words, but he shouted inarticulately until we were back in Mamusia's apartment.

"That song we were singing," said Darcourt; "the tune is familiar. Surely it comes in one of Liszt's Hungarian Rhapsodies?"

"Our music is much admired," said Mamusia. "People steal it, which shows its value. This Liszt, this great musician, he steals from us all the time."

"Mamusia, Liszt is long dead," I said, because the University girl was not wholly overcome in me and I did not want her to appear ignorant to Hollier.

Mamusia was not one to admit error. "The truly great are never dead," she said, and Hollier shouted, "Magnificently said, Madame!"

"Coffee! You have not yet had coffee," she said. "Yerko, give the gentlemen cigars, while Maria and I prepare coffee."

When we returned to the living-room Hollier was looking on, as Darcourt was handling one of the Kings from the crèche; Yerko was explaining some detail of his work of ornamentation.

"Here it is! True Kalderash coffee, black as revenge, strong as death, sweet as love! Maria, give this to Professor Hollier."

I took the cup, and handed it instead to Darcourt, because he was nearer. I thought I heard Mamusia draw her breath rather sharply, but I paid no heed to it. I was having a little trouble not to weave and stagger. Apricot brandy, in quantity, is terrible stuff.

Coffee. More coffee. Long, black cheroots with a tangy smell that could have been camel's dung, so powerfully did it evoke the East. I tried to keep command of myself, but I knew my eyelids were falling, and I wondered if I could stay awake until the guests were gone.

At last they did go, and I went with them to the front door, where we kissed again, to end the party. It seemed to me that Darcourt took longer about it than his professor-uncle status quite justified, but after all he was not really old. He had a pleasant smell. I have always been conscious of how people smell, and that is something civilization does not encourage, and countless advertisements tell us every day that it is not the proper thing to have a recognizably human smell at all. My crown ignores smells, but my root has a keen nose, and after the party my root was wholly in charge. Darcourt had a good smell, like a nice clean man. Hollier, on the other hand, had a slightly fusty smell, like the smell that comes from a trunk when it is opened after many years. Not a bad smell, but not an attractive smell. Perhaps it was the suit. I thought of this as I stood at the door for a moment, watching them walk away in the light snow, taking deep breaths of the sharp air.

When I went back to the flat, I heard Mamusia say to Yerko, in Romany, "No, don't drink that!"

"Why not? Coffee. Hollier didn't drink his second cup."

"Don't drink it, I tell you."

"Why not?"

"Because I say so."

"Have you put something in it?"

"Sugar."

"Of course. But what else?"

"Just a little of something special, for him."

"What?"

"It doesn't matter."

"You lie! What have you put in the professor's cup? He's my friend. You tell me or I'll beat you."

Перейти на страницу:

Похожие книги

Ад
Ад

Анри Барбюс (1873–1935) — известный французский писатель, лауреат престижной французской литературной Гонкуровской премии.Роман «Ад», опубликованный в 1908 году, является его первым романом. Он до сих пор не был переведён на русский язык, хотя его перевели на многие языки.Выйдя в свет этот роман имел большой успех у читателей Франции, и до настоящего времени продолжает там регулярно переиздаваться.Роману более, чем сто лет, однако он включает в себя многие самые животрепещущие и злободневные человеческие проблемы, существующие и сейчас.В романе представлены все главные события и стороны человеческой жизни: рождение, смерть, любовь в её различных проявлениях, творчество, размышления научные и философские о сути жизни и мироздания, благородство и низость, слабости человеческие.Роман отличает предельный натурализм в описании многих эпизодов, прежде всего любовных.Главный герой считает, что вокруг человека — непостижимый безумный мир, полный противоречий на всех его уровнях: от самого простого житейского до возвышенного интеллектуального с размышлениями о вопросах мироздания.По его мнению, окружающий нас реальный мир есть мираж, галлюцинация. Человек в этом мире — Ничто. Это означает, что он должен быть сосредоточен только на самом себе, ибо всё существует только в нём самом.

Анри Барбюс

Классическая проза
Радуга в небе
Радуга в небе

Произведения выдающегося английского писателя Дэвида Герберта Лоуренса — романы, повести, путевые очерки и эссе — составляют неотъемлемую часть литературы XX века. В настоящее собрание сочинений включены как всемирно известные романы, так и издающиеся впервые на русском языке. В четвертый том вошел роман «Радуга в небе», который публикуется в новом переводе. Осознать степень подлинного новаторства «Радуги» соотечественникам Д. Г. Лоуренса довелось лишь спустя десятилетия. Упорное неприятие романа британской критикой смог поколебать лишь Фрэнк Реймонд Ливис, напечатавший в середине века ряд содержательных статей о «Радуге» на страницах литературного журнала «Скрутини»; позднее это произведение заняло видное место в его монографии «Д. Г. Лоуренс-романист». На рубеже 1900-х по обе стороны Атлантики происходит знаменательная переоценка романа; в 1970−1980-е годы «Радугу», наряду с ее тематическим продолжением — романом «Влюбленные женщины», единодушно признают шедевром лоуренсовской прозы.

Дэвид Герберт Лоуренс

Проза / Классическая проза
Вор
Вор

Леонид Леонов — один из выдающихся русских писателей, действительный член Академии паук СССР, Герой Социалистического Труда, лауреат Ленинской премии. Романы «Соть», «Скутаревский», «Русский лес», «Дорога на океан» вошли в золотой фонд русской литературы. Роман «Вор» написан в 1927 году, в новой редакции Л. Леонона роман появился в 1959 году. В психологическом романе «Вор», воссоздана атмосфера нэпа, облик московской окраины 20-х годов, показан быт мещанства, уголовников, циркачей. Повествуя о судьбе бывшего красного командира Дмитрия Векшина, писатель ставит многие важные проблемы пореволюционной русской жизни.

Виктор Александрович Потиевский , Леонид Максимович Леонов , Меган Уэйлин Тернер , Михаил Васильев , Роннат , Яна Егорова

Фантастика / Проза / Классическая проза / Малые литературные формы прозы: рассказы, эссе, новеллы, феерия / Романы