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Langdon lowered his gaze and saw a slender man standing beneath the spider. He wore a black brocade sherwani and had an almost comical curling Salvador Dalí mustache.

“My name is Fernando,” he continued, “and I’m here to welcome you to the museum.” The man perused a collection of name tags on a table before him. “May I have your name, please?”

“Certainly. Robert Langdon.”

The man’s eyes shot back up. “Ah, I am so sorry! I did not recognize you, sir!”

I barely recognize myself, Langdon thought, advancing stiffly in his white bow tie, black tails, and white waistcoat. I look like a Whiffenpoof. Langdon’s classic tails were almost thirty years old, preserved from his days as a member of the Ivy Club at Princeton, but thanks to his faithful daily regimen of swimming laps, the outfit still fit him fairly well. In Langdon’s haste to pack, he had grabbed the wrong hanging bag from his closet, leaving his usual tuxedo behind.

“The invitation said black and white,” Langdon said. “I trust tails are appropriate?”

“Tails are a classic! You look dashing!” The man scurried over and carefully pressed a name tag to the lapel of Langdon’s jacket.

“It’s an honor to meet you, sir,” the mustached man said. “No doubt you’ve visited us before?”

Langdon gazed through the spider’s legs at the glistening building before them. “Actually, I’m embarrassed to say, I’ve never been.”

“No!” The man feigned falling over. “You’re not a fan of modern art?”

Langdon had always enjoyed the challenge of modern art—primarily the exploration of why particular works were hailed as masterpieces: Jackson Pollock’s drip paintings; Andy Warhol’s Campbell’s Soup cans; Mark Rothko’s simple rectangles of color. Even so, Langdon was far more comfortable discussing the religious symbolism of Hieronymus Bosch or the brushwork of Francisco de Goya.

“I’m more of a classicist,” Langdon replied. “I do better with da Vinci than with de Kooning.”

“But da Vinci and de Kooning are so similar!”

Langdon smiled patiently. “Then I clearly have a bit to learn about de Kooning.”

“Well, you’ve come to the right place!” The man swung his arm toward the massive building. “In this museum, you will find one of the finest collections of modern art on earth! I do hope you enjoy.”

“I intend to,” Langdon replied. “I only wish I knew why I’m here.”

“You and everyone else!” The man laughed merrily, shaking his head. “Your host has been very secretive about the purpose of tonight’s event. Not even the museum staff knows what’s happening. The mystery is half the fun of it—rumors are running wild! There are several hundred guests inside—many famous faces—and nobody has any idea what’s on the agenda tonight!”

Now Langdon grinned. Very few hosts on earth would have the bravado to send out last-minute invitations that essentially read: Saturday night. Be there. Trust me. And even fewer would be able to persuade hundreds of VIPs to drop everything and fly to northern Spain to attend the event.

Langdon walked out from beneath the spider and continued along the pathway, glancing up at an enormous red banner that billowed overhead.

AN EVENING

WITH EDMOND KIRSCH

Edmond has certainly never lacked confidence, Langdon thought, amused.

Some twenty years ago, young Eddie Kirsch had been one of Langdon’s first students at Harvard University—a mop-haired computer geek whose interest in codes had led him to Langdon’s freshman seminar: Codes, Ciphers, and the Language of Symbols. The sophistication of Kirsch’s intellect had impressed Langdon deeply, and although Kirsch eventually abandoned the dusty world of semiotics for the shining promise of computers, he and Langdon had developed a student–teacher bond that had kept them in contact over the past two decades since Kirsch’s graduation.

Now the student has surpassed his teacher, Langdon thought. By several light-years.

Today, Edmond Kirsch was a world-renowned maverick—a billionaire computer scientist, futurist, inventor, and entrepreneur. The forty-year-old had fathered an astounding array of advanced technologies that represented major leaps forward in fields as diverse as robotics, brain science, artificial intelligence, and nanotechnology. And his accurate predictions about future scientific breakthroughs had created a mystical aura around the man.

Langdon suspected that Edmond’s eerie knack for prognostication stemmed from his astoundingly broad knowledge of the world around him. For as long as Langdon could remember, Edmond had been an insatiable bibliophile—reading everything in sight. The man’s passion for books, and his capacity for absorbing their contents, surpassed anything Langdon had ever witnessed.

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Ниро Вулф, страстный коллекционер орхидей, большой гурман, любитель пива и великий сыщик, практически никогда не выходит из дому. Все преступления он распутывает на основе тех фактов, которые собирает Арчи Гудвин, его обаятельный, ироничный помощник с отличной памятью.На финальном этапе конкурса, который устраивает парфюмерная компания, убит один из организаторов, а из его бумажника исчезают ответы на заключительные вопросы. Под подозрением все пять финалистов, и, чтобы избежать скандала, организаторы просят Вулфа найти листок с ответами. Вопреки мнению полиции Вулф придерживается версии, что человек, укравший ответы, и убийца – одно и то же лицо.К Ниро Вулфу обращается человек с просьбой найти сына, ушедшего из дому одиннадцать лет назад. Блудного сына довольно быстро удается найти, но находят его в тюрьме, где тот сидит по обвинению в убийстве. И Вулфу необходимо доказать его невиновность.Кроме романов «Успеть до полуночи» и «Лучше мне умереть», в сборник вошли еще три повести об очередных делах знаменитого сыщика.

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